Gregorian & Medieval Mystic

Audio Samples

>Anonymous : Cantate Domino
>Anonymous : Dextera Domini
>Chant, Gregorian : Agnus Dei qui tollis peccata mundi, for the mass
>Chant, Gregorian : Terribilis est, introit in mode 2 (Liber Usualis no 1250, GR [75])
>Chant, Gregorian : Jubilate deo omnis terra, offertory in mode 5 (Liber Usualis no 480)
>Chant, Gregorian : Os iusti, introit in mode 6
>Chant, Gregorian : Inclina Domine, introit in mode 1
>Chant, Gregorian : Quasi modo, introit
>Chant, Gregorian : Cantemus Domino, canticum
>Chant, Gregorian : Laudate Dominum omnes gentes (Psalm 117)
>Anonymous, German : Munter Geschrey, song
>Pesaro, Guglielmo Ebreo da : Grazioso G.
>Anonymous, Italian : Saltarello
>Boulaghmal, Ismail : Coram obscurum, for ensemble (after a medieval melody)
>Matousek, Lukas : Flos fundavit, for ensemble (after a medieval melody)
>Matousek, Lukas : Plena gratia, for ensemble (after a medieval melody)
>Boulaghmal, Ismail : Cantus honoris, for ensemble (after a medieval melody)
>Traditional, German : Zum tanze da geht ein madel
>Anonymous, Notre Dame School : Procurans odium, 3-voice conductus
>Ambrosio, Grazioso G. : Voltate in ca Rosina
>Boulaghmal, Ismail : Auf ewig gefreyt, for ensemble (after a medieval melody)
>Anonymous, Italian : Chominciamento di gioia
>Sound, Recorded : Ringing of the Bells
>Chant, Gregorian : Alma redemptoris mater, antiphon
>Victoria, Tomas L. de : Work(s)
>     Kyrie
>     Sanctus Benedictus
>Chant, Gregorian : Servus tuus, offertory
>Clérambault, Louis-Nicolas : Basse et Dessus de Trompette
>Aichinger, Gregor : Regina coeli laetare, motet
>Clérambault, Louis-Nicolas : Plein Jeu
>Chant, Gregorian : Salve regina
>Clérambault, Louis-Nicolas : Grand Jeu
>Lassus, Orlando de : Audi dulcis (filia) amica mea, motet for 4 voices, M. xvii (S. i/99)
>Clemens non Papa, Jacobus : O Maria, Vernans Rosa, motet
>Magnon, Johannes : Ave Maria
>Magnon, Johannes : Assumpta Est Maria
>Magnon, Johannes : Magnificat
>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue)
>     1. Kyrie
>     2. Fugue
>     3. Cromorne
>     4. Trio
>     5. Dialogue sur les Grand Jeux

Album Summary

>Anonymous : Cantate Domino
>Anonymous : Dextera Domini
>Chant, Gregorian : Agnus Dei qui tollis peccata mundi, for the mass
>Chant, Gregorian : Terribilis est, introit in mode 2 (Liber Usualis no 1250, GR [75])
>Chant, Gregorian : Jubilate deo omnis terra, offertory in mode 5 (Liber Usualis no 480)
>Chant, Gregorian : Os iusti, introit in mode 6
>Chant, Gregorian : Inclina Domine, introit in mode 1
>Chant, Gregorian : Quasi modo, introit
>Chant, Gregorian : Cantemus Domino, canticum
>Chant, Gregorian : Laudate Dominum omnes gentes (Psalm 117)
>Anonymous, German : Munter Geschrey, song
>Pesaro, Guglielmo Ebreo da : Grazioso G.
>Anonymous, Italian : Saltarello
>Boulaghmal, Ismail : Coram obscurum, for ensemble (after a medieval melody)
>Matousek, Lukas : Flos fundavit, for ensemble (after a medieval melody)
>Matousek, Lukas : Plena gratia, for ensemble (after a medieval melody)
>Boulaghmal, Ismail : Cantus honoris, for ensemble (after a medieval melody)
>Traditional, German : Zum tanze da geht ein madel
>Anonymous, Notre Dame School : Procurans odium, 3-voice conductus
>Ambrosio, Grazioso G. : Voltate in ca Rosina
>Boulaghmal, Ismail : Auf ewig gefreyt, for ensemble (after a medieval melody)
>Anonymous, Italian : Chominciamento di gioia
>Sound, Recorded : Ringing of the Bells
>Chant, Gregorian : Alma redemptoris mater, antiphon
>Victoria, Tomas L. de : Work(s)
>Chant, Gregorian : Servus tuus, offertory
>Clérambault, Louis-Nicolas : Basse et Dessus de Trompette
>Aichinger, Gregor : Regina coeli laetare, motet
>Clérambault, Louis-Nicolas : Plein Jeu
>Chant, Gregorian : Salve regina
>Clérambault, Louis-Nicolas : Grand Jeu
>Lassus, Orlando de : Audi dulcis (filia) amica mea, motet for 4 voices, M. xvii (S. i/99)
>Clemens non Papa, Jacobus : O Maria, Vernans Rosa, motet
>Magnon, Johannes : Ave Maria
>Magnon, Johannes : Assumpta Est Maria
>Magnon, Johannes : Magnificat
>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue)
Performers Conductors Ensemble
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Composers


