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Maria Callas - The Complete Puccini Studio Recordings

Audio Samples

>Puccini, Giacomo : Tosca
>Puccini, Giacomo : Manon Lescaut
>     Act 2. Aria. In quelle trine morbide
>     Act 2. Aria. Sola, perduta, abbandonata
>     Act 1. Ave, sera gentile
>     Act 1. Tra voi, belle, brune e bionde
>     Act 1. Ma bravo!
>     Act 1. Discendono, vediam!
>     Act 1. Cortese damigella, il priego mio accettate
>     Act 1. Donna non vidi mai
>     Act 1. La tua ventura ci rassicura
>     Act 1. La tua Proserpina di resisterti
>     Act 1. Vedete? Io son fedele alla parola mia
>     Act 1. Non c'è più vino?
>     Act 1. Cavalli pronti avete?
>     Act 2. Dispettosetto questo riccio!
>     Act 2. Sei splendida e lucente!
>     Act 2. In quelle trine morbide
>     Act 2. Poiché tu vuoi saper
>     Act 2. Che ceffi son costor?
>     Act 2. Paga costor!
>     Act 2. Vi prego, signorina
>     Act 2. Oh, sarò la più bella!
>     Act 2. Ah!... Affè, madamigella
>     Act 2. Ah, Manon, mi tradisce
>     Act 2. Lescaut!... Tu qui?
>     Act 2. Intermezzo
>     Act 3. Ansia eterna, crudel
>     Act 3. Manon!... Des Grieux!
>     Act 3. All'armi! All'armi!
>     Act 3. Il passo m'aprite!
>     Act 3. Rosetta!
>     Act 3. Presto in fila! Marciate!
>     Act 3. Ah, non v'avvicinate!... Come io piango ed imploro
>     Act 4. Tutta su me ti posa
>     Act 4. Manon, senti, amor mio!... Vedi, son io che piango
>     Act 4. E nulla! Nulla!
>     Act 4. Sola, perduta, abbandonata...
>Puccini, Giacomo : Madama Butterfly
>     Act 2. Aria. Un bel di vedremo
>     Act 2. Aria. Con onor muore
>     Act 1. E soffitto... e pareti...
>     Act 1. Questa è la cameriera
>     Act 1. Dovunque al mondo
>     Act 1. Quale smania vi prede!
>     Act 1. Quanto cielo!... Ancora un passo or via
>     Act 1. Gran ventura
>     Act 1. L'Imperial Commissario
>     Act 1. Vieni, amor mio!
>     Act 1. Ieri son salita tutta sola
>     Act 1. Ed eccoci in famiglia
>     Act 1. Vieni la sera
>     Act 1. Bimba dagli occhi pieni di malia
>     Act 1. Vogliatemi bene, un bene piccolino
>     Act 2. E Izaghi ed Izanami
>     Act 2. Un bel dì vedremo
>     Act 2. C'è. Entrate
>     Act 2. Non lo sapete insomma
>     Act 2. A voi però giurerei fede costarte
>     Act 2. Ora a noi
>     Act 2. E questo? e questo?
>     Act 2. Che tua madre dovrà
>     Act 2. Io scendo al piano
>     Act 2. Vespa! Rospo maledetto!
>     Act 2. Una nave da guerra
>     Act 2. Scuoti quella fronda di ciliegio
>     Act 2. Or vienmi ad adornar
>     Act 2. Coro a bocca chiusa
>     Act 2. Oh eh! Oh eh! Oh eh!
>     Act 2. Già il sole!
>     Act 2. Povera Butterfly!
>     Act 2. Io so che alle sue pene
>     Act 2. Addio, fiorito asil
>     Act 2. Glielo dirai?
>     Act 2. Che vuol da me?
>     Act 2. Come una mosca grigioniera
>     Act 2. Con onor muore
>Puccini, Giacomo : La bohème
>     Act 1. Aria. Sì. Mi chiamano Mimì
>     Act 3. Aria. Donde lieta usì
>     Act 1. Questo Mar Rosso mi ammollisce e assidera
>     Act 1. Abbasso, abbasso l'autor!
