Maria Callas - The Complete Puccini Studio Recordings - EMI Classics - EMI 158942B

Album Summary
Notes & Reviews
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Works Details

Album Summary

Puccini, Giacomo : Tosca

Puccini, Giacomo : Manon Lescaut

Puccini, Giacomo : Madama Butterfly

Puccini, Giacomo : La bohème

Puccini, Giacomo : Suor Angelica

Puccini, Giacomo : Gianni Schicchi, opera

Puccini, Giacomo : Turandot

Performers

Dario Caselli (Bass)
Giuseppe Morresi (Bass Baritone)
Melchiorre Luise (Bass)
Vito Tatone (Tenor)
Giuseppe Di Stefano (Tenor)
Franco Ventriglia (Voice)
Maria Callas (Soprano)
Robert Bowman (Voice)
Angelo Mercuriali (Tenor)
Victor Godfrey (Bass)
Alvaro Cordova (Voice)
Renato Cioni (Tenor)
Tito Gobbi (Baritone)
Dennis Wicks (Bass)
Franco Calabrese (Bass)
Edgard Boniface (Bass)
Mario Borriello (Baritone)
David Sellar (Boy Alto)
Enrico Campi (Bass)
Eric Garrett (Voice)
Mario Carlin (Tenor)
Luisa Villa (Mezzo Soprano)
Renato Ercolani (Vocals)
Plinio Clabassi (Voice)
Lucia Danieli (Mezzo Soprano)
Nicolai Gedda (Tenor)
Carlo Forti (Bass)
Rolando Panerai (Baritone)
Nicola Zaccaria (Bass)
Anna Moffo (Soprano)
Eraldo Coda (Bass)
Franco Ricciardi (Tenor)
Manuel Spatafora (Baritone)
Carlo Badioli (Bass)
Elisabeth Schwarzkopf (Soprano)
Giulio Mauri (Bass)
Piero de Palma (Tenor)
Giuseppe Nessi (Tenor)
Eugenio Fernandi (Tenor)
Fiorenza Cossotto (Mezzo Soprano)
Dino Formichini (Tenor)
Giulio Fioravanti (Baritone)

Conductors

Ensembles

Composer

Giacomo Puccini (1858 - 1924)

Notes & Reviews:

This elegant 15-CD set includes all of Callas' studio recordings of Puccini operas: Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. These are all recorded with the forces of La Scala, Milan, except the second Tosca which was made in Paris. Also included is the famous recital of Puccini arias that Callas recorded in London in 1954 on which she sings both of Liu's arias from Turandot ("Signore, ascolta" and "Tu che di gel sei cinta"), as well as Turandot's great solo "In questa reggia."

BBC Music Magazine
Callas revealed just what depths of character a great singing actress could find in Puccini's heroines - even the towering Turandot, which she sang on stage early in her topsy-turvy career. To those of us who never saw her live, her unsteadiness and pitch problems are more evident, but the passion and intelligent detail in Butterfly's blinkered innocence or Tosca's tormented instability are all the more riveting, both in her classic Serafin solo recital and in these mostly 1950s Italian recordings.

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Works Details

Puccini, Giacomo : Tosca

Performers: Dario Caselli (Bass); Melchiorre Luise (Bass); Giuseppe Di Stefano (Tenor); Maria Callas (Soprano); Angelo Mercuriali (Tenor); Alvaro Cordova (Voice); Tito Gobbi (Baritone); Franco Calabrese (Bass)
Conductor: Victor De Sabata
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/10/1953-08/21/1953)
Running Time: 106 min. 27 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1900

Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. In quelle trine morbide

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 2 min. 56 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. Sola, perduta, abbandonata

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 5 min. 52 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Un bel di vedremo

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 4 min. 34 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Con onor muore

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 3 min. 44 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : La bohème :: Act 1. Aria. Sì. Mi chiamano Mimì

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 4 min. 48 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 3. Aria. Donde lieta usì

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 3 min. 21 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : Suor Angelica :: Aria. Senza mamma

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 5 min. 34 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1918

Puccini, Giacomo : Gianni Schicchi, opera :: Aria. O mio babbino caro

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 2 min. 34 sec.
Period Time: Post Romantic
Written: 1918

Puccini, Giacomo : Turandot :: Act 1. Aria. Signore, ascolta!

