Composers in Person

• Album Summary
• Notes & Reviews
• Also Purchased
• Works Details

Album Summary

Performers

• Ernst Dohnányi (Piano)
• Ludovic Vaillant (Trumpet)
• Maria Barrientos (Soprano)
• Paul Hindemith (Viola)
• Dmitry Shostakovich (Piano)
• Manuel Falla (Piano)
• Emanuel Feuermann (Cello)
• Kate Winter (Soprano)
• Marcel Darrieux (Violin)
• Szymon Goldberg (Violin)
• Edwin Benbow (Piano)
• Auguste Cruque (Cello)
• Louis Cahuzac (Clarinet)
• Parry Jones (Tenor)
• Georges Bonneau (Oboe)
• Dennis Brain (Horn)
• Leslie Heward (Piano)
• Manuel Falla (Harpsichord)
• David Oistrakh (Violin)
• Roy Henderson (Baritone)
• Federico Mompou (Piano)
• Maurice Maréchal (Cello)
• Ernest Lush (Piano)
• Joaquin Nin (Piano)
• Francis Poulenc (Piano)
• Berkeley Mason (Piano)
• Ninon Vallin
• Roger Lamorlette (Oboe)
• Pierre Vignol (Trumpet)
• Esther Rethy (Soprano)
• Gustave Dherin (Bassoon)
• Raphaël Delbos (Trombone)
• Maria Reining (Soprano)
• Charles-Marie Widor (Organ)
• André Lafosse (Trombone)
• Vera Schwarz (Soprano)
• Louis Vierne (Organ)
• Emile Godeau (Clarinet)
• Richard Tauber (Tenor)
• Marcel Dupré (Organ)
• Marus Piard (Bassoon)
• Jarmila Novotná (Soprano)
• Olivier Messiaen (Organ)
• Eugène Foveau (Trumpet)
• Benno Moiseiwitsch (Piano)
• Yehudi Menuhin (Violin)
• Marcel Moyse (Flute)
• Nikolai Medtner (Piano)
• Beatrice Harrison (Cello)
• Igor Stravinsky (Piano)
• Oda Slobodskaya (Soprano)
• Sergei Prokofiev (Piano)
• Samuel Dushkin (Violin)
• Elisabeth Schwarzkopf (Soprano)
• Fernand Benedetti (Cello)
• André Vacellier (Clarinet)
• Tatiana Makushina (Soprano)
• Victoria de los Angeles (Soprano)
• Gabriel Grandmaison (Bassoon)
• Claire Croiza (Soprano)
• Frederick Fuller (Baritone)
• Louis Gromer (Oboe)
• Albert Roussel (Piano)
• Heitor Villa-Lobos (Piano)
• Louis Juste (Double Bass)
• Florent Schmitt (Piano)
• Magda Tagliaferro (Piano)
• Henri Volant (Violin)
• Max Strub (Violin)
• Lucien Lavaillote (Flute)
• Ludwig Hoelscher (Cello)
• Roland Charmy (Violin)
• Gerhard Hüsch (Baritone)
• Étienne Ginot (Viola)
• Hans Pfitzner (Piano)
• Roger Tudesq (Trombone)
• Marcelle Meyer (Piano)
• Jean Devemy (Horn)
• Béla Bartók (Piano)
• Darius Milhaud (Piano)
• Aladar Racz (Cimbalom)
• Vilma Medgyaszay (Soprano)
• Pierre Bernac (Baritone)
• Jean Morel (Percussion)
• Ferenc Szekeres
• Peter Pears (Tenor)
• Soulima Stravinsky (Piano)
• Zoltán Székely (Violin)
• Benjamin Britten (Piano)
• Enrique Granados (Piano)

Conductors

• Ansermet, Ernest
• Cluytens, Andre
• Collingwood, Lawrance
• Coppola, Piero
• Elgar, Edward, Sir
• Glazunov, Alexander
• Hindemith, Paul
• Holst, Gustav
• Honegger, Arthur
• Khachaturian, Aram
• Lehar, Franz
• Milhaud, Darius
• Pfitzner, Hans
• Roussel, Albert
• Straram, Walther
• Strauss, Richard
• Stravinsky, Igor
• Villa-Lobos, Heitor

Ensembles

• 
• Percurama Percussion Ensemble

Composers

• Florent Schmitt (1870 - 1958)
• Paul Hindemith (1895 - 1963)
• Francis Poulenc (1899 - 1963)
• Marcel Dupré (1886 - 1971)
• Sergey Prokofiev (1891 - 1953)
• Hans Pfitzner (1869 - 1949)
• Dmitry Shostakovich (1906 - 1975)
• Enriqué Granados (1867 - 1916)
• Joaquin Nin (Piano/Composer) (1879 - 1949)
• Nikolay Medtner (1880 - 1951)
• Béla Bartók (1881 - 1945)
• Aram Khachaturian (1903 - 1978)
• Charles-Marie Widor (1844 - 1937)
• Olivier Messiaen (1908 - 1992)
• Alexander Glazunov (1865 - 1936)
• Darius Milhaud (1892 - 1974)
• Igor Stravinsky (1882 - 1971)
• Manuel de Falla (1876 - 1946)
• Gustav Holst (1874 - 1934)
• Albert Roussel (1869 - 1937)
• Ernst von Dohnányi (1877 - 1960)
• Arthur Honegger (1892 - 1955)
• Louis Vierne (1870 - 1937)
• Edward Elgar (1857 - 1934)
• Heitor Villa-Lobos (1887 - 1959)
• Benjamin Britten (1913 - 1976)
• Richard Strauss (1864 - 1949)
• Federico Mompou (1893 - 1987)
• Franz Lehár (1870 - 1948)

Notes & Reviews:

These 22 CDs offer a stunning range of modern composers performing their own works either on the piano, organ or violin, or else from behind the podium. The set includes greats such as Holst, Prokofiev, Messiaen, Shostakovich, Britten, and Stravinsky, along with lesser known but equally talented luminaries like Medtner, Roussel, Pfitzner, Widor, and more! A fascinating study for musicians and musicologists, as well as an excitingly varied selection of modern music for collectors!

