Album Summary
Maggie Cole (Harpsichord)
Richard Boothby
Nigel Cole (Archlute)
Nigel Cole (Theorbo)
Michael Chance (Countertenor)
Notes & Reviews:
Spanning his short creative life, Purcell's Songs are a constant feature in his output. In between official Odes, the semi-operas and instrumental music is a profusion of wonderfully intimate, sometimes bawdy and explicit songs. Purcell composed only one true opera, and the form known as 'semi opera' was the most popular in England at the time. In these works the actors did not sing. Musical interludes either of vocal numbers or instrumental music punctuated the action. The second half of this CD contains examples of the instrumental music Purcell provided for Dioclesan and Timon of Athens. Michael Chance is a renowned exponent of this repertoire, and Florilegium has won many awards for its sensitive chamber-music-making in the Barock era. This is a digital recording.
Reviews
There are currently no reviews, be the first one!Also Purchased
![]() |
![]() |
Works Details
Purcell, Henry : Birthday Ode to Queen Mary, 'Come Ye Sons of Art, Away', 1694 :: Strike the viol - Performers: Maggie Cole (Harpsichord); Richard Boothby; Nigel Cole (Archlute); Nigel Cole (Theorbo); Michael Chance (Countertenor)
- Running Time: 2 min. 27 sec.
- Period Time: Baroque
- Written: 1694
Purcell, Henry : Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium" - Performers: Nigel Cole (Archlute); Nigel Cole (Theorbo); Richard Boothby; Michael Chance (Countertenor); Maggie Cole (Harpsichord)
- Running Time: 8 min. 22 sec.
- Period Time: Baroque
- Form: Vocal
- Written: 1695
Purcell, Henry : Ode to St. Cecilia 'Welcome to all the pleasures', 1683 :: Here the Deities approve - Performers: Nigel Cole (Archlute); Richard Boothby; Maggie Cole (Harpsichord); Michael Chance (Countertenor); Nigel Cole (Theorbo)
- Running Time: 3 min. sec.
- Period Time: Baroque
- Written: 1683
Purcell, Henry : O solitude, my sweetest choice, Z 406 - Performers: Nigel Cole (Theorbo); Richard Boothby; Michael Chance (Countertenor); Maggie Cole (Harpsichord); Nigel Cole (Archlute)
- Running Time: 5 min. 33 sec.
- Period Time: Baroque
- Written: 1687
Purcell, Henry : King Arthur, or The British Worthy, Z 628 - Performers: Nigel Cole (Archlute); Maggie Cole (Harpsichord); Michael Chance (Countertenor); Nigel Cole (Theorbo); Richard Boothby
- Running Time: 3 min. 21 sec.
- Period Time: Baroque
- Written: 1695
Purcell, Henry : Oedipus, 1692 :: Music for a while - Performers: Nigel Cole (Archlute); Nigel Cole (Theorbo); Richard Boothby; Maggie Cole (Harpsichord); Michael Chance (Countertenor)
- Running Time: 4 min. 5 sec.
- Period Time: Baroque
- Written: circa 1692
Purcell, Henry : Fairy Queen, Z 629 - Performers: Maggie Cole (Harpsichord); Nigel Cole (Theorbo); Nigel Cole (Archlute); Richard Boothby; Michael Chance (Countertenor)
- Running Time: 2 min. 7 sec.
- Period Time: Baroque
- Written: 1692-1775
Purcell, Henry : In the black, dismal dungeon of despair, sacred song for soprano & continuo, Z. 190 - Performers: Nigel Cole (Theorbo); Nigel Cole (Archlute); Richard Boothby; Maggie Cole (Harpsichord); Michael Chance (Countertenor)
- Running Time: 4 min. 9 sec.
- Period Time: Baroque
- Written: circa 1687
Purcell, Henry : An Evening Hymn to the Ground, "Now that the sun hath veiled his light" - Performers: Michael Chance (Countertenor); Maggie Cole (Harpsichord); Richard Boothby; Nigel Cole (Theorbo); Nigel Cole (Archlute)
- Running Time: 4 min. 36 sec.
- Period Time: Baroque
- Form: Choral
- Written: circa 1687
Purcell, Henry : Chaconne for Harpsichord in G minor, Z T680 "Timon of Athens" - Running Time: 4 min. 40 sec.
- Period Time: Baroque
- Written: 1694
Purcell, Henry : Music in "The Prophetess; Or, The History of Dioclesian" (after John Fletcher and Philip Massinger, - Ensemble: Florilegium Musicum Ensemble (Netherlands)
- Running Time: 2 min. 17 sec.
- Period Time: Baroque
- Written: 1690
Purcell, Henry : Timon of Athens :: Curtain Tune - Ensemble: Florilegium Musicum Ensemble (Netherlands)
- Running Time: 2 min. 13 sec.
- Period Time: Baroque
- Written: 1694

























