The Best of Purcell

> The Indian Queen, Z. 630: Trumpet Tune - "The Indian Queen", Z. 630: Trumpet Overture
> Morning Service in D major, Z. 232 - Morning Service in D major, Z. 232: Jubilate Deo
> Dido and Aeneas, Z. 626 - Overture
> Dido and Aeneas, Z. 626 - Act III: Come away, fellow sailors (1st Sailor, Chorus)
> Dido and Aeneas, Z. 626 - Act III: The Sailor's Dance
> Dido and Aeneas, Z. 626 - Act III: When I am laid in earth (Dido)
> 9 Fantasia a 4 - Four-Part Fantazias: VII. Fantazia in C minor, Z. 738
> Amphitryon, Z. 572, "The 2 Sosias" - Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thyrsis and Iris
> The Fairy Queen, Z. 629 - The Fairy Queen, Z. 629: Act IV: Symphony
> Blow up the trumpet in Sion, Z. 10 - Blow up the trumpet in Sion, Z. 10
> Chacony in G minor, Z. 730 - Chacony, Z. 730
> Burial Service, 58c - March, Z. 860A
> Burial Service, 58c - Thou knowest, Lord, the secrets of our hearts, Z. 58B
> A Choice Collection of Lessons: Suite No. 2 in G minor, Z. 661 - Suite No. 2 in G minor, Z. 661: III. Corant
> Now that the sun hath veiled his light, Z. 193, "An Evening Hymn on a Ground" (arr. for choir) - Now that the sun hath veiled his light, "An Evening Hymn on a Ground", Z. 193
> The Indian Queen, Z. 630: Trumpet Tune - The Indian Queen, Z. 630: Trumpet Tune
> Welcome to all the pleasures, Z. 339, "Ode on St. Cecilia's Day" - Welcome to all the pleasures, "Ode on St. Cecilia's Day", Z. 339

Notes & Reviews:

Recognised during his lifetime as a genius, Henry Purcell subsequently influenced countless classical composers from Handel to Britten. This delightful assortment of his best-known works includes the beautiful yet melancholy 'Dido's Lament' from his perennially popular opera 'Dido and Aeneas' and the joyful 'Jubilate Deo' for choir and orchestra, as well as some of his instrumental works; the elegant Fantazia in C minor is a particularly exquisite example of the English composer's mastery.



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Works Details

>Purcell, Henry : Indian Queen, Z 630 :: Trumpet Overture
  • Performer: Norman Engel (Trumpet)
  • Conductor: Kevin Mallon
  • Ensemble: Aradia Ensemble
  • Running Time: 3 min. 25 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : Jubilate Deo in D major
  • Performers: Jeni Bern (Soprano); Susan Bisatt (Soprano); Christopher Robson (Countertenor); Ian Honeyman (Tenor); William Purefoy (Countertenor); Thomas Guthrie (Bass)
  • Conductor: Robert Glenton
  • Ensemble: Orchestra of the Golden Age
  • Running Time: 8 min. 23 sec.
  • Period Time: Baroque
  • Written: circa 1681

>Purcell, Henry : Dido and Aeneas, Z 626 :: Overture
  • Conductor: Kym Amps
  • Ensemble: Scholars Baroque Ensemble
  • Running Time: 1 min. 57 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z 626 :: Act 3
  • Conductor: Kym Amps
  • Ensemble: Scholars Baroque Ensemble
  • Running Time: 1 min. 33 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z 626 :: Act 3
  • Conductor: Kym Amps
  • Ensemble: Scholars Baroque Ensemble
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z 626 :: Act 3
  • Conductor: Kym Amps
  • Ensemble: Scholars Baroque Ensemble
  • Running Time: 4 min. 2 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Fantasia for 4 Viols in C minor, Z 738
  • Ensemble: Rose Consort of Viols
  • Running Time: 4 min. 7 sec.
  • Period Time: Baroque
  • Written: 06/19/1680

>Purcell, Henry : Amphitryon, Z. 572, "The 2 Sosias" :: A Pastoral Dialogue Betwixt Thyrsis and Ir
  • Performers: Giles Tomkins (Bass); Nicole Bower (Soprano)
  • Conductor: Kevin Mallon
  • Ensemble: Aradia Ensemble
  • Running Time: 5 min. 17 sec.
  • Period Time: Baroque
  • Written: 1690

>Purcell, Henry : Fairy Queen, Z 629 :: Act 4
  • Ensemble: Scholars Baroque Ensemble
  • Running Time: 6 min. 27 sec.
  • Period Time: Baroque
  • Written: 1689

>Purcell, Henry : Blow up the trumpet in Sion, Z 10
  • Performer: Laurence Cummings [Conductor/Harpsichord] (Organ)
  • Conductor: Jeremy Summerly
  • Ensemble: Oxford Camerata
  • Running Time: 6 min. 21 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1679

>Purcell, Henry : Chacony for Strings in G minor, Z 730
  • Conductor: Kevin Mallon
  • Ensemble: Aradia Ensemble
  • Running Time: 4 min. 34 sec.
  • Period Time: Baroque
  • Written: circa 1678

>Purcell, Henry : Music on the Death of Queen Mary (Funeral Sentences / The Queen's Epicedium) :: March, Z. 860A
  • Performer: Laurence Cummings [Conductor/Harpsichord] (Organ)
  • Conductor: Jeremy Summerly
  • Ensemble: Oxford Camerata
  • Running Time: 1 min. 29 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : Music on the Death of Queen Mary (Funeral Sentences / The Queen's Epicedium)
  • Performer: Laurence Cummings [Conductor/Harpsichord] (Organ)
  • Conductor: Jeremy Summerly
  • Ensemble: Oxford Camerata
  • Running Time: 3 min. 21 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1682

>Purcell, Henry : Suite for Harpsichord no 2 in G minor, Z 661 :: 3. Corant
  • Performer: Terence Charlston (Harpsichord)
  • Running Time: 1 min. 45 sec.
  • Period Time: Baroque
  • Written: circa 1696

>Purcell, Henry : An Evening Hymn to the Ground, "Now that the sun hath veiled his light"
  • Performers: Oliver Lepage-Dean (Treble); Christopher Whitton (Organ)
  • Running Time: 3 min. 50 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1687

>Purcell, Henry : Indian Queen, Z 630 :: Trumpet Tune
  • Performers: Gyorgy Geiger (Trumpet); Bertalan Hock (Organ)
  • Running Time: 1 min. 21 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : Fairy Queen, Z 629
  • Performers: Christopher Robson (Countertenor); Susan Bisatt (Soprano); Thomas Guthrie (Bass); Jeni Bern (Soprano); Ian Honeyman (Tenor); William Purefoy (Countertenor)
  • Conductor: Robert Glenton
  • Ensemble: Orchestra of the Golden Age
  • Running Time: 17 min. 18 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1692