Notes & Reviews:
BBC Music Magazine
Pickard is a born master of the orchestra, so BIS's imaginative decision to make this disc deserves high praise. A marvellous disc, urgently recommended.
Gramophone Classical Music Guide
In many respects, The Flight of Icarus (1990) was John Pickard's breakthrough work, at least into the wider national consciousness, partly thanks to its London premiere at the 1996 Proms but also due to its clear structure, accessible (though not unchallenging) musical language and the sheer élan of its orchestral writing. Playing continuously, its three compelling sections are indicative of the ascent of Icarus and Daedalus from their Minoan confinement, their exhilarating albeit turbulent flight and Icarus's catastrophic fall, prompting a wonderfully direct, emotive elegy (all the more remarkable for a composer then just 27).Icarus remains Pickard's best-known orchestral work, unjustly since three years later he trumped it with Channel Firing, written in memory of his teacher, William Mathias.Inspired by Thomas Hardy's dark pre-Great War poem where the dead in a churchyard are woken by naval gunnery practice and assume it is the Day of Judgement, Pickard constructs a gripping symphonic poem redolent of notquite- apocalypse: it is not time for the dead to be judged, Europe is not yet in the grip of war; but both are coming. ...Lindberg plays the emotionally detached solo part with consummate skill while Brabbins draws sensational playing from the Norrköping orchestra in what must have been terra incognita.BIS's sound as always is first rate. Highly recommend.
A real treat here from a composer I hadn't heard before, John Pickard. His soundscapes are often rich and not a little threatening, and there is an almost Janá?ekian sense of the inexorability of nature. Had Icarus heard this before venturing too close to the sun, he might have shown more caution.
Prompting a wonderfully direct, emotive elegy - all the more remarkable for a composer then just 27 ... BIS's sound as always is first rate. I cannot recommend this highly enough.
John Pickard's music is vivid, frankly pictorial, and at its best virtuosically effective, in a style that never seems either self-consciously conservative or too stubbornly middle-of-the-road. The 20-minute orchestral piece The Flight of Icarus is the earliest work here - it was first performed in 1991 - and shows how Pickard can weave a convincing musical narrative out of a literary one, here the Greek myth of Icarus's fatal flight, on top of which are added references to the disasters that accompanied early space exploration. The Spindle of Necessity, from 1998, has a Greek source, too, using Plato's description of his model for the movements of the heavens as the basis for a trombone concerto that inevitably becomes a vehicle for Christian Lindberg's astonishing, extrovert bravura. The third piece here, Channel Firing (1993), seems to me the most personal and deeply felt of the three. Borrowing its title from a famous Hardy poem, it is a memorial to Pickard's teacher William Mathias, and is haunted by a doom-laden quotation from Wagner's Götterdämmerung.
ReviewsThere are currently no reviews, be the first one!
Beamish: Viola Concerto no 2 "Seafarer", etc / Rudner, et al
Dvorák: Symphony no 9, Symphonic Variations / Marin Alsop, Baltimore SO
Nikolai Kapustin: Piano Sonata no 15, etc / John Salmon
Harris: Symphony no 11; Gould, Effinger, Moore / Ian Hobson, Sinfonia Varsovia
Lord: Durham Concerto / Damev, Lord, et al
Thomas Pasatieri: The Hotel Casablanca / John Nardolillo, University of Kentucky Opera Theatre, et al
Petite Suite Maritime / Quintette a Vent Estria
Elements - Flaherty, Bodin / Genevieve Feiwen Lee
Dvorak: Serenades; Suk / Hrusa, Prague Philharmonia
Works DetailsPickard, John : Channel Firing
- Conductor: Martyn Brabbins
- Ensemble: Norrköping Symphony Orchestra
- Period Time: Contemporary
- Written: 1993
- Studio/Live: Studio