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Also Purchased

Works Details

Béla Bartók (1881 - 1945) : Bagatelles (14) for Piano, Op. 6/Sz 38 :: Allegro giocoso, for piano (14 s no 2), Sz. 38/2, BB 50/2 (Op. 6/2)

• Performer: Béla Bartók (Piano)
• Period Time: Modern
• Written: 1908

Béla Bartók (1881 - 1945) : Easy Pieces (10) for Piano, Sz 39 :: Evening in Transylvania

• Performer: Béla Bartók (Piano)
• Running Time: 2 min. 42 sec.
• Period Time: Modern
• Written: 1908

Béla Bartók (1881 - 1945) : Easy Pieces (10) for Piano, Sz 39

• Performer: Béla Bartók (Piano)
• Running Time: 1 min. 42 sec.
• Period Time: Modern
• Written: 1908

Béla Bartók (1881 - 1945) : Romanian Dances (2) for Piano, Op. 8a/Sz 43 :: Allegro vivace, for piano, Sz. 43/1, BB 56/1 (Op. 8a/1)

• Performer: Béla Bartók (Piano)
• Running Time: 4 min. 15 sec.
• Period Time: Modern
• Written: 1909-1910

Béla Bartók (1881 - 1945) : A Bit Drunk (Kicsit ázottan), burlesque for piano no 2, Sz. 47/2, BB 55/2 (Op. 8c/2)

• Performer: Béla Bartók (Piano)
• Running Time: 2 min. 7 sec.
• Period Time: Modern
• Written: 1911

Béla Bartók (1881 - 1945) : Allegro barbaro for Piano, Sz 49

• Performer: Béla Bartók (Piano)
• Running Time: 2 min. 29 sec.
• Period Time: Modern
• Written: 1911

Béla Bartók (1881 - 1945) : Suite for Piano, Op. 14/Sz 62

• Performer: Béla Bartók (Piano)
• Running Time: 7 min. 33 sec.
• Period Time: Modern
• Written: 1916

Béla Bartók (1881 - 1945) : Mikrokosmos, Sz 107 :: Staccato (Allegretto

• Performer: Béla Bartók (Piano)
• Running Time: 1 min. 17 sec.
• Period Time: Modern
• Written: 1926-1939

Béla Bartók (1881 - 1945) : Mikrokosmos, Sz 107 :: Ostinato (Vivacissimo

• Performer: Béla Bartók (Piano)
• Running Time: 2 min. 17 sec.
• Period Time: Modern
• Written: 1926-1939

Béla Bartók (1881 - 1945) : Hungarian Folksongs (10), for voice & piano Vol. 1 Sz 33 :: no 1

• Performers: Vilma Medgyaszay (Soprano); Béla Bartók (Piano)
• Running Time: 5 min. 38 sec.
• Period Time: Modern
• Form: Vocal
• Written: 1906

Béla Bartók (1881 - 1945) : Hungarian Folksongs (8), for voice & piano, Sz. 64 :: no 1

• Performer: Béla Bartók (Piano)
• Running Time: 5 min. 4 sec.
• Period Time: Modern
• Written: 1907-1917

Béla Bartók (1881 - 1945) : Hungarian Folksongs (8), for voice & piano, Sz. 64 :: no 5

• Performers: Ferenc Szekeres; Béla Bartók (Piano)
• Running Time: 3 min. 57 sec.
• Period Time: Modern
• Written: 1907-1917

Béla Bartók (1881 - 1945) : Work(s) :: 7 Hungarian Folk Tunes (from For Children, Sz42)

• Performers: Zoltán Székely (Violin); Béla Bartók (Piano)
• Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
• Running Time: 7 min. 38 sec.
• Period Time: Modern
• Written: 1890-1945

Béla Bartók (1881 - 1945) : Romanian Folkdances (6) for Piano, Sz 56

• Performers: Zoltán Székely (Violin); Béla Bartók (Piano)
• Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
• Running Time: 5 min. 26 sec.
• Period Time: Modern
• Written: 1915

Ernst von Dohnányi (1877 - 1960) : Variations on a Nursery Song for Piano and Orchestra, Op. 25

• Performer: Ernst Dohnányi (Piano)
• Conductor: Lawrance Collingwood
• Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
• Running Time: 19 min. 2 sec.
• Period Time: Post Romantic
• Written: 02/01/1914

Hindemith, Paul : Sonata for solo viola, Op. 25/1

• Performer: Paul Hindemith (Viola)
• Running Time: 14 min. 9 sec.
• Period Time: Modern
• Written: 1922

Hindemith, Paul : Duet for Viola and Cello

• Performers: Emanuel Feuermann (Cello); Paul Hindemith (Viola)
• Running Time: 3 min. 31 sec.
• Period Time: Modern
• Written: 1934

Hindemith, Paul : Nobilissima visione, ballet suite for orchestra

• Conductor: Paul Hindemith
• Running Time: 25 min. 9 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1939

Hindemith, Paul : Symphonia serena

• Conductor: Paul Hindemith
• Notes: Composition written: 1946.
• Running Time: 33 min. 10 sec.
• Period Time: Modern
• Form: Orchestral
• Written: 1946

Hindemith, Paul : Trio for strings no 2

• Performers: Szymon Goldberg (Violin); Emanuel Feuermann (Cello); Paul Hindemith (Viola)
• Running Time: 22 min. 38 sec.
• Period Time: Modern
• Written: 1933

Hindemith, Paul : Concerto for Clarinet

• Performer: Louis Cahuzac (Clarinet)
• Conductor: Paul Hindemith
• Running Time: 24 min. 19 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1947

Hindemith, Paul : Concerto for Horn

• Performer: Dennis Brain (Horn)
• Conductor: Paul Hindemith
• Running Time: 14 min. 23 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1949

Hindemith, Paul : Konzertmusik for Brass and Strings, Op. 50

• Conductor: Paul Hindemith
• Notes: Kingsway Hall, London, England (11/22/1956-11/24/1956)
• Running Time: 16 min. 10 sec.
• Period Time: Modern
• Written: 1930

Khachaturian, Aram : Masquerade :: 1. Waltz

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
• Running Time: 4 min. 15 sec.
• Period Time: Modern
• Written: 1944

Khachaturian, Aram : Masquerade :: 2. Nocturne

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
• Running Time: 4 min. 37 sec.
• Period Time: Modern
• Written: 1944

Khachaturian, Aram : Masquerade :: 3. Mazurka

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
• Running Time: 2 min. 31 sec.
• Period Time: Modern
• Written: 1944

Khachaturian, Aram : Concerto for Violin in D minor

• Performer: David Oistrakh (Violin)
• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/26/1954-11/27/1954)
• Running Time: 35 min. 38 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1940

Khachaturian, Aram : Gayaneh :: 1. Dance of the Rose-Maidens

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 2 min. 7 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 2. Ayesha's Awakening and Dance

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 5 min. 31 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 3. Lullaby

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 5 min. 11 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 4. Gayaneh's Adagio

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 4 min. 18 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 5. Lezghinka

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 2 min. 37 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 6. Lyrical Duet (of Ayesha and Armen)

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 5 min. 9 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 7. Dance of the Old Men and Women

