Pinetop Perkins/Willie "Big Eyes" Smith: Joined at the Hip

Audio Samples

>Grown Up to Be a Man
>Cut That Out
>Take Your Eyes off My Woman
>Walkin' Down the Highway
>Gambling Blues
>I Would Like to Have a Girl Like You
>Take My Hand, Precious Lord
>You'd Better Slow Down
>Minor Blues
>I Feel So Good
>Lord, Lord, Lord
>Grindin' Man
>Eyesight to the Blind

Track List

>Grown Up to Be a Man
>Cut That Out
>Take Your Eyes off My Woman
>Walkin' Down the Highway
>Gambling Blues
>I Would Like to Have a Girl Like You
>Take My Hand, Precious Lord
>You'd Better Slow Down
>Minor Blues
>I Feel So Good
>Lord, Lord, Lord
>Grindin' Man
>Eyesight to the Blind

Album Remarks & Appraisals:

"Two veterans of the 1970s-era Muddy Waters Band who continue to share a creative bond, Perkins and Smith engage in an old-school blues dialog that's equal parts Chicago and Mississippi Delta, and authentic as home cooking. With Perkins on piano and Smith on harmonica and handling most of the vocals,Joined At The Hip mixes several Smith originals with classic blues repertoire and a gospel standard. Straight-up shuffles, lighthearted call-and-response, a last-call grinder and other essential elements of the blues tradition are in full flower here as Perkins (who turns 97 this month) and Smith (in his early 70s) give the music's roots a good, long watering. Check out Perkins' moving vocal on "Take My Hand, Precious Lord," an emotional centerpiece of the CD." -DownBeat

Album Reviews:

Living Blues (p.43) - "Smith's harp, with its strong echoes of Little Walter, sets the tone: it's impeccably vintage-sounding, yet infused with so much passion and grit that it never sounds like an exercise in nostalgia..."

Album Notes

Personnel: Pinetop Perkins (vocals, piano); Willie "Big Eyes" Smith (vocals, harmonica); Little Frank Krakowski, John Primer (guitar); Bob Stroger (bass guitar); Kenny Smith (drums).

Audio Mixer: Michael Freeman.

Liner Note Author: Bill Dahl.

Recording information: Joyride Studios, Chicago, IL; Wire Recording, Austin, TX.

Photographer: Paul Natkin.

It's hard to believe this album wasn't made a long time ago, actually, since blues pianist Pinetop Perkins and drummer and harmonica player Willie "Big Eyes" Smith have worked together frequently in the past 40 some years. Perkins replaced the legendary pianist Otis Spann in Muddy Waters' band in 1969 when Smith was the drummer in the ensemble, and later Perkins and Smith formed the Legendary Blues Band in the 1980s. Perkins was 96 years old when the sessions for Joined at the Hip were recorded, but one wouldn't know it, and Smith, now out from behind the drum kit (his son, Kenny Smith, plays drums here), concentrates on his harp blowing and handles most of the vocals. The result is a solid Chicago blues record, one that feels like it could have been tracked anytime in the past four decades. The sound is big and warm and alive, and this is the Chicago blues without any annoying and unnecessary flash -- it just socks home where it's supposed to, with solid ensemble playing (Bob Stroger is on bass and John Primer and "Little Frank" Krakowski handle the guitars while Perkins, of course, mans the piano and Smith adds appropriate harmonica fills, with Kenny Smith on drums). Highlights include the opener, "Grown Up to Be a Man," a fine version of Sonny Boy Williamson's "Eyesight to the Blind" (the second Sonny Boy -- "Eyesight" was his first single back in 1951), and a compelling "I Would Like to Have a Girl Like You," which was written by Billy Flynn, who was also a member of the Legendary Blues Band with Perkins and Smith. Produced by Michael Freeman, Joined at the Hip is Chicago blues played straight and true, headed up by a couple of veteran blues musicians who not only know what they're talking about, they've also lived it. ~ Steve Leggett



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