>     Act 1. Si può?... Chi è là?
>     Act 1. Al Quartiere Latin ci attende Momus
>     Act 1. Non sono in vena
>     Act 1. Che gelida manina!
>     Act 1. Sì. Mi chiamano Mimì
>     Act 1. Ehi! Rodolfo!... O soave fanciulla
>     Act 2. Aranci, datteri!
>     Act 2. Chi guardi?... Odio il profano volgo
>     Act 2. Beviam... Ch'io beva del tossico!
>     Act 2. Quando me n'vò
>     Act 2. Chi l'ha richiesto?... Vediam
>     Act 3. Ohè, là, le guardie... Aprite!
>     Act 3. Mimì?!... Speravo di trovarvi qui
>     Act 3. Marcello. Finalmente
>     Act 3. D'onde lieta uscì al tuo grido d'amore
>     Act 3. Dunque è proprio finita?
>     Act 4. In un coupé?... Con pariglia e livree
>     Act 4. O Mimì, tu più non torni
>     Act 4. Che ora sia?
>     Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male
>     Act 4. Vecchia simarra, senti
>     Act 4. Schaunard, ognuno per diversa via
>     Act 4. Sono andati?
>     Act 4. Oh Dio! Mimì... Che avvien?
>Puccini, Giacomo : Suor Angelica
>     Aria. Senza mamma
>Puccini, Giacomo : Gianni Schicchi, opera
>     Aria. O mio babbino caro
>Puccini, Giacomo : Turandot
>     Act 1. Aria. Signore, ascolta!
>     Act 2. Aria. In questa reggia
>     Act 3. Aria. Tu, che di gel sei cinta
>     Act 1. Popolo di Pekino!
>     Act 1. Padre! Mio padre!
>     Act 1. Perduta la battaglia
>     Act 1. Gira la cote! Gira!
>     Act 1. Perché tarda la luna?
>     Act 1. Là, sui monti dell'est
>     Act 1. O giovinetto!
>     Act 1. Figlio, che fai?
>     Act 1. Fermo! che fai? T'arresta!
>     Act 1. Silenzio, olà!
>     Act 1. Guardalo, Pong!
>     Act 1. Non indugiare!
>     Act 1. Signore, ascolta!
>     Act 1. Non piangere, Liù!
>     Act 1. Ah! per l'ultima volta!
>     Act 2. Scene 1. Olà, Pang! Olà, Pong!
>     Act 2. Scene 1. O Cina, o Cina
>     Act 2. Scene 1. Ho una casa nell'Honan
>     Act 2. Scene 1. O mondo, pieno di pazzi innamorati!
>     Act 2. Scene 1. Addio, amore!
>     Act 2. Scene 1. Noi si sogna
>     Act 2. Scene 2. Gravi, enormi ed imponenti
>     Act 2. Scene 2. Un giuramento atroce mi costringe
>     Act 2. Scene 2. Diecimila anni ai nostro Imperatore!
>     Act 2. Scene 2. In questa reggia
>     Act 2. Scene 2. Straniero, ascolta! Nella cupa notte
>     Act 2. Scene 2. Guizza al pari di fiamma
>     Act 2. Scene 2. Gelo che ti dà foco
>     Act 2. Scene 2. Gloria, o vincitore!
>     Act 2. Scene 2. Figlio del cielo!
>     Act 2. Scene 2. Tre enigmi m'hai proposto!
>     Act 2. Scene 2. Ai tuoi piedi ci prostriam
>     Act 3. Scene 1. Così comanda Turandot
>     Act 3. Scene 1. Nessun dorma!
>     Act 3. Scene 1. Tu che guardi le stelle
>     Act 3. Scene 1. Principessa divina!
>     Act 3. Scene 1. Quel nome!
>     Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato
>     Act 3. Scene 1. Tu, che di gel sei cinta
>     Act 3. Scene 1. Liù... bontà!
>     Act 3. Scene 1. Principessa di morte!
>     Act 3. Scene 1. Che è mai di me? Perduta!
>     Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!
>     Act 3. Scene 2. Diecimila anni al nostro Imperatore!