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 2 min. 30 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Aria. In questa reggia

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 6 min. 24 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Aria. Tu, che di gel sei cinta

Performer: Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
Running Time: 2 min. 50 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Madama Butterfly :: Act 1. E soffitto... e pareti...

Performers: Mario Borriello (Baritone); Enrico Campi (Bass); Maria Callas (Soprano); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 12 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Questa è la cameriera

Performers: Lucia Danieli (Mezzo Soprano); Nicolai Gedda (Tenor); Maria Callas (Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Plinio Clabassi (Voice); Enrico Campi (Bass); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 4 min. 13 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Dovunque al mondo

Performers: Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 4 min. 5 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Quale smania vi prede!

Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 4 min. 13 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Quanto cielo!... Ancora un passo or via

Performers: Nicolai Gedda (Tenor); Mario Borriello (Baritone); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Maria Callas (Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Gran ventura

Performers: Enrico Campi (Bass); Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano); Nicolai Gedda (Tenor); Renato Ercolani (Vocals); Maria Callas (Soprano); Mario Carlin (Tenor); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. 41 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. L'Imperial Commissario

Performers: Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Enrico Campi (Bass); Maria Callas (Soprano); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 29 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni, amor mio!

Performers: Mario Borriello (Baritone); Maria Callas (Soprano); Nicolai Gedda (Tenor); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 37 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Ieri son salita tutta sola

Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Renato Ercolani (Vocals); Maria Callas (Soprano); Enrico Campi (Bass); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 3 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Ed eccoci in famiglia

Performers: Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Nicolai Gedda (Tenor); Maria Callas (Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 32 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni la sera

Performers: Plinio Clabassi (Voice); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Nicolai Gedda (Tenor); Maria Callas (Soprano); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. 20 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Bimba dagli occhi pieni di malia

Performers: Maria Callas (Soprano); Renato Ercolani (Vocals); Nicolai Gedda (Tenor); Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Mario Carlin (Tenor); Enrico Campi (Bass); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. 37 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 1. Vogliatemi bene, un bene piccolino

Performers: Plinio Clabassi (Voice); Nicolai Gedda (Tenor); Maria Callas (Soprano); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 7 min. 27 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. E Izaghi ed Izanami

Performers: Enrico Campi (Bass); Nicolai Gedda (Tenor); Maria Callas (Soprano); Renato Ercolani (Vocals); Mario Carlin (Tenor); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 7 min. 20 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Un bel dì vedremo

Performers: Nicolai Gedda (Tenor); Maria Callas (Soprano); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 4 min. 43 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. C'è. Entrate

Performers: Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Enrico Campi (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. 32 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Non lo sapete insomma

Performers: Maria Callas (Soprano); Nicolai Gedda (Tenor); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 1 min. 52 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. A voi però giurerei fede costarte

Performers: Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Mario Carlin (Tenor); Mario Borriello (Baritone); Maria Callas (Soprano); Nicolai Gedda (Tenor); Luisa Villa (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. 58 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Ora a noi

Performers: Enrico Campi (Bass); Nicolai Gedda (Tenor); Maria Callas (Soprano); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Plinio Clabassi (Voice); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 41 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. E questo? e questo?

Performers: Plinio Clabassi (Voice); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Maria Callas (Soprano); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 24 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Che tua madre dovrà

Performers: Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 3 min. 32 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Io scendo al piano

Performers: Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Mario Borriello (Baritone)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 1 min. 43 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Vespa! Rospo maledetto!

