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13 Preludes, Op. 32 - No. 1 in C major: Allegro vivace | |
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13 Preludes, Op. 32 - No. 2 in B flat minor: Allegretto | |
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13 Preludes, Op. 32 - No. 3 in E major: Allegro vivace | |
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13 Preludes, Op. 32 - No. 4 in E minor: Allegro con brio | |
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13 Preludes, Op. 32 - No. 5 in G major: Moderato | |
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13 Preludes, Op. 32 - No. 6 in F minor: Allegro appassionato | |
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13 Preludes, Op. 32 - No. 7 in F major: Moderato | |
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13 Preludes, Op. 32 - No. 8 in A minor: Vivo | |
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13 Preludes, Op. 32 - No. 9 in A major: Allegro moderato | |
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13 Preludes, Op. 32 - No. 10 in B minor: Lento | |
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13 Preludes, Op. 32 - No. 11 in B major: Allegretto | |
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13 Preludes, Op. 32 - No. 12 in G sharp minor: Allegro | |
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13 Preludes, Op. 32 - No. 13 in D flat major: Grave - Allegro | |
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Variations on a Theme of Corelli, Op. 42 - Theme: Andante | |
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Variations on a Theme of Corelli, Op. 42 - Variation 1: Poco piu mosso | |
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Variations on a Theme of Corelli, Op. 42 - Variation 2: L'istesso tempo | |
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Variations on a Theme of Corelli, Op. 42 - Variation 3: Tempo di menuetto | |
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Variations on a Theme of Corelli, Op. 42 - Variation 4: Andante | |
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Variations on a Theme of Corelli, Op. 42 - Variation 5: Allegro (ma non tanto) - Variation 6: L'istesso tempo | |
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Variations on a Theme of Corelli, Op. 42 - Variation 7: Vivace | |
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Variations on a Theme of Corelli, Op. 42 - Variation 8: Adagio misterioso | |
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Variations on a Theme of Corelli, Op. 42 - Variation 9: Un poco piu mosso | |
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Variations on a Theme of Corelli, Op. 42 - Variation 10: Allegro scherzando | |
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Variations on a Theme of Corelli, Op. 42 - Variation 11: Allegro vivace | |
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Variations on a Theme of Corelli, Op. 42 - Variation 12: L'istesso tempo | |
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Variations on a Theme of Corelli, Op. 42 - Variation 13: Agitato | |
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Variations on a Theme of Corelli, Op. 42 - Intermezzo | |
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Variations on a Theme of Corelli, Op. 42 - Variation 14: Andante (come prima) | |
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Variations on a Theme of Corelli, Op. 42 - Variation 15: L'istesso tempo | |
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Variations on a Theme of Corelli, Op. 42 - Variation 16: Allegro vivace | |
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Variations on a Theme of Corelli, Op. 42 - Variation 17: Meno mosso | |
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Variations on a Theme of Corelli, Op. 42 - Variation 18: Allegro con brio | |
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Variations on a Theme of Corelli, Op. 42 - Variation 19: Piu mosso, Agitato | |
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Variations on a Theme of Corelli, Op. 42 - Variation 20:Variation XX: Piu mosso | |
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Variations on a Theme of Corelli, Op. 42 - Coda: Andante | |
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Ostrov myortvikh (The Isle of the Dead), Op. 29 (arr. G. Kirkor) - Ostrov myortvikh (The Isle of the Dead), Op. 29 (arr. for piano) |
Album Summary
Performer
Carlo Grante (Piano)
Notes & Reviews:
In these virtuosic performances of three Rachmaninoff solo works - of which Isle of the Dead is a recording premiere - Italian pianist Carlo Grante demonstrates the music's depth of thought, originality, and inventiveness, making a convincing case for its viability today.
Serge Rachmaninoff's piano music can serve as a powerful introduction to the instrument for those not yet familiar with classical repertoire: its immediacy, sheer charm, and expressive power cannot fail to move even non-musical listeners. These same qualities, however, yield the most common prejudices against Rachmaninoff, especially among those who view him as a reactionary bent on easy appreciation, as if this were inherently synonymous with mediocrity. In these virtuosic performances of three Rachmaninoff solo works of which Isle of the Dead is a recording premiere Italian pianist Carlo Grante demonstrates the music's depth of thought, originality, and inventiveness, making a convincing case for its viability today.
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Works Details
Rachmaninov, Sergei : Preludes (13) for piano, Op. 32 - Performer: Carlo Grante (Piano)
- Running Time: 37 min. 51 sec.
- Period Time: Post Romantic
- Written: 1910
Rachmaninov, Sergei : Variations on a theme of Corelli, Op. 42 - Performer: Carlo Grante (Piano)
- Running Time: 15 min. 25 sec.
- Period Time: Post Romantic
- Written: 1931
Rachmaninov, Sergei : Isle of the Dead, Op. 29 - Performer: Carlo Grante (Piano)
- Running Time: 20 min. 21 sec.
- Period Time: Post Romantic
- Form: Orchestral
- Written: 1909
























