Notes & Reviews:
Egon Wellesz's name often comes up together with Schonberg, Berg, and Webern when the Viennese school of the early twentieth century is the topic, even though he left behind that environment in quest of his own harmonic paths. Prior to the outbreak of World War II he was one of the most-performed composers in German-speaking Europe, and his five operas were successfully premiered at the leading German houses. Then things fell apart. He was forced into emigration in England in 1938 and Wellesz the composer remained silent until the end of the war, when he first regained his full creative powers. He then went on to compose almost half of his oeuvre after his sixtieth birthday. His nine symphonies are without a doubt the main works of this late period.
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Walter: Symphony no 1 / Botstein, North German RSO
Boult conducts Coates / Boult, London PO, New Philharmonia
Gerhard: Symphony no 4 "New York," Violin Concerto / Colin Davis, Yfrah Neaman, BBC SO
Lukas Ligeti: Lukas Ligeti: Afrikan Machinery *
Lukas Ligeti: Afrikan Machinery
Hoddinott, Banks: Horn Concerto; Searle; Maw / Tuckwell, Harper, et al
Maw: Sinfonia; Gardner, Addison, Dodgson / Del Mar, English Chamber Orchestra, Philip Jones Brass Ensemble
Bax: Legend-Sonata, Cello Sonata, Sonatina, etc; Jacob / Florence Hooton, Wilfred Parry
Tippett, Hamilton, Wordsworth: Piano Works / Margaret Kitchin
Johan Svendsen: Symphonic Works / Terje Mikkelsen, Latvian NSO