Performers: Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Plinio Clabassi (Voice); Mario Borriello (Baritone)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 1 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Una nave da guerra

Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Nicolai Gedda (Tenor); Maria Callas (Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 30 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Scuoti quella fronda di ciliegio

Performers: Nicolai Gedda (Tenor); Maria Callas (Soprano); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Lucia Danieli (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 14 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Or vienmi ad adornar

Performers: Nicolai Gedda (Tenor); Maria Callas (Soprano); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 8 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Coro a bocca chiusa

Performers: Renato Ercolani (Vocals); Plinio Clabassi (Voice); Maria Callas (Soprano); Enrico Campi (Bass); Nicolai Gedda (Tenor); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Oh eh! Oh eh! Oh eh!

Performers: Renato Ercolani (Vocals); Maria Callas (Soprano); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 7 min. 26 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Già il sole!

Performers: Enrico Campi (Bass); Plinio Clabassi (Voice); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Mario Carlin (Tenor); Maria Callas (Soprano); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 1 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Povera Butterfly!

Performers: Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Tenor)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 48 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Io so che alle sue pene

Performers: Nicolai Gedda (Tenor); Mario Carlin (Tenor); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Maria Callas (Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 4 min. 2 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Addio, fiorito asil

Performers: Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 1 min. 57 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Glielo dirai?

Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Mario Carlin (Tenor); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 10 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Che vuol da me?

Performers: Enrico Campi (Bass); Plinio Clabassi (Voice); Mario Borriello (Baritone); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicolai Gedda (Tenor); Lucia Danieli (Mezzo Soprano)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 40 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Come una mosca grigioniera

Performers: Nicolai Gedda (Tenor); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Plinio Clabassi (Voice)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 2 min. 53 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : Madama Butterfly :: Act 2. Con onor muore

Performers: Mario Carlin (Tenor); Nicolai Gedda (Tenor); Maria Callas (Soprano); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals)
Conductor: Herbert Karajan
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
Running Time: 5 min. 23 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1904

Puccini, Giacomo : La bohème :: Act 1. Questo Mar Rosso mi ammollisce e assidera

Performers: Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Manuel Spatafora (Baritone); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 35 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Abbasso, abbasso l'autor!

Performers: Eraldo Coda (Bass); Anna Moffo (Soprano); Carlo Forti (Bass); Maria Callas (Soprano); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Rolando Panerai (Baritone)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 3 min. 47 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Si può?... Chi è là?

Performers: Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Manuel Spatafora (Baritone)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 19 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Al Quartiere Latin ci attende Momus

Performers: Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Carlo Forti (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas (Soprano); Anna Moffo (Soprano); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 1 min. 44 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Non sono in vena

Performers: Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Maria Callas (Soprano); Anna Moffo (Soprano); Eraldo Coda (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 3 min. 48 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Che gelida manina!

Performers: Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Manuel Spatafora (Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Maria Callas (Soprano); Anna Moffo (Soprano); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 1 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Sì. Mi chiamano Mimì

Performers: Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Rolando Panerai (Baritone); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Eraldo Coda (Bass); Maria Callas (Soprano); Carlo Forti (Bass); Carlo Badioli (Bass); Anna Moffo (Soprano)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 55 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 1. Ehi! Rodolfo!... O soave fanciulla

Performers: Franco Ricciardi (Tenor); Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 2. Aranci, datteri!

Performers: Carlo Badioli (Bass); Franco Ricciardi (Tenor); Rolando Panerai (Baritone); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Anna Moffo (Soprano); Eraldo Coda (Bass); Maria Callas (Soprano); Nicola Zaccaria (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 2 min. 50 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 2. Chi guardi?... Odio il profano volgo

Performers: Eraldo Coda (Bass); Giuseppe Di Stefano (Tenor); Anna Moffo (Soprano); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Maria Callas (Soprano)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 39 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 2. Beviam... Ch'io beva del tossico!

Performers: Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 3 min. 18 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 2. Quando me n'vò

Performers: Giuseppe Di Stefano (Tenor); Franco Ricciardi (Tenor); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 40 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 2. Chi l'ha richiesto?... Vediam

Performers: Carlo Forti (Bass); Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Rolando Panerai (Baritone)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 2 min. 21 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 3. Ohè, là, le guardie... Aprite!

