1 800 222 6872

Hilliard Live - The Collection

Album Summary

>Anonymous, Notre Dame School : Vetus abit littera, 4-part conductus
>Anonymous, Notre Dame School : Deus misertus hominis, 4-part conductus
>Anonymous, Notre Dame School : Veni creator spiritus, 3-part conductus (MS Florencia)
>Pérotin : Viderunt omnes
>Leonin : Gloria
>Anonymous, Notre Dame School : Haec dies quam fecit Dominus, organum duplum
>Anonymous, Notre Dame School : Stirps Iesse, sequence
>Anonymous, Notre Dame School : Mundus vergens in defectum, 4-part conductus
>Anonymous, Notre Dame School : Procurans odium, 3-voice conductus
>Anonymous, English : Alleluia Nativitas, 3 part organum
>Anonymous, Aquitanian Repertory : Surrexit Christus, troped sequence for the Benedicamus
>Pérotin : Sederunt principes
>Ockeghem, Johannes : MEDLEY
>Cretin, Guillaume : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book
>Busnois, Antoine : In hydraulis, motet for 4 voices
>Ockeghem, Johannes : Missa "De plus en plus", for 4 voices
>Compere, Loyset : Omnium bonorum plena, motet for 4 voices
>Ockeghem, Johannes : Missa "Caput", for 4 voices
>Lupi, Johannes : Ergo Ne Conticuit
>Ockeghem, Johannes : Missa prolationum, for 4 voices
>Brumel, Antoine : Missa "Victimae paschali", for 4 voices
>Anonymous, Cortona Codex : O Divina virgo flore, devotional song (Laudario di Cortona)
>Brumel, Antoine : Ave virgo gloriosa, for 4 voices
>Anonymous, Cortona Codex : Salve, salve, virgo pia, devotional song (Laudario di Cortona)
>Brumel, Antoine : Mater patris, motet
>Brumel, Antoine : Nativitas unde gaudia / Nativitas tua, Dei genitrix, for 4 voices
>Anonymous : Regina sovrana, lauda for 4 voices
>Anonymous, Cortona Codex : Oi me lasso
>Brumel, Antoine : O crux, ave, spes unica, for 4 voices
>Dufay, Guillaume : Missa Se la face ay pale, for 4 voices
>Dufay, Guillaume : Salve flos Tusce gentis
>Dufay, Guillaume : Credo no 1
>Dufay, Guillaume : Anima mea liquefacta est, antiphon for 3 voices
>Dufay, Guillaume : Moribus et genere, isorhythmic motet for 4 voices
>Dufay, Guillaume : Sanctus and Benedictus, for 3 voices
>Dufay, Guillaume : Vergene bella, cantilena motet for 3 voices
>Dufay, Guillaume : Ave Regina caelorum, antiphon for 4 voices
>Dufay, Guillaume : Missa "Ecce ancilla Domini"
>Dufay, Guillaume : Exultet celum laudibus
Performers Composers

Notes & Reviews:

All four of The Hilliard Ensemble's live discs on CORO in one box set! Includes the award winning Perotin and the Ars Antiqua, winner of a Diapason d'Or. Rare repertoire from the 12th and 15th centuries from one of the world's most celebrated exponents of early choral music.



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Works Details

>Anonymous, Notre Dame School : Vetus abit littera, 4-part conductus
  • Running Time: 3 min. 46 sec.
  • Period Time: Renaissance
  • Written: by 1200

>Anonymous, Notre Dame School : Deus misertus hominis, 4-part conductus
  • Running Time: 4 min. 59 sec.
  • Period Time: Medieval
  • Written: circa 1190

>Anonymous, Notre Dame School : Veni creator spiritus, 3-part conductus (MS Florencia)
  • Performers: David James (Countertenor); Rogers Covey-Crump (Tenor); John Potter
  • Running Time: 7 min. 21 sec.
  • Period Time: Medieval
  • Written: by 1200

>Pérotin (Composer) (circa 1160 - circa 1230) : Viderunt omnes
  • Running Time: 10 min. 31 sec.
  • Period Time: Medieval
  • Written: 1198

>Léonin (circa 1130 - 1201) : Gloria :: redemptori meo, trope for 2 voices (attrib.)
  • Performers: Rogers Covey-Crump (Tenor); John Potter
  • Running Time: 5 min. 44 sec.
  • Period Time: Medieval
  • Written: by 1201

>Anonymous, Notre Dame School : Haec dies quam fecit Dominus, organum duplum
  • Running Time: 4 min. 27 sec.
  • Period Time: Medieval
  • Written: by 1240

>Anonymous, Notre Dame School : Stirps Iesse, sequence
  • Running Time: 5 min. 6 sec.
  • Period Time: Medieval
  • Written: by 1210

>Anonymous, Notre Dame School : Mundus vergens in defectum, 4-part conductus
  • Running Time: 2 min. 21 sec.
  • Period Time: Medieval
  • Written: by 1200

>Anonymous, Notre Dame School : Procurans odium, 3-voice conductus
  • Performers: Rogers Covey-Crump (Tenor); Gordon Jones (Baritone); John Potter
  • Running Time: 1 min. 59 sec.
  • Period Time: Medieval
  • Written: circa 1200

>Anonymous, English : Alleluia Nativitas, 3 part organum
  • Running Time: 5 min. 25 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1200

>Anonymous, Aquitanian Repertory : Surrexit Christus, troped sequence for the Benedicamus
  • Performer: Gordon Jones (Baritone)
  • Running Time: 4 min. 43 sec.
  • Period Time: Medieval
  • Written: by 1200

