Notes & Reviews:
As well as being a virtuoso pianist, Beethoven was also a competent violinist - an experience he put to good use in his ten sonatas for violin and piano. Isabelle Faust and Alexander Melnikov have long cherished the project of recording them all. A behind-the-scenes documentary filmed on this occasion (and included in the set on DVD) gives an insight into these artist's careful efforts to get as close as possible to the composer's original intentions.
"This is as fine a set of Beethoven violin sonatas as has ever been recorded. It has everything: excitement, character, explosive contrasts, subtle shadings, and the long cantabile line that Beethoven demands--and it's superbly recorded as well. Isabelle Faust and Alexander Melnikov form a true partnership, playing off of each other and imbuing the music with a genuine, conversational quality that's very fetching... There's a clarity to the phrasing here, a sharpness of focus and an understanding of Beethoven's large musical paragraphs that's very much part of the expressive point. The bottom line: this is a great set, and if you love these works, you must hear it. " -Classics Today (10/10)
As well as being a virtuoso soloist and improviser on the piano, Beethoven was also a competent violinist-an experience he put to good use in his ten sonatas for violin and piano. Includes bonus DVD of the recording of these sonatas featuring violinist Isabelle Faust and pianist Alexander Melnikov.
" The musical sleight of hand used by these expert players to focus the very different character of each sonata is in itself cause for wonder. Though quite different as musical personalities - Faust, subtle and quietly formal; Melnikov, a master of the meaningful pause - the combination of the two fires a laser between the staves. Fleetness and elegance are very much to the fore in the Op 12 set, beauty of tone, too, especially in the First Sonata.
The Spring Sonata is lyrical and playful, the opening as easy-going as anyone could wish, the Adagio like a song without words, Faust's tone warming but relatively restrained, Melnikov a discreetly supportive partner. The more dramatic sonatas are muscular yet very light on their feet. The A minor, Op 23, is Sturm und Drang with a vengeance, and both players make a point of (metaphorically) pursing their lips: in fact, you sometimes feel that what isn't being expressed outweighs what is. Of the three Op 30 sonatas, the kernel is the C minor, where Faust and Melnikov strike a perfect balance between fire and ice. Their little "freedoms" are very telling but although the shaping of phrases is obviously the product of considered teamwork, you never feel that they're playing safe. Cautious Beethoven makes for a very passionless partnership, and there's no sense of that.
For many, the success of any recorded Beethoven violin sonata cycle rests on the effectiveness of its Kreutzer, and again Faust and Melnikov make the grade with oodles of drama and well judged tempi: nothing is too fast for comfort or too slow to get airborne. The Kreutzer shares its silver-disc space with a documentary DVD which is both musically revealing and entertaining - but I shan't let on and spoil the fun! Airy, well balanced sound provides a realistic aural context for what may well prove the leading Beethoven violin sonata cycle of the decade, certainly one that respectfully challenges conventions so that even collectors wedded to their Kreisler, Grumiaux, Heifetz, Oistrakh, Kremer and Szigeti cycles stand to learn and be musically stimulated. A marvellous set." -Gramophone Awards, 2010 / Chamber winner
Submitted on 01/31/13 by Steve L.
Beethoven - Complete Works for Piano & Cello / Zuill Bailey, Simone Dinnerstein
Vivaldi: The French Connection
Byrd: Infelix ego
Telemann: Brockes Passion / Jacobs, et al
Requiem - We Are So Lightly Here / Conspirare
Grainger: Lincolnshire Posy, etc / Junkin, Dallas Wind Symphony
Chopin: Complete Études / Juana Zayas
England, My England / Choir of King's College, Cambridge
Elgar: Violin Concerto