Performers: Carlo Badioli (Bass); Carlo Forti (Bass); Rolando Panerai (Baritone); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 9 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 3. Mimì?!... Speravo di trovarvi qui

Performers: Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Eraldo Coda (Bass); Anna Moffo (Soprano); Maria Callas (Soprano)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 47 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 3. Marcello. Finalmente

Performers: Giuseppe Di Stefano (Tenor); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Anna Moffo (Soprano); Carlo Badioli (Bass); Rolando Panerai (Baritone); Eraldo Coda (Bass); Maria Callas (Soprano); Carlo Forti (Bass); Manuel Spatafora (Baritone)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 6 min. 11 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 3. D'onde lieta uscì al tuo grido d'amore

Performers: Eraldo Coda (Bass); Maria Callas (Soprano); Anna Moffo (Soprano); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 3 min. 28 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 3. Dunque è proprio finita?

Performers: Rolando Panerai (Baritone); Carlo Badioli (Bass); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Anna Moffo (Soprano); Maria Callas (Soprano); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. In un coupé?... Con pariglia e livree

Performers: Anna Moffo (Soprano); Maria Callas (Soprano); Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 1 min. 16 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. O Mimì, tu più non torni

Performers: Eraldo Coda (Bass); Maria Callas (Soprano); Rolando Panerai (Baritone); Anna Moffo (Soprano); Nicola Zaccaria (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Carlo Badioli (Bass); Carlo Forti (Bass); Franco Ricciardi (Tenor)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 3 min. 9 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. Che ora sia?

Performers: Anna Moffo (Soprano); Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas (Soprano)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 7 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male

Performers: Eraldo Coda (Bass); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Anna Moffo (Soprano); Maria Callas (Soprano); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Rolando Panerai (Baritone); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 28 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. Vecchia simarra, senti

Performers: Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Manuel Spatafora (Baritone); Nicola Zaccaria (Bass); Maria Callas (Soprano); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Anna Moffo (Soprano); Rolando Panerai (Baritone); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 1 min. 30 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. Schaunard, ognuno per diversa via

Performers: Anna Moffo (Soprano); Maria Callas (Soprano); Eraldo Coda (Bass); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Tenor); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 1 min. 43 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. Sono andati?

Performers: Franco Ricciardi (Tenor); Maria Callas (Soprano); Eraldo Coda (Bass); Nicola Zaccaria (Bass); Anna Moffo (Soprano); Carlo Forti (Bass); Carlo Badioli (Bass); Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Rolando Panerai (Baritone)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 4 min. 43 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : La bohème :: Act 4. Oh Dio! Mimì... Che avvien?

Performers: Giuseppe Di Stefano (Tenor); Manuel Spatafora (Baritone); Eraldo Coda (Bass); Carlo Forti (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Anna Moffo (Soprano); Maria Callas (Soprano); Carlo Badioli (Bass)
Conductor: Antonino Votto
Ensemble: Milan Teatro alla Scala Orchestra
Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
Running Time: 5 min. 13 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1896

Puccini, Giacomo : Turandot :: Act 1. Popolo di Pekino!

Performers: Mario Borriello (Baritone); Nicola Zaccaria (Bass); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Renato Ercolani (Vocals); Giulio Mauri (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 51 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Padre! Mio padre!

Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 29 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Perduta la battaglia

Performers: Giulio Mauri (Bass); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Mario Borriello (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 9 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Gira la cote! Gira!

Performers: Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Piero de Palma (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 32 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Perché tarda la luna?

Performers: Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Renato Ercolani (Vocals)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 44 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Là, sui monti dell'est

Performers: Renato Ercolani (Vocals); Giulio Mauri (Bass); Maria Callas (Soprano); Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Soprano); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Mario Borriello (Baritone); Giuseppe Nessi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 12 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. O giovinetto!

Performers: Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 5 min. 11 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Figlio, che fai?

Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Mario Borriello (Baritone); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 35 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Fermo! che fai? T'arresta!

Performers: Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Piero de Palma (Tenor); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 50 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Silenzio, olà!

Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Piero de Palma (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Renato Ercolani (Vocals)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 21 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Guardalo, Pong!

Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Soprano); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Non indugiare!