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Works Details

>Anonymous : Cantate Domino
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 5 min. 49 sec.
  • Period Time: Renaissance
  • Form: Cantata/Oratorio

>Anonymous : Dextera Domini
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 2 min. 54 sec.
  • Period Time: Renaissance

>Chant, Gregorian : Agnus Dei qui tollis peccata mundi, for the mass
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 2 min. 33 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Terribilis est, introit in mode 2 (Liber Usualis no 1250, GR [75])
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 5 min. 31 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Jubilate deo omnis terra, offertory in mode 5 (Liber Usualis no 480)
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 5 min. 28 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Os iusti, introit in mode 6
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 5 min. 33 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Inclina Domine, introit in mode 1
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 2 min. 48 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Quasi modo, introit
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 4 min. 38 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Cantemus Domino, canticum
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 5 min. 37 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Laudate Dominum omnes gentes (Psalm 117)
  • Performer: Ismail Boulaghmal (Keyboards)
  • Running Time: 2 min. 56 sec.
  • Period Time: Medieval

>Anonymous, German : Munter Geschrey, song
  • Performers: Kristaps Grasis (Guitar); Kristaps Grasis (Percussion); Liene Sejane (Flute); Ralf Bauer (Flute); Matthias Höhn (Recorder); Ismail Boulaghmal (Keyboards)
  • Running Time: 5 min. 11 sec.

>Pesaro, Guglielmo Ebreo da : Grazioso G.
  • Running Time: 2 min. 2 sec.
  • Period Time: Renaissance

>Anonymous, Italian : Saltarello
  • Running Time: 1 min. 34 sec.

>Boulaghmal, Ismail : Coram obscurum, for ensemble (after a medieval melody)
  • Performers: Kristaps Grasis (Guitar); Kristaps Grasis (Percussion); Liene Sejane (Flute); Ralf Bauer (Flute); Matthias Höhn (Recorder); Ismail Boulaghmal (Keyboards)
  • Running Time: 6 min. 8 sec.

>Matousek, Lukas : Flos fundavit, for ensemble (after a medieval melody)
  • Running Time: 1 min. 51 sec.
  • Period Time: Contemporary

>Matousek, Lukas : Plena gratia, for ensemble (after a medieval melody)
  • Running Time: 1 min. 10 sec.
  • Period Time: Contemporary

>Boulaghmal, Ismail : Cantus honoris, for ensemble (after a medieval melody)
  • Performers: Kristaps Grasis (Guitar); Kristaps Grasis (Percussion); Liene Sejane (Flute); Ralf Bauer (Flute); Matthias Höhn (Recorder); Ismail Boulaghmal (Keyboards)
  • Running Time: 4 min. 50 sec.