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 4 min. 21 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Khachaturian, Aram : Gayaneh :: 8. Sabre Dance

• Conductor: Aram Khachaturian
• Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
• Running Time: 2 min. 9 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1941-1942

Honegger, Arthur : Pastorale d'été, symphonic poem for chamber orchestra, H. 31

• Conductor: Arthur Honegger
• Running Time: 7 min. 53 sec.
• Period Time: Modern
• Form: Orchestral
• Written: 1920

Honegger, Arthur : Concerto for Cello in C major, H. 72

• Performer: Maurice Maréchal (Cello)
• Conductor: Arthur Honegger
• Notes: Composition written: 1929.
• Running Time: 16 min. 39 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1929

Poulenc, Francis : Mouvements perpétuels (3)

• Performer: Francis Poulenc (Piano)
• Running Time: 4 min. 36 sec.
• Period Time: Modern
• Written: 1918

Poulenc, Francis : Trio for oboe, bassoon & piano, FP 43

• Performers: Roger Lamorlette (Oboe); Francis Poulenc (Piano); Gustave Dherin (Bassoon)
• Running Time: 10 min. 40 sec.
• Period Time: Modern
• Form: Chamber Music
• Written: 1926

Poulenc, Francis : Novelettes (2) for piano, FP 47

• Performer: Francis Poulenc (Piano)
• Running Time: 3 min. 36 sec.
• Period Time: Modern
• Written: 1927-1928

Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: no 1 in C

• Performer: Francis Poulenc (Piano)
• Running Time: 3 min. 24 sec.
• Period Time: Modern
• Written: 1929-1938

Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: no 2 in A (Bal des jeunes filles)

• Performer: Francis Poulenc (Piano)
• Running Time: 1 min. 20 sec.
• Period Time: Modern
• Written: 1929-1938

Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: no 4 in C minor (Bal fantôme)

• Performer: Francis Poulenc (Piano)
• Running Time: 1 min. 37 sec.
• Period Time: Modern
• Written: 1929-1938

Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 2 in A flat

• Performer: Francis Poulenc (Piano)
• Running Time: 1 min. 39 sec.
• Period Time: Modern
• Written: 1959

Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 5 in A minor

• Performer: Francis Poulenc (Piano)
• Running Time: 1 min. 25 sec.
• Period Time: Modern
• Written: 1959

Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 9 in D

• Performer: Francis Poulenc (Piano)
• Running Time: 1 min. 8 sec.
• Period Time: Modern
• Written: 1959

Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 10 in F (Éloge des gammes)

• Performer: Francis Poulenc (Piano)
• Running Time: 1 min. 30 sec.
• Period Time: Modern
• Written: 1959

Poulenc, Francis : Aubade for Piano and 18 instruments

• Performer: Francis Poulenc (Piano)
• Conductor: Walther Straram
• Notes: Théâtre des Champs-Élysées, Paris, France (01/20/1930-01/22/1930)
• Running Time: 17 min. 36 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1929

Widor, Charles-Marie : Fifth Organ Symphony in F, Op. 42/1 :: 5. Toccata

• Performer: Charles-Marie Widor (Organ)
• Notes: Saint-Sulpice, Paris, France (04/28/1932-04/09/1932)
• Running Time: 6 min. 36 sec.
• Period Time: Post Romantic
• Form: Orchestral
• Written: 1880

Widor, Charles-Marie : Symphony for Organ no 9 in c/C, Op. 70 "Gothic"

• Performer: Charles-Marie Widor (Organ)
• Notes: Saint-Sulpice, Paris, France (04/28/1932-04/09/1932)
• Running Time: 15 min. 22 sec.
• Period Time: Post Romantic
• Form: Orchestral
• Written: 1895

Vierne, Louis : Improvisations (3) for organ :: 1. Marche épiscopale

• Performer: Louis Vierne (Organ)
• Running Time: 3 min. 22 sec.
• Period Time: Post Romantic
• Written: 1929-1931

Vierne, Louis : Pièces de fantaisie, for organ, Suite 1, Op. 51 :: 2. Andantino

• Performer: Louis Vierne (Organ)
• Running Time: 3 min. 1 sec.
• Period Time: Post Romantic
• Written: 1926

Vierne, Louis : Pièces de fantaisie, for organ, Suite 1, Op. 51 :: 3. Cortège

• Performer: Louis Vierne (Organ)
• Running Time: 2 min. 23 sec.
• Period Time: Post Romantic
• Written: 1926

Marcel Dupré (1886 - 1971) : Suite Bretonne, for organ, Op. 21 :: 1. Berceuse

• Performer: Marcel Dupré (Organ)
• Running Time: 4 min. 9 sec.
• Period Time: Modern
• Written: 1924

Marcel Dupré (1886 - 1971) : Préludes and Fugues (3) for organ, Op. 7 :: no 3 in G minor

• Performer: Marcel Dupré (Organ)
• Notes: Queen's Hall, London, England (06/25/1926/10/27/1926)
• Running Time: 6 min. sec.
• Period Time: Modern
• Written: 1912

Messiaen, Olivier : Le banquet céleste

• Performer: Olivier Messiaen (Organ)
• Notes: L'Église de la Trinité, Paris, France (07/26/1956/06/13/1956)
• Running Time: 7 min. 27 sec.
• Period Time: Modern
• Written: 1928-1960

Messiaen, Olivier : L'Ascension

• Performer: Olivier Messiaen (Organ)
• Notes: L'Église de la Trinité, Paris, France (07/26/1956/06/13/1956)
• Running Time: 27 min. 36 sec.
• Period Time: Modern
• Written: 1932-1933

Elgar, Edward : Concerto for Violin in B minor, Op. 61

• Performer: Yehudi Menuhin (Violin)
• Conductor: Edward Elgar
• Notes: EMI Abbey Road Studios, London, England (07/14/1932-07/15/1932)
• Running Time: 30 min. 27 sec.
• Period Time: Post Romantic
• Form: Concerto
• Written: 1909-1910

Elgar, Edward : Concerto for Cello

• Performer: Beatrice Harrison (Cello)
• Conductor: Edward Elgar
• Running Time: 24 min. 56 sec.
• Period Time: Post Romantic
• Form: Concerto
• Written: 1919

Messiaen, Olivier : Apparition de l'église éternelle

• Performer: Olivier Messiaen (Organ)
• Running Time: 10 min. 26 sec.
• Period Time: Modern
• Written: 1932

Messiaen, Olivier : La nativité du Seigneur

• Performer: Olivier Messiaen (Organ)
• Notes: Église de la Sainte-Trinité (06/15/1956-06/22/1956)
• Running Time: 59 min. 31 sec.
• Period Time: Modern
• Written: 1935