Performers: Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Soprano); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 11 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Signore, ascolta!

Performers: Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 25 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Non piangere, Liù!

Performers: Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Piero de Palma (Tenor); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 15 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 1. Ah! per l'ultima volta!

Performers: Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Soprano); Giulio Mauri (Bass); Maria Callas (Soprano); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 33 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 1. Olà, Pang! Olà, Pong!

Performers: Elisabeth Schwarzkopf (Soprano); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Maria Callas (Soprano); Renato Ercolani (Vocals); Mario Borriello (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 26 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 1. O Cina, o Cina

Performers: Renato Ercolani (Vocals); Maria Callas (Soprano); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Soprano); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 6 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 1. Ho una casa nell'Honan

Performers: Elisabeth Schwarzkopf (Soprano); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 16 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 1. O mondo, pieno di pazzi innamorati!

Performers: Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 10 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 1. Addio, amore!

Performers: Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Giulio Mauri (Bass); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 51 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 1. Noi si sogna

Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Mario Borriello (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gravi, enormi ed imponenti

Performers: Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 4 min. 19 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Un giuramento atroce mi costringe

Performers: Elisabeth Schwarzkopf (Soprano); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 15 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Diecimila anni ai nostro Imperatore!

Performers: Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Renato Ercolani (Vocals); Giulio Mauri (Bass); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 4 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. In questa reggia

Performers: Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Soprano); Renato Ercolani (Vocals); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 6 min. 19 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Straniero, ascolta! Nella cupa notte

Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 27 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Guizza al pari di fiamma

Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 19 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gelo che ti dà foco

Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Soprano); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Maria Callas (Soprano); Nicola Zaccaria (Bass); Renato Ercolani (Vocals)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 24 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gloria, o vincitore!

Performers: Mario Borriello (Baritone); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Piero de Palma (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Figlio del cielo!

Performers: Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 54 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Tre enigmi m'hai proposto!

Performers: Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 14 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 2. Scene 2. Ai tuoi piedi ci prostriam

Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 19 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Così comanda Turandot

Performers: Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Giulio Mauri (Bass); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Nicola Zaccaria (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 22 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Nessun dorma!

Performers: Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas (Soprano); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Soprano); Piero de Palma (Tenor); Nicola Zaccaria (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 53 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu che guardi le stelle

Performers: Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Renato Ercolani (Vocals); Giulio Mauri (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 47 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa divina!

Performers: Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 43 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Quel nome!

Performers: Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 1 min. 21 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato

Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Renato Ercolani (Vocals); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Soprano); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 19 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu, che di gel sei cinta

Performers: Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 5 min. 31 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Liù... bontà!

Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Maria Callas (Soprano); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Soprano); Mario Borriello (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 2 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa di morte!

Performers: Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Maria Callas (Soprano); Renato Ercolani (Vocals); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 20 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Che è mai di me? Perduta!

Performers: Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Piero de Palma (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 13 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!

Performers: Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Renato Ercolani (Vocals); Giulio Mauri (Bass); Maria Callas (Soprano); Elisabeth Schwarzkopf (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 5 min. 8 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Turandot :: Act 3. Scene 2. Diecimila anni al nostro Imperatore!

Performers: Piero de Palma (Tenor); Elisabeth Schwarzkopf (Soprano); Maria Callas (Soprano); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
Running Time: 3 min. 28 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1926

Puccini, Giacomo : Manon Lescaut :: Act 1. Ave, sera gentile

Performers: Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Giulio Fioravanti (Baritone); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Franco Calabrese (Bass); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Maria Callas (Soprano); Franco Ventriglia (Voice)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 5 min. 48 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Tra voi, belle, brune e bionde

Performers: Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Franco Calabrese (Bass); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Giuseppe Di Stefano (Tenor); Franco Ventriglia (Voice); Franco Ricciardi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 1 min. 17 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Ma bravo!

Performers: Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 1 min. 52 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Discendono, vediam!