Album Summary

>Puccini, Giacomo : Tosca
>Puccini, Giacomo : Manon Lescaut
>Puccini, Giacomo : Madama Butterfly
>Puccini, Giacomo : La bohème
>Puccini, Giacomo : Suor Angelica
>Puccini, Giacomo : Gianni Schicchi, opera
>Puccini, Giacomo : Turandot
Performers Conductors Ensembles Composer

Notes & Reviews:

This elegant 15-CD set includes all of Callas' studio recordings of Puccini operas: Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. These are all recorded with the forces of La Scala, Milan, except the second Tosca which was made in Paris. Also included is the famous recital of Puccini arias that Callas recorded in London in 1954 on which she sings both of Liu's arias from Turandot ("Signore, ascolta" and "Tu che di gel sei cinta"), as well as Turandot's great solo "In questa reggia."

BBC Music Magazine
Callas revealed just what depths of character a great singing actress could find in Puccini's heroines - even the towering Turandot, which she sang on stage early in her topsy-turvy career. To those of us who never saw her live, her unsteadiness and pitch problems are more evident, but the passion and intelligent detail in Butterfly's blinkered innocence or Tosca's tormented instability are all the more riveting, both in her classic Serafin solo recital and in these mostly 1950s Italian recordings.



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Works Details

>Puccini, Giacomo : Tosca
  • Performers: Giuseppe Di Stefano (Voice); Melchiorre Luise (Bass); Angelo Mercuriali (Tenor); Maria Callas; Alvaro Cordova (Voice); Dario Caselli (Bass); Tito Gobbi (Baritone); Franco Calabrese (Bass)
  • Conductor: Victor De Sabata
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/10/1953-08/21/1953)
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. In quelle trine morbide
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. Sola, perduta, abbandonata
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Un bel di vedremo
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Con onor muore
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Aria. Sì. Mi chiamano Mimì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Aria. Donde lieta usì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Suor Angelica :: Aria. Senza mamma
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1918

>Puccini, Giacomo : Gianni Schicchi, opera :: Aria. O mio babbino caro
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1918