Prokofiev, Sergei : Concerto for Piano no 3 in C major, Op. 26

• Performer: Sergei Prokofiev (Piano)
• Conductor: Piero Coppola
• Notes: EMI Abbey Road Studios, London, England (06/27/1932-06/28/1932)
• Running Time: 24 min. 10 sec.
• Period Time: Post Romantic
• Form: Concerto
• Written: 1917-1921

Prokofiev, Sergei : Pieces (4) for piano, Op. 4 :: no 4. Suggestion diabolique

• Performer: Sergei Prokofiev (Piano)
• Running Time: 2 min. 26 sec.
• Period Time: Post Romantic
• Written: 1908

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 3

• Performer: Sergei Prokofiev (Piano)
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 5

• Performer: Sergei Prokofiev (Piano)
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 6

• Performer: Sergei Prokofiev (Piano)
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 9

• Performer: Sergei Prokofiev (Piano)
• Running Time: 1 min. 6 sec.
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 10

• Performer: Sergei Prokofiev (Piano)
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 11

• Performer: Sergei Prokofiev (Piano)
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 16

• Performer: Sergei Prokofiev (Piano)
• Running Time: 1 min. 32 sec.
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 17

• Performer: Sergei Prokofiev (Piano)
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 18

• Performer: Sergei Prokofiev (Piano)
• Running Time: 1 min. 18 sec.
• Period Time: Post Romantic
• Written: 1915-1917

Prokofiev, Sergei : Symphony no 1 in D major, Op. 25 "Classical" :: 3. Gavotte

• Performer: Sergei Prokofiev (Piano)
• Running Time: 1 min. 24 sec.
• Period Time: Post Romantic
• Form: Orchestral
• Written: 1916-1917

Prokofiev, Sergei : Sonata for Piano no 4 in C minor, Op. 29 :: 2. Andante assai

• Performer: Sergei Prokofiev (Piano)
• Running Time: 6 min. 14 sec.
• Period Time: Post Romantic
• Written: 1908-1917

Prokofiev, Sergei : Pieces (4) for piano, Op. 32 :: no 3. Gavotte

• Performer: Sergei Prokofiev (Piano)
• Running Time: 1 min. 28 sec.
• Period Time: Post Romantic
• Written: 1918

Glazunov, Alexander : The Seasons, Op. 67

• Conductor: Alexander Glazunov
• Notes: Portman Rooms, Baker Street, London, England (06/10/1929/06/13/1929)
• Running Time: 7 min. 46 sec.
• Period Time: Post Romantic
• Form: Ballet
• Written: 1899

Villa-Lobos, Heitor : Bachiana brasileira no 2 for Orchestra :: 4. Toccata

• Performers: Fernand Benedetti (Cello); Victoria de los Angeles (Soprano)
• Conductor: Heitor Villa-Lobos
• Running Time: 4 min. 11 sec.
• Period Time: Modern
• Written: 1930

Villa-Lobos, Heitor : Bachiana brasileira no 5 for Soprano and 8 Cellos

• Performers: Fernand Benedetti (Cello); Victoria de los Angeles (Soprano)
• Conductor: Heitor Villa-Lobos
• Notes: Salle de la Mutualité, Paris, France (06/07/1956/06/13/1956)
• Running Time: 10 min. 52 sec.
• Period Time: Modern
• Written: 1938-1945

Villa-Lobos, Heitor : Miniaturas (6), song cycle for voice & piano, A. 056 :: no 2

• Performers: Frederick Fuller (Baritone); Heitor Villa-Lobos (Piano)
• Running Time: 2 min. 58 sec.
• Period Time: Modern
• Written: 1912-1917

Villa-Lobos, Heitor : Modinhas e cançoes, song cycle for voice & orchestra, Album 1 (7), A. 406 :: no 3

• Performers: Frederick Fuller (Baritone); Heitor Villa-Lobos (Piano)
• Running Time: 2 min. 9 sec.
• Period Time: Modern
• Written: 1939

Villa-Lobos, Heitor : Momoprecoce, W 240

• Performer: Magda Tagliaferro (Piano)
• Conductor: Heitor Villa-Lobos
• Notes: Théâtre des Champs-Élysées, Paris, France (06/09/1954-06/10/1954)
• Running Time: 22 min. 48 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1929

Villa-Lobos, Heitor : Bachianas Brasileiras no 4, for piano & orchestra, A. 424

• Conductor: Heitor Villa-Lobos
• Running Time: 22 min. 1 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1941

Villa-Lobos, Heitor : Chôro no 10 for Chorus and Orchestra "Rasga o coracao"

• Conductor: Heitor Villa-Lobos
• Running Time: 12 min. 47 sec.
• Period Time: Modern
• Written: 1925

Pfitzner, Hans : Das Christ-Elflein, opera, Op. 20 :: Overture

• Conductor: Hans Pfitzner
• Notes: Composition written: 1906.
• Running Time: 11 min. sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1906

Pfitzner, Hans : Palestrina :: Act 1. Prelude

• Conductor: Hans Pfitzner
• Notes: Composition written: 1911-15.
• Running Time: 6 min. 59 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1911-1915

Pfitzner, Hans : Palestrina :: Act 2. Prelude

• Conductor: Hans Pfitzner
• Notes: Composition written: 1911-15.
• Running Time: 6 min. 1 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1911-1915

Pfitzner, Hans : Palestrina :: Act 3. Prelude

• Conductor: Hans Pfitzner
• Notes: Composition written: 1911-15.
• Running Time: 7 min. 25 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1911-1915

Pfitzner, Hans : Duo for violin, cello & piano (or small orchestra), Op. 43

• Performers: Max Strub (Violin); Ludwig Hoelscher (Cello)
• Conductor: Hans Pfitzner
• Running Time: 13 min. 3 sec.
• Period Time: Post Romantic
• Written: 1937

Pfitzner, Hans : Hast du von den Fischerkindern, song for voice & piano, Op. 7/1

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 57 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Der Gärtner, for voice & piano, Op. 9/1

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 52 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Die Einsame, song for voice & piano, Op. 9/2

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 37 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Zum Abschied meiner Tochter, for voice & piano, Op. 10/3

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 15 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Michaelskirchplatz, song for voice & piano, Op. 19/2

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 14 sec.
• Period Time: Post Romantic

Pfitzner, Hans : In Danzig, song for voice & piano, Op. 22/1

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 3 min. 25 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Nachts, song for voice & piano, Op. 26/2

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 44 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Abbitte, for voice & piano, Op. 29/1

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 2 min. 41 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Hussens Kerker, song for voice & piano, Op. 32/1

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 4 min. 44 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Säerspruch, song for voice & piano, Op. 32/2

