Erwartung [Hybrid SACD]

• Audio Samples
• Album Summary
• Notes & Reviews
• Also Purchased
• Works Details

Audio Samples

Album Summary

Performers

• Malcolm Martineau (Piano)
• Solveig Kringelborn (Soprano)

Composers

• Arnold Schoenberg (1874 - 1951)
• Hugo Wolf (Composer) (1860 - 1903)
• Richard Strauss (1864 - 1949)
• Max Reger (1873 - 1916)
• Richard Wagner (Classical) (1813 - 1883)

Notes & Reviews:

Import Hybrid-SACD pressing.

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Works Details

Schoenberg, Arnold : Songs (4) for voice & piano, Op. 2

• Performers: Malcolm Martineau (Piano); Solveig Kringelborn (Soprano)
• Running Time: 10 min. 54 sec.
• Period Time: Post Romantic
• Written: 1899

Strauss, Richard : Songs (5) for voice & piano, Op. 39 (TrV 189) :: Leises Lied

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 3 min. 17 sec.
• Period Time: Post Romantic
• Written: 1898

Strauss, Richard : Songs (5) for voice & piano, Op. 39 (TrV 189) :: Junghexenlied

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 3 min. 4 sec.
• Period Time: Post Romantic
• Written: 1898

Strauss, Richard : Songs (5) for voice & piano, Op. 39 (TrV 189) :: Befreit

• Performers: Malcolm Martineau (Piano); Solveig Kringelborn (Soprano)
• Running Time: 5 min. 12 sec.
• Period Time: Post Romantic
• Written: 1898

Wagner, Richard : Wesendonck Lieder :: Der Engel

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 3 min. 14 sec.
• Period Time: Romantic
• Written: 1857-1858

Wagner, Richard : Stehe still! ("Sausendes, brausendes Rad der Zeit"), song for voice & piano (or orchestra) (Wesendon

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 3 min. 49 sec.
• Period Time: Romantic
• Written: 1857-1858

Wagner, Richard : Wesendonck Lieder :: Im Treibhaus

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 6 min. 39 sec.
• Period Time: Romantic
• Written: 1857-1858

Wagner, Richard : Schmerzen ("Sonne, weinest jeden Abend..."), song for voice & piano (or orchestra) (Wesendonk Lieder

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 2 min. 18 sec.
• Period Time: Romantic
• Written: 1857-1858

Wagner, Richard : Träume ("Sag, welch wunderbare Träume"), song for voice & piano (or orchestra) (Wesendonk Lieder), W

• Performers: Malcolm Martineau (Piano); Solveig Kringelborn (Soprano)
• Running Time: 4 min. 49 sec.
• Period Time: Romantic
• Written: 1857-1858

Wolf, Hugo : Mignon I ("Heiß mich nicht reden"), song for voice & piano (Goethe Lieder)

• Performers: Malcolm Martineau (Piano); Solveig Kringelborn (Soprano)
• Running Time: 3 min. 31 sec.
• Period Time: Post Romantic
• Written: 12/19/1888

Wolf, Hugo : Goethe Lieder

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 2 min. 27 sec.
• Period Time: Post Romantic
• Written: 12/18/1888

Wolf, Hugo : Goethe Lieder

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 4 min. 2 sec.
• Period Time: Post Romantic
• Written: 12/22/1888

Wolf, Hugo : Goethe Lieder

• Performers: Malcolm Martineau (Piano); Solveig Kringelborn (Soprano)
• Notes: Composition written: 12/17/1888.
• Running Time: 6 min. 18 sec.
• Period Time: Post Romantic
• Written: 12/17/1888

Reger, Max : Mariä Wiegenlied :: "Maria sitzt am Rosenhag"), song for voice & piano (or orchestra),

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 2 min. 19 sec.
• Period Time: Post Romantic
• Form: Vocal
• Written: 1912

Reger, Max : Mausefangen ("Eins, zwei, drei"), song for voice & piano, Op. 76/58

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 1 min. 11 sec.
• Period Time: Post Romantic
• Written: 1912

Reger, Max : Zum Schlafen ("Oben in dem Birnenbaum"), song for voice & piano, Op. 76/59

• Performers: Solveig Kringelborn (Soprano); Malcolm Martineau (Piano)
• Running Time: 2 min. 6 sec.
• Period Time: Post Romantic
• Written: 1912