- Scott Reeve (Bass)
- Robert McFarland (Baritone)
- Claudia Cummings (Soprano)
- Rhonda Liss (Alto)
- Douglas Perry (Viola)
- Sheryl Woods (Soprano)
Notes & Reviews:
Drawn from the worldwide catalog holdings of Sony Classical, which includes both the Columbia/CBS and RCA Victor label imprints, the SONY Classical Originals, SONY Classical Masters Singles and Box Sets, SONY Opera and Opera House series offer an extensive selection of highly desirable and collectible EU (Germany) pressed import editions, smartly-designed and graphically-pleasing, featuring the most sought-after recordings by the world's preeminent, legendary artists both past and present, with many titles newly re-mastered in 24bit High Resolution Audio.
Drawn from the worldwide catalog holdings of Sony Classical, which includes both the Columbia/CBS and RCA Victor label imprints, the SONY Classical Originals, SONY Classical Masters Singles and Box Sets, and SONY Opera House series offer an extensive selection of highly desirable and collectible EU (Germany) pressed import editions, smartly designed and graphically pleasing, featuring the most sought-after recordings by the world's preeminent, legendary artists both past and present, with many titles newly re-mastered in 24bit High Resolution Audio.Notes & Reviews:
Recording information: RCA Studio A, New York City (1984-02-04&1984-02-05&1984-).
The first sound one hears is Douglas Perry's breathtakingly pure tenor intoning Sanskrit syllables from the Bhagavad-Gita, followed immediately by low strings scurrying behind. The sense of serene and confident purpose is entirely apparent, Perry's voice the perfect embodiment of the Ghandian philosophy of strength through pacifism. As the act continues, other voices are added, the full orchestra enters, all unhurried but purposeful growing in a calm force until subsiding at the end to Perry (Ghandi) alone. So begins Philip Glass' most impressive and complete opera after Einstein on the Beach, its predecessor. It's a far more traditional work in several respects: aside from Michael Riesman's electric keyboards, Satyagraha is scored for standard orchestra, and the voices are grouped much as found in European opera, with arias, duos, trios, and quartets. The overall sound is softer and less strident than in Einstein, with material that is more overtly melodic, though certainly an audience used to Verdi would still be baffled by the extreme repetitive aspect, not to mention a librtto entirely in Sanskrit. Without Robert Wilson's spectacular staging, the homebound listener may find Satyagraha a bit long and, in fact, that may be the case, but objections are tough to register after the concluding aria by Perry. Heard only once, the listener may not believe that he is simply singing a scale albeit with varying Sanskrit syllables, so gorgeous is the line and intonation. But to Glass' enormous credit, he has succeeded in fashioning a beautiful melody out of the barest materials and, in the process, created the perfect analogy for one of the leading figures of the 20th century. Highly recommended. ~ Brian Olewnick
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Puccini: La Bohème, Tosca, Turandot / Teodor Ilincai, Hibla Gerzmava, Gabriele Viviani, Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel, Lise Lindstrom, Marco Berti, Eri Nakamura. Royal Opera House, Pappano, Nelsons, Nánási (live, 2009
Luzzasco Luzzaschi (c.1545-1607): Complete Keyboard Music / Matteo Messori, harpsichord, organ & spinet
Giovanni Benedetto Platti (1697-1763): Cello Concertos / Stefano Veggetti, cello
Carl Maria von Weber: Clarinet Concertos nos 1 & 2; Concertino, Op. 26 / Alexander Fiterstein, clarinet
Federico Maria Sardelli: Baroque Concertos; Psalm; Chamber Music / Modo Antiquo
Rossini: Tancredi / Vesselina Kasarova, Eva Mei, Ramon Vargas, Harry Peeters, Veronica Cangemi, Melinda Paulsen. Roberto Abbado
Mozart: Don Giovanni / Siepi, Della Casa, Frick, Grummer et al.; Vienna Phil.; Mitropoulos
Verdi: La Forza del Destino / Price, Domingo, Milnes, Cossotto, Giaiotti, Bacquier. James Levine, London SO (rec. 1977)
Works DetailsGlass, Philip : MEDLEY
- Performers: Scott Reeve (Bass); Robert McFarland (Baritone); Claudia Cummings (Soprano); Rhonda Liss (Alto); Douglas Perry (Viola); Sheryl Woods (Soprano)
- Conductor: Christopher Keene
- Ensemble: New York City Opera Chorus
- Notes: RCA Studio A, New York City (1984-02-04&1984-02-05&1984-)
- Running Time: 121 min. 44 sec.
- Period Time: Contemporary
- Form: Opera/Operetta
- Written: 1980