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Romitelli: Audiodrome, EnTrance, etc / Rundel, MIchel-Dansac

Album Summary

>Romitelli, Fausto : Dead City Radio. Audiodrome, for orchestra
>Romitelli, Fausto : EnTrance, for voice, orchestra & electronics
>Romitelli, Fausto : Flowing down too slow, for strings, percussion & 2 samplers
>Romitelli, Fausto : The Nameless City, for string orchestra & bells (ad libitum)
Performer Conductor Ensemble Composer

Notes & Reviews:

Fausto Romitelli had a postmodern awareness, principally the result of his encounter with the Spectralism of Hugues Dufouet and Gerard Grisey, and the peculiarities of sound and form associated with that approach. Spectralism proposes that sound is not something carved in stone, but a force field. Sound exists because it is a piece of space-cum-time. Romitelli accentuated the way in which allegory and fantasy can be linked to this conception of sound.



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Works Details

>Romitelli, Fausto : Dead City Radio. Audiodrome, for orchestra
  • Conductor: Peter Rundel
  • Ensemble: Italian Radio Symphony Orchestra
  • Notes: Torino, Auditorium RAI (09/26/2005-09/30/2005)
  • Running Time: 14 min. 12 sec.
  • Period Time: Contemporary
  • Written: 2003

>Romitelli, Fausto : EnTrance, for voice, orchestra & electronics
  • Performer: Donatienne Michel-Dansac (Soprano)
  • Conductor: Peter Rundel
  • Ensemble: Italian Radio Symphony Orchestra
  • Notes: Torino, Auditorium RAI (09/26/2005-09/30/2005)
  • Running Time: 16 min. sec.
  • Period Time: Contemporary
  • Written: 1995

>Romitelli, Fausto : Flowing down too slow, for strings, percussion & 2 samplers
  • Conductor: Peter Rundel
  • Ensemble: Italian Radio Symphony Orchestra
  • Notes: Torino, Auditorium RAI (09/26/2005-09/30/2005)
  • Running Time: 10 min. 53 sec.
  • Period Time: Contemporary
  • Written: 2001

>Romitelli, Fausto : The Nameless City, for string orchestra & bells (ad libitum)
  • Conductor: Peter Rundel
  • Ensemble: Italian Radio Symphony Orchestra
  • Notes: Torino, Auditorium RAI (09/26/2005-09/30/2005)
  • Running Time: 12 min. 51 sec.
  • Period Time: Contemporary
  • Written: 1997