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 1 min. 23 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Leuchtende Tage, for voice & piano, Op.40/1

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 1 min. 12 sec.
• Period Time: Post Romantic

Pfitzner, Hans : Herbstgefühl, for voice & piano, Op. 40/4

• Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
• Running Time: 1 min. 35 sec.
• Period Time: Post Romantic

Milhaud, Darius : La création du monde, Op. 81

• Conductor: Darius Milhaud
• Running Time: 14 min. 52 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1923

Milhaud, Darius : Scaramouche, Op. 165b

• Performers: Marcelle Meyer (Piano); Darius Milhaud (Piano)
• Running Time: 8 min. 6 sec.
• Period Time: Modern
• Written: 1937

Milhaud, Darius : Saudades do Brasil (12), suite of dances for piano, Op. 67

• Conductor: Darius Milhaud
• Notes: Studio 'A', Capitol Tower, Hollywood, CA (09/11/1956-09/12/1956)
• Running Time: 20 min. 11 sec.
• Period Time: Modern
• Written: 1920-1921

Milhaud, Darius : Suite provençale, for orchestra, Op. 152a

• Conductor: Darius Milhaud
• Running Time: 13 min. 54 sec.
• Period Time: Modern
• Written: 1936

Milhaud, Darius : Le boeuf sur le toit, Op. 58

• Conductor: Darius Milhaud
• Notes: Théâtre des Champs-Élysées, Paris, France (03/16/1958/03/18/1958)
• Running Time: 15 min. 8 sec.
• Period Time: Modern
• Form: Ballet
• Written: 1919

Poulenc, Francis : Le bestiaire (Cortège d'Orphée), song cycle for voice & piano (or chamber ensemble), FP 15a

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 4 min. 46 sec.
• Period Time: Modern
• Form: Vocal
• Written: 1919

Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, no 7) :: 4. Invocation aux Parques

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 1 min. 34 sec.
• Period Time: Modern
• Form: Choral
• Written: 1925-1926

Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, no 7) :: 7. La belle jeunesse

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 1 min. 26 sec.
• Period Time: Modern
• Form: Choral
• Written: 1925-1926

Poulenc, Francis : Tel jour, telle nuit, song cycle for voice & piano, FP 86

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 11 min. 59 sec.
• Period Time: Modern
• Written: 1936-1937

Poulenc, Francis : Deux poèmes de Guillaume Apollinaire, for voice & piano, FP 94 :: 1. Dans le jardin d'Anna

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 3 min. 2 sec.
• Period Time: Modern
• Form: Vocal
• Written: 1938

Poulenc, Francis : C'est ainsi que tu es (Métamorphoses, no 2)

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 4 min. sec.
• Period Time: Modern
• Written: 1943

Poulenc, Francis : Deux poèmes de Louis Aragon, for voice & piano, FP 122

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 4 min. 9 sec.
• Period Time: Modern
• Form: Vocal
• Written: 1943

Poulenc, Francis : Deux mélodies sur des poèmes de Guillaume Apollinaire, for voice & piano, FP 131 :: Montparnasse

• Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
• Running Time: 3 min. 46 sec.
• Period Time: Modern
• Written: 1946

Britten, Benjamin : Sonnets (7) of Michelangelo, for voice & piano, Op. 22

• Performers: Peter Pears (Tenor); Benjamin Britten (Piano)
• Running Time: 15 min. 35 sec.
• Period Time: Modern
• Written: 1940

Britten, Benjamin : Holy Sonnets of John Donne, Op. 35

• Performers: Peter Pears (Tenor); Benjamin Britten (Piano)
• Notes: EMI Abbey Road Studios, London, England (08/29/1947/12/12/1947)
• Running Time: 22 min. 27 sec.
• Period Time: Modern
• Written: 1945

Shostakovich, Dmitri : Concerto for Piano no 1 in C minor, Op. 35

• Performers: Ludovic Vaillant (Trumpet); Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Notes: Salle Wagram, Paris, France (05/24/1958-05/26/1958)
• Running Time: 21 min. 19 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1933

Shostakovich, Dmitri : Concerto for Piano no 2 in F major, Op. 102

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Notes: Salle Wagram, Paris, France (05/24/1958-05/26/1958)
• Running Time: 17 min. 25 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1957

Shostakovich, Dmitri : Fantastic Dances (3) for Piano, Op. 5

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Notes: Composition written: 1920.
• Running Time: 2 min. 21 sec.
• Period Time: Modern
• Written: 1920

Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 1

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Running Time: 4 min. 57 sec.
• Period Time: Modern
• Written: 1950-1951

Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 4

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Running Time: 7 min. 26 sec.
• Period Time: Modern
• Written: 1950-1951

Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 5

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Running Time: 2 min. 51 sec.
• Period Time: Modern
• Written: 1950-1951

Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 23

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Running Time: 6 min. 44 sec.
• Period Time: Modern
• Written: 1950-1951

Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 24

• Performer: Dmitry Shostakovich (Piano)
• Conductor: André Cluytens
• Running Time: 11 min. 42 sec.
• Period Time: Modern
• Written: 1950-1951

Stravinsky, Igor : Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion

• Performers: Kate Winter (Soprano); Edwin Benbow (Piano); Parry Jones (Tenor); Leslie Heward (Piano); Roy Henderson (Baritone); Ernest Lush (Piano); Berkeley Mason (Piano)
• Conductor: Igor Stravinsky
• Ensemble: Percurama Percussion Ensemble
• Running Time: 23 min. sec.
• Period Time: Modern
• Form: Ballet
• Written: 1923

Stravinsky, Igor : Concertino for 12 instruments

• Performers: Pierre Vignol (Trumpet); Raphaël Delbos (Trombone); André Lafosse (Trombone); Emile Godeau (Clarinet); Marus Piard (Bassoon); Eugène Foveau (Trumpet); Marcel Moyse (Flute); Gustave Dherin (Bassoon)
• Conductor: Igor Stravinsky
• Notes: Studio Albert, Paris, France (05/06/1932/05/09/1932)
• Running Time: 15 min. 11 sec.
• Period Time: Modern
• Form: Chamber Music
• Written: 1923

Stravinsky, Igor : Capriccio, for piano & orchestra

• Performer: Igor Stravinsky (Piano)
• Conductor: Ernest Ansermet
• Notes: Théâtre des Champs-Élysées, Paris, France (05/08/1930-05/10/1930)
• Running Time: 17 min. 35 sec.
• Period Time: Modern
• Written: 1929

Stravinsky, Igor : Symphony of Psalms

• Conductor: Igor Stravinsky
• Notes: Théâtre des Champs-Élysées, Paris, France (02/17/1931-02/18/1931)
• Running Time: 21 min. 9 sec.
• Period Time: Modern
• Written: 1930