Performers: Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Tenor); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 9 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Cortese damigella, il priego mio accettate

Performers: Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Franco Ventriglia (Voice)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 4 min. 15 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Donna non vidi mai

Performers: Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 36 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. La tua ventura ci rassicura

Performers: Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Vito Tatone (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 6 min. 11 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. La tua Proserpina di resisterti

Performers: Giuseppe Di Stefano (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Ventriglia (Voice)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 1 min. 50 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Vedete? Io son fedele alla parola mia

Performers: Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas (Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 4 min. 26 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Non c'è più vino?

Performers: Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 1. Cavalli pronti avete?

Performers: Giuseppe Di Stefano (Tenor); Vito Tatone (Tenor); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 6 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Dispettosetto questo riccio!

Performers: Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Franco Ventriglia (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Di Stefano (Tenor); Maria Callas (Soprano); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 32 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Sei splendida e lucente!

Performers: Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 25 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. In quelle trine morbide

Performers: Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Giuseppe Di Stefano (Tenor); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Carlo Forti (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 14 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Poiché tu vuoi saper

Performers: Maria Callas (Soprano); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Vito Tatone (Tenor); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 56 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Che ceffi son costor?

Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 14 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Paga costor!

Performers: Giuseppe Morresi (Bass Baritone); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Maria Callas (Soprano); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Franco Calabrese (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 1 min. 18 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Vi prego, signorina

Performers: Maria Callas (Soprano); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 8 min. 35 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Oh, sarò la più bella!

Performers: Giuseppe Di Stefano (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 8 min. 18 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Ah!... Affè, madamigella

Performers: Giulio Fioravanti (Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Vito Tatone (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 11 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Ah, Manon, mi tradisce

Performers: Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 35 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Lescaut!... Tu qui?

Performers: Giuseppe Morresi (Bass Baritone); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Carlo Forti (Bass); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Di Stefano (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 25 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 2. Intermezzo

Performers: Dino Formichini (Tenor); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 5 min. 21 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. Ansia eterna, crudel

Performers: Maria Callas (Soprano); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Tenor); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 51 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. Manon!... Des Grieux!

Performers: Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 4 min. 37 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. All'armi! All'armi!

Performers: Dino Formichini (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Vito Tatone (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Franco Ricciardi (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. Il passo m'aprite!

Performers: Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Dino Formichini (Tenor); Franco Ventriglia (Voice); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Vito Tatone (Tenor); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. Rosetta!

Performers: Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 59 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. Presto in fila! Marciate!

Performers: Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Vito Tatone (Tenor); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 3. Ah, non v'avvicinate!... Come io piango ed imploro

Performers: Giuseppe Morresi (Bass Baritone); Fiorenza Cossotto (Mezzo Soprano); Maria Callas (Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Franco Calabrese (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 10 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 4. Tutta su me ti posa

Performers: Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Tenor); Dino Formichini (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Franco Calabrese (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 9 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 4. Manon, senti, amor mio!... Vedi, son io che piango

Performers: Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Tenor); Maria Callas (Soprano); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 3 min. 54 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 4. E nulla! Nulla!

Performers: Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Maria Callas (Soprano); Vito Tatone (Tenor); Franco Ventriglia (Voice); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass); Giulio Fioravanti (Baritone)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 2 min. 45 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Manon Lescaut :: Act 4. Sola, perduta, abbandonata...

Performers: Maria Callas (Soprano); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Giulio Fioravanti (Baritone); Dino Formichini (Tenor); Vito Tatone (Tenor); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Tenor); Carlo Forti (Bass)
Conductor: Tullio Serafin
Ensemble: Philharmonia Orchestra
Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
Running Time: 12 min. 1 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1893

Puccini, Giacomo : Tosca

Performers: Robert Bowman (Voice); Victor Godfrey (Bass); Renato Cioni (Tenor); Tito Gobbi (Baritone); Dennis Wicks (Bass); Edgard Boniface (Bass); David Sellar (Boy Alto); Maria Callas (Soprano); Eric Garrett (Voice)
Conductor: Carlo Cillario
Ensemble: Royal Opera House Covent Garden Orchestra
Running Time: 106 min. 27 sec.
Period Time: Post Romantic
Form: Opera/Operetta
Written: 1900

Maria Callas - The Complete Puccini Studio Recordings

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