>Puccini, Giacomo : Turandot :: Act 1. Aria. Signore, ascolta!
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Aria. In questa reggia
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 6 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Aria. Tu, che di gel sei cinta
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Madama Butterfly :: Act 1. E soffitto... e pareti...
  • Performers: Nicolai Gedda (Voice); Mario Carlin (Tenor); Maria Callas; Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Questa è la cameriera
  • Performers: Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Renato Ercolani (Vocals); Maria Callas; Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Dovunque al mondo
  • Performers: Nicolai Gedda (Voice); Mario Borriello (Baritone); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Maria Callas; Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quale smania vi prede!
  • Performers: Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Plinio Clabassi (Voice); Mario Carlin (Tenor); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quanto cielo!... Ancora un passo or via
  • Performers: Mario Carlin (Tenor); Mario Borriello (Baritone); Enrico Campi (Bass); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals); Nicolai Gedda (Voice); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Gran ventura
  • Performers: Plinio Clabassi (Voice); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. L'Imperial Commissario
  • Performers: Nicolai Gedda (Voice); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni, amor mio!
  • Performers: Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ieri son salita tutta sola
  • Performers: Nicolai Gedda (Voice); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Maria Callas; Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 3 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ed eccoci in famiglia
  • Performers: Nicolai Gedda (Voice); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni la sera
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Nicolai Gedda (Voice); Mario Carlin (Tenor); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Bimba dagli occhi pieni di malia
  • Performers: Nicolai Gedda (Voice); Mario Carlin (Tenor); Plinio Clabassi (Voice); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vogliatemi bene, un bene piccolino
  • Performers: Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E Izaghi ed Izanami
  • Performers: Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Un bel dì vedremo
  • Performers: Enrico Campi (Bass); Mario Borriello (Baritone); Plinio Clabassi (Voice); Mario Carlin (Tenor); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Nicolai Gedda (Voice); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. C'è. Entrate
  • Performers: Mario Carlin (Tenor); Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Non lo sapete insomma
  • Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Maria Callas; Nicolai Gedda (Voice); Enrico Campi (Bass); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. A voi però giurerei fede costarte
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 58 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Ora a noi
  • Performers: Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E questo? e questo?
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che tua madre dovrà
  • Performers: Nicolai Gedda (Voice); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io scendo al piano
  • Performers: Luisa Villa (Mezzo Soprano); Nicolai Gedda (Voice); Renato Ercolani (Vocals); Mario Carlin (Tenor); Mario Borriello (Baritone); Plinio Clabassi (Voice); Maria Callas; Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Vespa! Rospo maledetto!
  • Performers: Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Una nave da guerra
  • Performers: Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Mario Borriello (Baritone); Nicolai Gedda (Voice); Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Scuoti quella fronda di ciliegio
  • Performers: Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Enrico Campi (Bass); Mario Carlin (Tenor); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Or vienmi ad adornar
  • Performers: Maria Callas; Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Nicolai Gedda (Voice); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Coro a bocca chiusa
  • Performers: Mario Carlin (Tenor); Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Enrico Campi (Bass); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Oh eh! Oh eh! Oh eh!
  • Performers: Enrico Campi (Bass); Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Già il sole!
  • Performers: Nicolai Gedda (Voice); Renato Ercolani (Vocals); Maria Callas; Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Mario Carlin (Tenor); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Povera Butterfly!
  • Performers: Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io so che alle sue pene
  • Performers: Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Mario Borriello (Baritone); Enrico Campi (Bass); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 2 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Addio, fiorito asil
  • Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Glielo dirai?
  • Performers: Nicolai Gedda (Voice); Maria Callas; Plinio Clabassi (Voice); Mario Carlin (Tenor); Renato Ercolani (Vocals); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che vuol da me?
  • Performers: Enrico Campi (Bass); Mario Carlin (Tenor); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Come una mosca grigioniera
  • Performers: Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Mario Carlin (Tenor); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Con onor muore
  • Performers: Nicolai Gedda (Voice); Lucia Danieli (Mezzo Soprano); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Mario Carlin (Tenor); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 23 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Questo Mar Rosso mi ammollisce e assidera
  • Performers: Manuel Spatafora (Baritone); Rolando Panerai (Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Carlo Badioli (Bass); Maria Callas; Franco Ricciardi (Tenor); Eraldo Coda (Bass); Nicola Zaccaria (Bass); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Abbasso, abbasso l'autor!
  • Performers: Carlo Forti (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Si può?... Chi è là?
  • Performers: Carlo Badioli (Bass); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Al Quartiere Latin ci attende Momus
  • Performers: Rolando Panerai (Baritone); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Non sono in vena
  • Performers: Carlo Forti (Bass); Anna Moffo (Voice); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Che gelida manina!
  • Performers: Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Sì. Mi chiamano Mimì
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Anna Moffo (Voice); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Maria Callas; Eraldo Coda (Bass); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 55 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Ehi! Rodolfo!... O soave fanciulla
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Aranci, datteri!
  • Performers: Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Carlo Forti (Bass); Rolando Panerai (Baritone); Maria Callas; Anna Moffo (Voice); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi guardi?... Odio il profano volgo