Stravinsky, Igor : Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon

• Performers: Samuel Dushkin (Violin); André Vacellier (Clarinet); Gabriel Grandmaison (Bassoon); Louis Gromer (Oboe)
• Conductor: Igor Stravinsky
• Running Time: 2 min. 48 sec.
• Period Time: Modern
• Form: Vocal
• Written: 1933

Stravinsky, Igor : Firebird Suite

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Running Time: 2 min. 46 sec.
• Period Time: Modern
• Written: 1933

Stravinsky, Igor : Berceuse, for violin & piano (after L'Oiseau de Feu, transcribed by Stravinsky)

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Running Time: 3 min. 16 sec.
• Period Time: Modern
• Written: 1929

Stravinsky, Igor : Danse russe :: Danse russe

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Running Time: 2 min. 51 sec.
• Period Time: Modern
• Written: 1932

Stravinsky, Igor : Chants du Rossignol et Marche Chinoise, for violin & piano (transcribed with Samuel Dushkin)

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Notes: Composition written: 1932.
• Running Time: 8 min. 4 sec.
• Period Time: Modern
• Form: Choral
• Written: 1932

Stravinsky, Igor : Rag-time for 11 instruments

• Performers: Louis Juste (Double Bass); Henri Volant (Violin); Emile Godeau (Clarinet); Lucien Lavaillote (Flute); Roland Charmy (Violin); Étienne Ginot (Viola); Eugène Foveau (Trumpet); Roger Tudesq (Trombone); Jean Devemy (Horn); Aladar Racz (Cimbalom); Jean Morel (Percussion); Igor Stravinsky (Piano)
• Running Time: 4 min. 26 sec.
• Period Time: Modern
• Written: 1918

Stravinsky, Igor : Piano-Rag-Music, for piano

• Performer: Igor Stravinsky (Piano)
• Running Time: 3 min. 18 sec.
• Period Time: Modern
• Written: 1919

Stravinsky, Igor : Pulcinella Suite :: 2. Serenata

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Running Time: 2 min. 53 sec.
• Period Time: Modern
• Written: 1933

Stravinsky, Igor : Pulcinella Suite :: 5. Scherzin

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Running Time: 1 min. 27 sec.
• Period Time: Modern
• Written: 1933

Stravinsky, Igor : Serenade for piano in A major

• Performer: Igor Stravinsky (Piano)
• Notes: Studio Albert, Paris, France (07/05/1934-07/06/1934)
• Running Time: 10 min. sec.
• Period Time: Modern
• Written: 1925

Stravinsky, Igor : Duo Concertante, for violin & piano

• Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
• Notes: Studio Albert, Paris, France (04/06/1933-04/07/1933)
• Running Time: 14 min. 4 sec.
• Period Time: Modern
• Written: 1932

Stravinsky, Igor : Concerto for 2 solo pianos

• Performers: Soulima Stravinsky (Piano); Igor Stravinsky (Piano)
• Notes: Studio Pathé-Marconi, Paris, France (02/14/1938/02/16/1938)
• Running Time: 19 min. 30 sec.
• Period Time: Modern
• Form: Concerto
• Written: 1935

Strauss, Richard : Eine Alpensinfonie, Op. 64

• Conductor: Richard Strauss
• Notes: Composition written: 1911-15.
• Running Time: 41 min. 35 sec.
• Period Time: Post Romantic
• Form: Orchestral
• Written: 1911-1915

Strauss, Richard : Der Rosenkavalier :: Act 1. Introduction...love scene

• Conductor: Richard Strauss
• Running Time: 4 min. 4 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Act 1. Marschallin's Monologue

• Conductor: Richard Strauss
• Running Time: 2 min. 30 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Presentation Marche in D (De Brandenburgsche Mars - no

• Conductor: Richard Strauss
• Running Time: 1 min. 43 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Act 2. The Presentation of the Silver Rose

• Conductor: Richard Strauss
• Running Time: 4 min. 57 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Act 2. Love Duet

• Conductor: Richard Strauss
• Running Time: 2 min. 43 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Act 2 / Act 3. Waltz

• Conductor: Richard Strauss
• Running Time: 4 min. 11 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Act 3. Trio

• Conductor: Richard Strauss
• Running Time: 4 min. 17 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Strauss, Richard : Der Rosenkavalier :: Act 3. Final Duet...Coda

• Conductor: Richard Strauss
• Running Time: 2 min. 34 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909-1910

Enriqué Granados (1867 - 1916) : Danse espagnole, Op. 37/5 :: 2

• Performer: Enrique Granados (Piano)
• Running Time: 3 min. 5 sec.
• Period Time: Post Romantic
• Written: 1888-1890

Enriqué Granados (1867 - 1916) : Danse espagnole, Op. 37/5 :: 2

• Performer: Enrique Granados (Piano)
• Running Time: 3 min. 8 sec.
• Period Time: Post Romantic
• Written: 1888-1890

Enriqué Granados (1867 - 1916) : El pelele (Goyesca Scene) :: 5

• Performer: Enrique Granados (Piano)
• Running Time: 3 min. 6 sec.
• Period Time: Post Romantic
• Written: circa 1913

Falla, Manuel de : Canciones populares españolas (7)

• Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
• Running Time: 12 min. 14 sec.
• Period Time: Post Romantic
• Form: Vocal
• Written: 1914

Falla, Manuel de : El Amor Brujo :: Canción del fuego fátuo

• Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
• Notes: Studio Albert, Paris, France (06/03/1930/06/05/1930)
• Running Time: 1 min. 38 sec.
• Period Time: Post Romantic
• Form: Ballet
• Written: 1915

Falla, Manuel de : Soneto a Córdoba

• Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
• Notes: Studio Albert, Paris, France (06/03/1930/06/05/1930)
• Running Time: 3 min. 12 sec.
• Period Time: Post Romantic
• Written: 1927

Falla, Manuel de : Concerto for Harpsichord, for harpsichord (or piano), flute, oboe, clarinet, violin & cello, G. 71

• Performers: Marcel Darrieux (Violin); Emile Godeau (Clarinet); Auguste Cruque (Cello); Marcel Moyse (Flute); Georges Bonneau (Oboe); Manuel Falla (Harpsichord)
• Notes: Studio Albert, Paris, France (06/02/1930/06/07/1930)
• Running Time: 15 min. 3 sec.
• Period Time: Post Romantic
• Form: Concerto
• Written: 1923-1926

Mompou, Federico : Jeunes Filles au Jardin, arrangement for violin & piano (Scenes d'enfant no 5)