>Pérotin (Composer) (circa 1160 - circa 1230) : Sederunt principes
  • Running Time: 11 min. 45 sec.
  • Period Time: Medieval
  • Written: 1199

>Ockeghem, Johannes : MEDLEY :: Kyrie & Gloria
  • Running Time: 7 min. 10 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Guillaume Crétin (1460 - 1525) : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book :: Cruel death...
  • Running Time: 2 min. 33 sec.
  • Period Time: Renaissance

>Busnois, Antoine : In hydraulis, motet for 4 voices
  • Notes: Composition written: Circa 1465.
  • Running Time: 7 min. 49 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1465

>Guillaume Crétin (1460 - 1525) : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book :: After this sweet
  • Running Time: 1 min. 30 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Missa "De plus en plus", for 4 voices :: Credo
  • Running Time: 9 min. 43 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1470-1480

>Guillaume Crétin (1460 - 1525) : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book :: Then arose King
  • Running Time: 1 min. 44 sec.
  • Period Time: Renaissance

>Loyset Compère (1445 - 1518) : Omnium bonorum plena, motet for 4 voices
  • Running Time: 10 min. 41 sec.
  • Period Time: Renaissance
  • Form: Choral

>Guillaume Crétin (1460 - 1525) : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book :: Chiron the Centa
  • Running Time: 2 min. 40 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Missa "Caput", for 4 voices :: Sanctus
  • Running Time: 7 min. 16 sec.
  • Period Time: Renaissance
  • Form: Choral

>Guillaume Crétin (1460 - 1525) : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book :: Then the very do
  • Running Time: 3 min. 43 sec.
  • Period Time: Renaissance

>Lupi, Johannes : Ergo Ne Conticuit
  • Running Time: 7 min. 51 sec.
  • Period Time: Renaissance

>Guillaume Crétin (1460 - 1525) : Lament on the Death of the Late Ockeghem, Treasurer of Saint Martin of Tours, book :: I call him Docto
  • Notes: St Jude-on-the-Hill, Hampstead Gardens Suburb (09/08/1989-09/10/1989)
  • Running Time: 4 min. 57 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Missa prolationum, for 4 voices :: Agnus Dei
  • Running Time: 6 min. 10 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Brumel, Antoine : Missa "Victimae paschali", for 4 voices
  • Running Time: 9 min. 13 sec.
  • Period Time: Renaissance
  • Written: by 1503

>Anonymous, Cortona Codex : O Divina virgo flore, devotional song (Laudario di Cortona)
  • Running Time: 2 min. 27 sec.

>Brumel, Antoine : Ave virgo gloriosa, for 4 voices
  • Running Time: 10 min. 27 sec.
  • Period Time: Renaissance
  • Written: 15th Century

>Anonymous, Cortona Codex : Salve, salve, virgo pia, devotional song (Laudario di Cortona)
  • Running Time: 2 min. 20 sec.

>Brumel, Antoine : Mater patris, motet
  • Running Time: 3 min. 23 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: by 1501

>Brumel, Antoine : Missa "Victimae paschali", for 4 voices
  • Running Time: 9 min. 13 sec.
  • Period Time: Renaissance
  • Written: by 1503

>Brumel, Antoine : Nativitas unde gaudia / Nativitas tua, Dei genitrix, for 4 voices
  • Running Time: 5 min. 47 sec.
  • Period Time: Renaissance
  • Written: 1480s

>Anonymous : Regina sovrana, lauda for 4 voices
  • Running Time: 2 min. 47 sec.

>Brumel, Antoine : Missa "Victimae paschali", for 4 voices
  • Running Time: 9 min. 13 sec.
  • Period Time: Renaissance
  • Written: by 1503

>Anonymous, Cortona Codex : Oi me lasso
  • Running Time: 3 min. 11 sec.

>Brumel, Antoine : O crux, ave, spes unica, for 4 voices
  • Running Time: 1 min. 49 sec.
  • Period Time: Renaissance

>Brumel, Antoine : Missa "Victimae paschali", for 4 voices
  • Running Time: 9 min. 13 sec.
  • Period Time: Renaissance
  • Written: by 1503

>Dufay, Guillaume : Missa Se la face ay pale, for 4 voices :: Kyrie and Gloria
  • Running Time: 12 min. 6 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450

>Dufay, Guillaume : Salve flos Tusce gentis
  • Running Time: 4 min. 7 sec.
  • Period Time: Renaissance
  • Written: circa 1430

>Dufay, Guillaume : Credo no 1
  • Running Time: 8 min. 32 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Anima mea liquefacta est, antiphon for 3 voices
  • Running Time: 3 min. 9 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Moribus et genere, isorhythmic motet for 4 voices
  • Notes: Composition written: 1442.
  • Running Time: 9 min. 32 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1442

>Dufay, Guillaume : Sanctus and Benedictus, for 3 voices
  • Running Time: 6 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>Dufay, Guillaume : Vergene bella, cantilena motet for 3 voices
  • Running Time: 4 min. 33 sec.
  • Period Time: Renaissance
  • Form: Choral

>Dufay, Guillaume : Ave Regina caelorum, antiphon for 4 voices
  • Notes: Composition written: 1464-65.
  • Running Time: 7 min. 42 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1464-1465

>Dufay, Guillaume : Missa "Ecce ancilla Domini"
  • Running Time: 5 min. 22 sec.
  • Period Time: Renaissance
  • Form: Choral

>Dufay, Guillaume : Exultet celum laudibus
  • Running Time: 4 min. 47 sec.
  • Period Time: Renaissance
  • Written: circa 1435