  • Performers: Anna Moffo (Voice); Maria Callas; Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Manuel Spatafora (Baritone); Eraldo Coda (Bass); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Rolando Panerai (Baritone); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Beviam... Ch'io beva del tossico!
  • Performers: Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Quando me n'vò
  • Performers: Giuseppe Di Stefano (Voice); Carlo Badioli (Bass); Nicola Zaccaria (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Rolando Panerai (Baritone); Eraldo Coda (Bass); Anna Moffo (Voice); Maria Callas; Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi l'ha richiesto?... Vediam
  • Performers: Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Ohè, là, le guardie... Aprite!
  • Performers: Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Giuseppe Di Stefano (Voice); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Mimì?!... Speravo di trovarvi qui
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Carlo Badioli (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Marcello. Finalmente
  • Performers: Eraldo Coda (Bass); Maria Callas; Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. D'onde lieta uscì al tuo grido d'amore
  • Performers: Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Dunque è proprio finita?
  • Performers: Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. In un coupé?... Con pariglia e livree
  • Performers: Anna Moffo (Voice); Franco Ricciardi (Tenor); Maria Callas; Eraldo Coda (Bass); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. O Mimì, tu più non torni
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Che ora sia?
  • Performers: Maria Callas; Anna Moffo (Voice); Carlo Badioli (Bass); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 7 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male
  • Performers: Anna Moffo (Voice); Carlo Badioli (Bass); Rolando Panerai (Baritone); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Vecchia simarra, senti
  • Performers: Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Maria Callas; Eraldo Coda (Bass); Anna Moffo (Voice); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Schaunard, ognuno per diversa via
  • Performers: Giuseppe Di Stefano (Voice); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Nicola Zaccaria (Bass); Manuel Spatafora (Baritone); Franco Ricciardi (Tenor); Anna Moffo (Voice); Eraldo Coda (Bass); Maria Callas
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Sono andati?
  • Performers: Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Oh Dio! Mimì... Che avvien?
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Rolando Panerai (Baritone); Carlo Forti (Bass); Nicola Zaccaria (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Turandot :: Act 1. Popolo di Pekino!
  • Performers: Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Padre! Mio padre!
  • Performers: Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perduta la battaglia
  • Performers: Maria Callas; Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Gira la cote! Gira!
  • Performers: Nicola Zaccaria (Bass); Maria Callas; Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perché tarda la luna?
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Mario Borriello (Baritone); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Là, sui monti dell'est
  • Performers: Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Giulio Mauri (Bass); Maria Callas; Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. O giovinetto!
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Figlio, che fai?
  • Performers: Elisabeth Schwarzkopf (Voice); Maria Callas; Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Fermo! che fai? T'arresta!
  • Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Silenzio, olà!
  • Performers: Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Maria Callas; Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Piero de Palma (Tenor); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Guardalo, Pong!
  • Performers: Renato Ercolani (Vocals); Giulio Mauri (Bass); Maria Callas; Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non indugiare!
  • Performers: Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Maria Callas; Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Signore, ascolta!
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non piangere, Liù!
  • Performers: Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Mario Borriello (Baritone); Renato Ercolani (Vocals); Maria Callas; Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Ah! per l'ultima volta!
  • Performers: Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Olà, Pang! Olà, Pong!
  • Performers: Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Maria Callas; Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O Cina, o Cina
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Ho una casa nell'Honan
  • Performers: Mario Borriello (Baritone); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O mondo, pieno di pazzi innamorati!
  • Performers: Maria Callas; Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Mario Borriello (Baritone); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Addio, amore!
  • Performers: Eugenio Fernandi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Maria Callas; Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Noi si sogna
  • Performers: Maria Callas; Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Giulio Mauri (Bass); Mario Borriello (Baritone); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gravi, enormi ed imponenti
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Un giuramento atroce mi costringe
  • Performers: Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Maria Callas; Renato Ercolani (Vocals); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Diecimila anni ai nostro Imperatore!
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 4 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. In questa reggia
  • Performers: Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Nicola Zaccaria (Bass); Maria Callas; Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 6 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Straniero, ascolta! Nella cupa notte
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Guizza al pari di fiamma
  • Performers: Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Maria Callas; Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gelo che ti dà foco
  • Performers: Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Piero de Palma (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gloria, o vincitore!
  • Performers: Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor); Piero de Palma (Tenor); Mario Borriello (Baritone); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Figlio del cielo!
  • Performers: Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Tre enigmi m'hai proposto!
  • Performers: Giuseppe Nessi (Tenor); Maria Callas; Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Ai tuoi piedi ci prostriam
  • Performers: Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Così comanda Turandot
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Nessun dorma!
  • Performers: Piero de Palma (Tenor); Maria Callas; Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu che guardi le stelle
  • Performers: Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Maria Callas; Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa divina!