• Performer: Federico Mompou (Piano)
• Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
• Running Time: 3 min. 12 sec.
• Period Time: Modern

Mompou, Federico : Suburbis, suite for piano or orchestra :: El carrer el guitarrisra i el vell cavall (Suburis, no 1)

• Performer: Federico Mompou (Piano)
• Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
• Running Time: 3 min. 54 sec.
• Period Time: Modern
• Written: 1916-1917

Mompou, Federico : Cançons i dansas (14)

• Performer: Federico Mompou (Piano)
• Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
• Running Time: 4 min. 15 sec.
• Period Time: Modern
• Written: 1942

Mompou, Federico : Paisajes, for piano :: La fuente y la capaña (Paiajes, no 1)

• Performer: Federico Mompou (Piano)
• Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
• Running Time: 3 min. 28 sec.
• Period Time: Modern
• Written: 1942-1960

Mompou, Federico : Cançons i dansas (14)

• Performer: Federico Mompou (Piano)
• Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
• Running Time: 3 min. 34 sec.
• Period Time: Modern
• Written: 1942

Mompou, Federico : Cançons i dansas (14)

• Performer: Federico Mompou (Piano)
• Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
• Running Time: 3 min. 55 sec.
• Period Time: Modern
• Written: 1946

Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 3. Tonada de la niña perdida

• Performers: Joaquin Nin (Piano); Ninon Vallin
• Running Time: 1 min. 42 sec.
• Period Time: Modern
• Form: Vocal

Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 4. Montañesa

• Performers: Joaquin Nin (Piano); Ninon Vallin
• Running Time: 2 min. 32 sec.
• Period Time: Modern
• Form: Vocal

Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 6. Malagueña

• Performers: Joaquin Nin (Piano); Ninon Vallin
• Running Time: 2 min. 5 sec.
• Period Time: Modern
• Form: Vocal

Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 7. Granadina

• Performers: Joaquin Nin (Piano); Ninon Vallin
• Running Time: 1 min. 54 sec.
• Period Time: Modern
• Form: Vocal

Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 19. Canto Andaluz

• Performers: Joaquin Nin (Piano); Ninon Vallin
• Running Time: 1 min. 30 sec.
• Period Time: Modern
• Form: Vocal

Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 20. Polo

• Performers: Joaquin Nin (Piano); Ninon Vallin
• Running Time: 1 min. 53 sec.
• Period Time: Modern
• Form: Vocal

Elgar, Edward : Enigma Variations

• Conductor: Edward Elgar
• Notes: Queen's Hall, London, England (04/28/1926/08/30/1926)
• Running Time: 24 min. 6 sec.
• Period Time: Post Romantic
• Written: 1898-1899

Holst, Gustav : The Planets, Op. 32/H 125

• Conductor: Gustav Holst
• Running Time: 41 min. 3 sec.
• Period Time: Post Romantic
• Written: 1914-1916

Franz Lehár (1870 - 1948) : The Merry Widow :: Overtüre (1940)

• Conductor: Franz Lehár
• Running Time: 7 min. 54 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1905

Franz Lehár (1870 - 1948) : Zigeunerliebe :: Act 3. Hör' ich Cymbalklänge

• Performer: Esther Rethy (Soprano)
• Conductor: Franz Lehár
• Running Time: 4 min. 29 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1909

Franz Lehár (1870 - 1948) : Eva (Das Fabriksmädel), operetta in 3 acts :: Vorspiel

• Performer: Maria Reining (Soprano)
• Conductor: Franz Lehár
• Running Time: 5 min. 47 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : Eva (Das Fabriksmädel), operetta in 3 acts :: Act 1. Im heimlichen Dämmer

• Performer: Maria Reining (Soprano)
• Conductor: Franz Lehár
• Running Time: 4 min. 41 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : Paganini :: Act 2. Ich kann es nicht fassen...Liebe, du Himmel auf Erden

• Performer: Esther Rethy (Soprano)
• Conductor: Franz Lehár
• Notes: Composition written: 1924-25.
• Running Time: 3 min. 12 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1924-1925

Franz Lehár (1870 - 1948) : Der Zarewitsch :: Act 1. Einer wird kommen

• Performer: Esther Rethy (Soprano)
• Conductor: Franz Lehár
• Notes: Composition written: Germany.
• Running Time: 3 min. 22 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : Friederike, operetta in 3 acts :: Act 2. Warum hast du mich wachgeküát?

• Performer: Maria Reining (Soprano)
• Conductor: Franz Lehár
• Notes: Composition written: Germany.
• Running Time: 3 min. 40 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 3 min. 13 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 3 min. 17 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 3 min. 11 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 3 min. 57 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 3 min. 15 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 2 min. 14 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : The Land of Smiles :: Act

• Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Running Time: 2 min. 29 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : Schön ist die Welt, operetta in 3 acts (revision of "Endlich Allein") :: Act 3. Ich bin verliebt

• Performer: Esther Rethy (Soprano)
• Conductor: Franz Lehár
• Notes: Composition written: Germany.
• Running Time: 3 min. 33 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta

Franz Lehár (1870 - 1948) : Giuditta :: Scene 1. Freunde, das Leben ist lebenswert!

• Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Notes: Composition written: 1933.
• Running Time: 3 min. 11 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1933

Franz Lehár (1870 - 1948) : Giuditta :: Scene 2. Schön wie die blaue Sommernacht

• Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Notes: Composition written: 1933.
• Running Time: 3 min. 17 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1933

Franz Lehár (1870 - 1948) : Giuditta :: Scene 3. Welch tiefes Rätsel ist die Liebe...Du bist meine Sonne!

• Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Notes: Composition written: 1933.
• Running Time: 3 min. 16 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1933

Franz Lehár (1870 - 1948) : Giuditta :: Scene 4. Ich weiá es selber nicht...Meine Lippen, sie küssen so heiá

• Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Notes: Composition written: 1933.
• Running Time: 3 min. 25 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1933

Franz Lehár (1870 - 1948) : Giuditta :: Scene 4. So wie um den Sonnenball

• Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Notes: Composition written: 1933.
• Running Time: 3 min. sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1933

Franz Lehár (1870 - 1948) : Giuditta :: Scene 5. 'Schönste der Frau'n' begann das Lied

• Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
• Conductor: Franz Lehár
• Notes: Composition written: 1933.
• Running Time: 3 min. 12 sec.
• Period Time: Post Romantic
• Form: Opera/Operetta
• Written: 1933

Medtner, Nikolai : Two Pieces, Op. 58

• Performers: Benno Moiseiwitsch (Piano); Nikolai Medtner (Piano)
• Running Time: 5 min. 55 sec.
• Period Time: Post Romantic
• Written: circa 1940

