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Handel: Acis & Galatea / Butt, Hamilton, Mulroy, Brook, et al

Audio Samples

  1. Handel — Acis and Galatea, HWV 49: Act I: Sinfonia $0.99 on iTunes
  2. Handel — Acis and Galatea, HWV 49: Act I: Oh, the pleasures of the plain (Chorus) $0.99 on iTunes
  3. Handel — Acis and Galatea, HWV 49: Act I: Accompagnato: Ye verdant plains (Galatea) $0.99 on iTunes
  4. Handel — Acis and Galatea, HWV 49: Act I: Aria: Hush, ye pretty warbling quire (Galatea) $0.99 on iTunes
  5. Handel — Acis and Galatea, HWV 49: Act I: Aria: Where shall I seek the charming fair (Acis) $0.99 on iTunes
  6. Handel — Acis and Galatea, HWV 49: Act I: Recitative: Stay, shepherd, stay (Damon) $0.99 on iTunes
  7. Handel — Acis and Galatea, HWV 49: Act I: Aria: Shepherd, what art thou pursuing (Damon) $0.99 on iTunes
  8. Handel — Acis and Galatea, HWV 49: Act I: Recitative: Lo! here my love (Acis) $0.99 on iTunes
  9. Handel — Acis and Galatea, HWV 49: Act I: Aria: Love in her eyes sits playing (Acis) $0.99 on iTunes
  10. Handel — Acis and Galatea, HWV 49: Act I: Recitative: Oh! didst thou know the pains of absent love (Galatea) $0.99 on iTunes
  11. Handel — Acis and Galatea, HWV 49: Act I: Aria: As when the dove (Galatea) $0.99 on iTunes
  12. Handel — Acis and Galatea, HWV 49: Act I: Duet: Happy we! (Acis, Galatea) $0.99 on iTunes
  13. Handel — Acis and Galatea, HWV 49: Act II: Wretched lovers (Chorus) $0.99 on iTunes
  14. Handel — Acis and Galatea, HWV 49: Act II: Accompagnato: I rage! (Polyphemus) $0.99 on iTunes
  15. Handel — Acis and Galatea, HWV 49: Act II: Aria: O ruddier than the cherry (Polyphemus) $0.99 on iTunes
  16. Handel — Acis and Galatea, HWV 49: Act II: Recitative: Whither, fairest, art thou running (Polyphemus, Galatea) $0.99 on iTunes
  17. Handel — Acis and Galatea, HWV 49: Act II: Aria: Cease to beauty to be suing (Polyphemus) $0.99 on iTunes
  18. Handel — Acis and Galatea, HWV 49: Act II: Aria: Would you gain the tender creature (Coridon) $0.99 on iTunes
  19. Handel — Acis and Galatea, HWV 49: Act II: Recitative: His hideous love (Acis) $0.99 on iTunes
  20. Handel — Acis and Galatea, HWV 49: Act II: Aria: Consider, fond shepherd (Damon) $0.99 on iTunes
  21. Handel — Acis and Galatea, HWV 49: Act II: Recitative: Cease, oh cease, thou gentle youth (Galatea) $0.99 on iTunes
  22. Handel — Acis and Galatea, HWV 49: Act II: Trio: The flocks shall leave (Galatea, Acis, Polyphemus) $0.99 on iTunes
  23. Handel — Acis and Galatea, HWV 49: Act II: Accompagnato: Help, Galatea (Acis) $0.99 on iTunes
  24. Handel — Acis and Galatea, HWV 49: Act II: Mourn, all ye muses (Chorus) $0.99 on iTunes
  25. Handel — Acis and Galatea, HWV 49: Act II: Aria: Must I my Acis still bemoan (Galatea, Chorus) $0.99 on iTunes
  26. Handel — Acis and Galatea, HWV 49: Act II: Aria: Heart, the seat of soft delight (Galatea) $0.99 on iTunes
  27. Handel — Acis and Galatea, HWV 49: Act II: Galatea, dry thy tears (Chorus) $0.99 on iTunes

Album Summary

>Handel, George Frideric : As When the Dove Laments Her Love (Handel)
Performers Conductor Ensemble
  • >
Composer

Notes & Reviews:

Gramophone Classical Music Guide
Handel's Acis and Galatea has been recorded often, but the original version written for smallscale performance by only five singers (soprano, three tenors and bass) and a small band at Cannons in 1718 has almost never been properly revived. This beggars belief because the Cannons version text makes more dramatic sense and the musical scale of it is charming. It is certainly among Handel's most perfect creations.

Thankfully, John Butt has researched the performing conditions and text of the Cannons Acis.

The philological aspects of the Dunedin Consort & Players' new recording are impeccable, and, better still, the performance is utterly magical.

The Sinfonia brims with unforced personality, after which the pastoral chorus 'O the pleasure of the plains' is relaxed, with the oboes given enough space to weave their imitative lines clearly. The five singers and the band are beautifully in proportion with each other, and Linn's sound recording is stunningly good. Susan Hamilton's light, articulate soprano is preferable to an operatic voice in the role of Galatea.

Nicholas Mulroy's Acis is resonant and suave, combining muscularity with elegance. The madrigal-like beauty of 'Wretched lovers' is breathtaking: the blend and understanding between the five singers is deeply satisfying, and the menacing music to convey the arrival of Polyphemus is astutely integrated. Matthew Brook's Polyphemus is extrovert, powerful and amusing, but also arouses pity and tenderness from the listener in 'I rage, I melt, I burn'. The dialogue between the hapless would-be seducer and the disgusted Galatea is superbly enacted by Brook and Hamilton. The roles of Damon and Coridon are admirably sung by Nicholas Hurndall Smith and Thomas Hobbs.

Butt's direction from the harpsichord is a role model of taste and style, and he insightfully conveys the elusive changing tone of the story from pastoral romp into personal tragedy. Previous versions of merit still possess enduring appeal, but it seems to me that the Dunedins have transformed the way in which we can understand and enjoy Handel's lovely early English masterpiece.

BBC Music Magazine
This near-perfect ensemble effort is a delightful representation of Handel's first English masterpiece. Butt flawlessly judges the transition into pastoral tragedy and magical transformationà

Gramophone Magazine
The performance is utterly magical. The five singers and the band are beautifully in proportion with each other, an Linn's sound recording is stunningly good.

BBC Music Magazine
The chief strength of this account lied in the excellent instrumental playing (the recorders that form the 'warbling choir' addressed in Galatea's first aria are sheer magic)à



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Works Details

>Handel, George Frideric : As When the Dove Laments Her Love (Handel)
  • Performers: Susan Hamilton; Thomas Hobbs (Tenor); Nicholas Mulroy (Tenor); Nicholas Smith (Tenor); Matthew Vocal] (Baritone)
  • Conductor: John Butt
  • Notes: Greyfriars Kirk, Edinburgh, England (04/29/2008-05/02/2008)
  • Running Time: 90 min. 21 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1718