  • Performers: Maria Callas; Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Quel nome!
  • Performers: Piero de Palma (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Eugenio Fernandi (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato
  • Performers: Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu, che di gel sei cinta
  • Performers: Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 31 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Liù... bontà!
  • Performers: Elisabeth Schwarzkopf (Voice); Maria Callas; Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Giulio Mauri (Bass); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa di morte!
  • Performers: Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Maria Callas; Piero de Palma (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Che è mai di me? Perduta!
  • Performers: Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Giulio Mauri (Bass); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 2. Diecimila anni al nostro Imperatore!
  • Performers: Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ave, sera gentile
  • Performers: Giulio Fioravanti (Baritone); Maria Callas; Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Tra voi, belle, brune e bionde
  • Performers: Giuseppe Morresi (Bass Baritone); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Franco Calabrese (Bass); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ma bravo!
  • Performers: Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Maria Callas; Dino Formichini (Tenor); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Vito Tatone (Tenor); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Discendono, vediam!
  • Performers: Franco Ricciardi (Tenor); Carlo Forti (Bass); Franco Calabrese (Bass); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cortese damigella, il priego mio accettate
  • Performers: Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Donna non vidi mai
  • Performers: Franco Calabrese (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Franco Ricciardi (Tenor); Carlo Forti (Bass); Dino Formichini (Tenor); Giuseppe Di Stefano (Voice); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 36 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua ventura ci rassicura
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua Proserpina di resisterti
  • Performers: Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Dino Formichini (Tenor); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Fiorenza Cossotto (Mezzo Soprano); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Vedete? Io son fedele alla parola mia
  • Performers: Giuseppe Di Stefano (Voice); Vito Tatone (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Non c'è più vino?
  • Performers: Giuseppe Morresi (Bass Baritone); Maria Callas; Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cavalli pronti avete?
  • Performers: Franco Ricciardi (Tenor); Carlo Forti (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Franco Calabrese (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Dispettosetto questo riccio!
  • Performers: Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Dino Formichini (Tenor); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Sei splendida e lucente!
  • Performers: Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Carlo Forti (Bass); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. In quelle trine morbide
  • Performers: Vito Tatone (Tenor); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Franco Ventriglia (Voice); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Poiché tu vuoi saper
  • Performers: Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Dino Formichini (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Franco Calabrese (Bass); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Che ceffi son costor?
  • Performers: Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Maria Callas; Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Vito Tatone (Tenor); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Paga costor!
  • Performers: Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Maria Callas; Vito Tatone (Tenor); Fiorenza Cossotto (Mezzo Soprano); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Vi prego, signorina
  • Performers: Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Vito Tatone (Tenor); Franco Ventriglia (Voice); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Oh, sarò la più bella!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Giulio Fioravanti (Baritone); Maria Callas; Franco Calabrese (Bass); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah!... Affè, madamigella
  • Performers: Franco Calabrese (Bass); Franco Ventriglia (Voice); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone); Dino Formichini (Tenor); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah, Manon, mi tradisce
  • Performers: Carlo Forti (Bass); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Giuseppe Morresi (Bass Baritone); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Franco Ventriglia (Voice); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Lescaut!... Tu qui?
  • Performers: Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Maria Callas; Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Intermezzo
  • Performers: Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ansia eterna, crudel
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Franco Calabrese (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Manon!... Des Grieux!
  • Performers: Franco Ventriglia (Voice); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. All'armi! All'armi!
  • Performers: Franco Calabrese (Bass); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Franco Ventriglia (Voice); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Il passo m'aprite!
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Dino Formichini (Tenor); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Rosetta!
  • Performers: Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Voice); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Presto in fila! Marciate!
  • Performers: Giuseppe Morresi (Bass Baritone); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ah, non v'avvicinate!... Come io piango ed imploro
  • Performers: Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Dino Formichini (Tenor); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Tutta su me ti posa
  • Performers: Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Carlo Forti (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Manon, senti, amor mio!... Vedi, son io che piango
  • Performers: Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. E nulla! Nulla!
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Maria Callas; Giulio Fioravanti (Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 45 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Sola, perduta, abbandonata...
  • Performers: Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Maria Callas; Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 12 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Tosca
  • Performers: Dennis Wicks (Bass); Victor Godfrey (Bass); Renato Cioni (Tenor); Tito Gobbi (Baritone); Edgard Boniface (Bass); David Sellar (Boy Alto); Robert Bowman (Voice); Eric Garrett (Voice); Maria Callas
  • Conductor: Carlo Cillario
  • Ensemble: Royal Opera House Covent Garden Orchestra
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900