Couperin, Lalande: Leçons de ténèbres / Kirkby, Mellon

Notes & Reviews:

Within the liturgy of the Catholic Church there is a long tradition of singing the Lamentations of Jeremiah during Holy Week, based on a parallel being drawn between the text's description of the destruction of Jerusalem in 586 BC and the death of Christ. By the time of Couperin and de Lalande, a practice had been established in which the text was divided into nine 'lessons' sung over three days, with one candle of a special candelabra being extinguished after each lesson, until 'tenebrae' or darkness was achieved on Good Friday.

The Leçons de Ténèbres gathered here are some of the finest in the genre. By the time of Couperin and Lalande, a practice of singing the Lamentations of Jeremiah during Holy Week had been established in which the text was divided into nine 'lessons' sung over three days, with one candle of a special candelabra being extinguished after each lesson, until 'tenebrae' or darkness was achieved on Good Friday. The three Leçons by François Couperin, composed for the royal monastery of Longchamp c. 1714, are highly regarded. (Couperin himself at one time referred to a full set of nine lessons, but only the three for Holy Wednesday are known today.) Couperin, named 'Organiste du Roi' in 1693, was the colleague of de Lalande, 'Maître de Chapelle' at the French court, whose own Leçons were composed for the royal chapel.

"When the two voices swell fervently there is a sense of emotional arrival, mutual enhancement and discovery." - Gramophone

"Couperin's Leçons de ténèbres are justly celebrated, their intense yet intimate sound-world reflecting both the agony and the ecstasy of these texts. ...the crystalline purity of Emma Kirkby's soprano offsets the smoky tones of Agnès Mellon. Eloquent restraint and internalised ardour combine in these sensitively judged accounts. Less well known than the Couperin are Lalande's hypnotic Tenebrae settings... These are, in short, performances of infinite tenderness, profound affection and mature insight." - BBC Music Magazine



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Works Details

>Couperin, François : Leçons de tenébres :: Premier leçon
  • Performers: Charles Medlam (Cello); Agnès Mellon (Soprano); Emma Kirkby (Soprano); Terence Charlston (Harpsichord)
  • Period Time: Baroque
  • Form: Choral
  • Written: 1713-1717
  • Studio/Live: Studio

>Delalande, Michel-Richard : Leçons de Ténèbres, H 31 :: Excerpt(s)
  • Performers: Agnès Mellon (Soprano); Charles Medlam (Cello); Emma Kirkby (Soprano); Terence Charlston (Harpsichord)
  • Period Time: Baroque
  • Written: by 1711
  • Studio/Live: Studio