Medtner, Nikolai : Willow, why for ever bending? (Chto tï klonish' nad vodami), song for voice & piano, Op. 24/2

• Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
• Running Time: 1 min. 15 sec.
• Period Time: Post Romantic
• Written: 1911

Medtner, Nikolai : Whisp'ring, Nature faintly stirring (Shopot, robkoye dïkhan'ye), song for voice & piano, Op. 24/7

• Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
• Running Time: 1 min. 40 sec.
• Period Time: Post Romantic
• Written: 1911

Medtner, Nikolai : Serenade ("Ne mogu ya slïshat' etoy ptichki"), for voice & piano, Op. 28/2

• Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
• Running Time: 2 min. sec.
• Period Time: Post Romantic
• Written: 1913

Medtner, Nikolai : Fairy Tales (2), Op. 20

• Performer: Nikolai Medtner (Piano)
• Running Time: 6 min. 31 sec.
• Period Time: Post Romantic
• Written: 1909

Medtner, Nikolai : Muza (The Muse), Op. 29/1

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 3 min. 3 sec.
• Period Time: Post Romantic
• Written: 1913

Medtner, Nikolai : Roza (The rose), Op. 29/6

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 1 min. 55 sec.
• Period Time: Post Romantic
• Written: 1913

Medtner, Nikolai : Vals (The waltz), Op. 32/5

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 2 min. 46 sec.
• Period Time: Post Romantic
• Written: 1915

Medtner, Nikolai : Lish' rozï uvyadayut (When roses wither), Op. 36/3

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 2 min. 16 sec.
• Period Time: Post Romantic
• Written: 1918-1919

Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: no 1

• Performer: Nikolai Medtner (Piano)
• Notes: EMI Abbey Road Studios, London, England (03/21/1947/03/31/1947)
• Running Time: 5 min. 34 sec.
• Period Time: Post Romantic
• Written: 1928

Medtner, Nikolai : Winter Evening (Zimniy vecher), song for voice & piano, Op. 13/1

• Performers: Tatiana Makushina (Soprano); Nikolai Medtner (Piano)
• Running Time: 4 min. 1 sec.
• Period Time: Post Romantic
• Written: 1901-1904

Medtner, Nikolai : To a Dreamer (Mechtatelyu), song for voice & piano, Op. 32/6

• Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
• Running Time: 4 min. 16 sec.
• Period Time: Post Romantic
• Written: 1915

Medtner, Nikolai : The Wagon of Life (Telega zhizni), song for voice & piano, Op. 45/2

• Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
• Running Time: 2 min. 32 sec.
• Period Time: Post Romantic
• Written: 1922-1924

Medtner, Nikolai : The Ravens (Voron), song for voice & piano, Op. 52/2

• Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
• Running Time: 2 min. 31 sec.
• Period Time: Post Romantic
• Written: 1928-1929

Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: no 2

• Performer: Nikolai Medtner (Piano)
• Running Time: 3 min. 42 sec.
• Period Time: Post Romantic
• Written: 1928

Medtner, Nikolai : Elfenliedchen, for voice & piano, Op. 6/3

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 1 min. 29 sec.
• Period Time: Post Romantic
• Written: circa 1901-1905

Medtner, Nikolai : Im Vorübergehn, song for voice & piano, Op. 6/4

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 2 min. 18 sec.
• Period Time: Post Romantic
• Written: circa 1901-1905

Medtner, Nikolai : Goethe-Lieder (12), Op. 15

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 1 min. 27 sec.
• Period Time: Post Romantic
• Written: 1905-1907

Medtner, Nikolai : Goethe-Lieder (12), Op. 15

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 1 min. 6 sec.
• Period Time: Post Romantic
• Written: 1905-1907

Medtner, Nikolai : Goethe-Lieder (12), Op. 15

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 2 min. 48 sec.
• Period Time: Post Romantic
• Written: 1905-1907

Medtner, Nikolai : Goethe-Lieder (12), Op. 15

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 1 min. 15 sec.
• Period Time: Post Romantic
• Written: 1905-1907

Medtner, Nikolai : Einsamkeit, song for voice & piano, Op. 18/3

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 2 min. 17 sec.
• Period Time: Post Romantic
• Written: 1905-1909

Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: no 3

• Performer: Nikolai Medtner (Piano)
• Running Time: 3 min. 28 sec.
• Period Time: Post Romantic
• Written: 1928

Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: no 1

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 1 min. 59 sec.
• Period Time: Post Romantic
• Written: 1922-1924

Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: no 5

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 3 min. 32 sec.
• Period Time: Post Romantic
• Written: 1922-1924

Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: no 6

• Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
• Running Time: 2 min. 12 sec.
• Period Time: Post Romantic
• Written: 1922-1924

Medtner, Nikolai : Forgotten Melodies (8) for Piano, Op. 38 :: no 3

• Performer: Nikolai Medtner (Piano)
• Running Time: 4 min. 43 sec.
• Period Time: Post Romantic
• Written: ?1919-22

Roussel, Albert : Le festin de l'araignée, symphonic fragments for orchestra

• Conductor: Albert Roussel
• Running Time: 15 min. 32 sec.
• Period Time: Post Romantic
• Written: 1913

Roussel, Albert : Le jardin mouillé, for voice & piano, Op. 3/3

• Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
• Running Time: 2 min. 14 sec.
• Period Time: Post Romantic
• Written: 1903

Roussel, Albert : Poèmes (4), for voice & piano, Op. 8

• Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
• Running Time: 4 min. 2 sec.
• Period Time: Post Romantic
• Form: Vocal
• Written: 1907

Roussel, Albert : Poèmes chinois (2), for voice & piano, Op. 12 :: no 2

• Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
• Running Time: 2 min. 3 sec.
• Period Time: Post Romantic
• Form: Vocal
• Written: 1907-1908

Roussel, Albert : Light, for voice & piano, Op. 19/1

• Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
• Running Time: 3 min. 20 sec.
• Period Time: Post Romantic
• Written: 1908

Roussel, Albert : Sarabande (part of L'Éventail de Jeanne)

• Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
• Running Time: 2 min. 53 sec.
• Period Time: Post Romantic

Schmitt, Florent : Quintet for piano & strings in B major, Op. 51 :: 2. Lent

• Performer: Florent Schmitt (Piano)
• Running Time: 14 min. 39 sec.
• Period Time: Post Romantic
• Form: Chamber Music
• Written: 1908

Schmitt, Florent : Le Tragédie de Salomé, ballet, Op. 50

• Performer: Florent Schmitt (Piano)
• Notes: Théâtre des Champs-Élysées, Paris, France (04/18/1930-04/19/1930)
• Running Time: 27 min. 31 sec.
• Period Time: Post Romantic
• Form: Ballet