>Traditional, German : Zum tanze da geht ein mädel
  • Performers: Kristaps Grasis (Percussion); Kristaps Grasis (Guitar); Liene Sejane (Flute); Ralf Bauer (Flute); Matthias Höhn (Recorder); Ismail Boulaghmal (Keyboards)
  • Running Time: 4 min. 20 sec.
  • Period Time: Classical

>Anonymous, Notre Dame School : Procurans odium, 3-voice conductus
  • Running Time: 2 min. 13 sec.
  • Period Time: Medieval
  • Written: circa 1200

>Ambrosio, Grazioso G. : Voltate in ça Rosina
  • Running Time: 2 min. 56 sec.

>Boulaghmal, Ismail : Auf ewig gefreyt, for ensemble (after a medieval melody)
  • Performers: Kristaps Grasis (Guitar); Kristaps Grasis (Percussion); Liene Sejane (Flute); Ralf Bauer (Flute); Matthias Höhn (Recorder); Ismail Boulaghmal (Keyboards)
  • Running Time: 6 min. 19 sec.

>Anonymous, Italian : Chominciamento di gioia
  • Running Time: 4 min. 17 sec.

>Sound, Recorded : Ringing of the Bells
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 1 min. 29 sec.
  • Period Time: Contemporary

>Chant, Gregorian : Alma redemptoris mater, antiphon
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 2 min. 12 sec.
  • Period Time: Medieval
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Work(s) :: Kyrie
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 1 min. 43 sec.
  • Period Time: Renaissance

>Chant, Gregorian : Servus tuus, offertory
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 2 min. 15 sec.
  • Period Time: Medieval
  • Form: Choral

>Louis-Nicolas Clérambault (1676 - 1749) : Basse et Dessus de Trompette
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 2 min. 21 sec.
  • Period Time: Baroque

>Aichinger, Gregor : Regina coeli laetare, motet
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 2 min. 3 sec.
  • Period Time: Renaissance
  • Written: by 1590

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Work(s) :: Sanctus Benedictus
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 4 min. 15 sec.
  • Period Time: Renaissance

>Louis-Nicolas Clérambault (1676 - 1749) : Plein Jeu
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 2 min. 20 sec.
  • Period Time: Baroque

>Chant, Gregorian : Salve regina
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 3 min. 55 sec.
  • Period Time: Medieval

>Louis-Nicolas Clérambault (1676 - 1749) : Grand Jeu
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 2 min. 23 sec.
  • Period Time: Baroque

>Chant, Gregorian : Salve regina
  • Performer: Cornelius Wininger (Organ)
  • Conductor: Daniel Meier
  • Running Time: 3 min. 55 sec.
  • Period Time: Medieval

>Lassus, Orlando de : Audi dulcis (filia) amica mea, motet for 4 voices, M. xvii (S. i/99)
  • Conductor: Dr. Pohl
  • Running Time: 3 min. 43 sec.
  • Period Time: Renaissance

>Clemens non Papa, Jacobus : O Maria, Vernans Rosa, motet
  • Conductor: Dr. Pohl
  • Running Time: 5 min. 39 sec.
  • Period Time: Renaissance

>Magnon, Johannes : Ave Maria
  • Conductor: Dr. Pohl
  • Running Time: 1 min. 36 sec.
  • Period Time: Renaissance

>Magnon, Johannes : Assumpta Est Maria
  • Conductor: Dr. Pohl
  • Running Time: 4 min. 3 sec.
  • Period Time: Renaissance

>Magnon, Johannes : Magnificat
  • Conductor: Dr. Pohl
  • Running Time: 6 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral

>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue) :: 1. Kyrie
  • Performer: Bernhard Marx (Organ)
  • Running Time: 1 min. 33 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1699

>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue) :: 2. Fugue
  • Performer: Bernhard Marx (Organ)
  • Running Time: 3 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1699

>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue) :: 3. Cromorne
  • Performer: Bernhard Marx (Organ)
  • Running Time: 3 min. 45 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1699

>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue) :: 4. Trio
  • Performer: Bernhard Marx (Organ)
  • Running Time: 3 min. 16 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1699

>Grigny, Nicolas de : La Messe, in 23 versets for organ (first part of Livre d'orgue) :: 5. Dialogue sur les Grand Jeux
  • Performer: Bernhard Marx (Organ)
  • Running Time: 3 min. 29 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1699