- Touch Me Where It Counts $0.99 on iTunes
- Twelve-Year-Old Scotch $0.99 on iTunes
- Ritalin $0.99 on iTunes
- Deep Down Inside $0.99 on iTunes
- What Will It Be for Me $0.99 on iTunes
- Interlude $0.99 on iTunes
- Impotent Teeth $0.99 on iTunes
- There Is No Cure $0.99 on iTunes
- Sometimes a Migraine Is Just a Migraine $0.99 on iTunes
- Every Time You Undress Me $0.99 on iTunes
- Someone Will Take Care of Me $0.99 on iTunes
- Hooked for Life $0.99 on iTunes
- Why Not Take All $0.99 on iTunes
- Fully Functional $0.99 on iTunes
- Toes $0.99 on iTunes
- Fingers $0.99 on iTunes
- Hands $0.99 on iTunes
- Sincerely Yours $0.99 on iTunes
- Castration $0.99 on iTunes
- Brain $0.99 on iTunes
- Everybody Wannabe $0.99 on iTunes
- What Will It Be for Me (Fuji-iro Getsuei Mix) [Pre-Order Bonus Track] $0.99 on iTunes
Notes & Reviews:
Someone Will Take Care of Me features two of Dargel's most celebrated song cycles: Removable Parts, which recounts various twisted stories of voluntary amputations, and Thirteen Near-Death Experiences, which explores the anxiety, fear and suffering that accompanies hypochondria. He is joined by the pianist Kathleen Supové ("Removable Parts") and The International Contemporary Ensemble (ICE) with drummer David T. Little ("Thirteen...") on the album. Through his decidedly idiosyncratic and unique chamber-pop soundscapes, Dargel has captured the attention of critics and listeners alike, and has been described as a "baroquely unclassifiable" (The New Yorker) composer, lyricist, and singer of "elegantly skewed" (Time Out New York) electronic art-pop songs that stir the heart and delight the mind."
New Amsterdam Records was formed as a haven for the young New York composers and performers whose music slips through the cracks between genres. The records will paint a certain picture of that scene without a name, without trying to give it one. The label hopes that New Amsterdam develops as quickly and as broadly as the scene itself, capturing the best that people in it have to offer along the way, and touching the outer edges where musics meet.
New York composer/songwriter Corey Dargel's double album Someone Will Take Care of Me includes two song cycles, Thirteen Near-Death Experiences and Removable Parts, which deal respectively with hypochondria and voluntary amputation, a clinical condition whose sufferers believe they can only be whole if an otherwise healthy limb is amputated. Dargel deals with these dark topics (particularly the second) with unflinching directness but also with grace and empathy. The songs had their genesis as music theater pieces. A 2007 New York production of Removable Parts won Dargel the New Dramatists' 2007 Frederick Loewe Award in Musical Theater and received the New York Innovative Theatre Award for Best Performance-Art Production. Thirteen Near-Death Experiences was produced in New York in 2009. Dargel is the singer and he has top-notch collaborators: pianist Kathleen Supové, percussionist-composer David T. Little, and the International Contemporary Ensemble (ICE).
The songs of Thirteen Near-Death Experiences are gentle, melancholy reflections on the inevitable results of aging that seem not so much pathological as all-too-common feelings about mortality and the decline of the body. They range from the whimsical -- "Touch Me Where It Counts," in which a patient arranges to be sick enough for repeated trips to his doctor, with whom he is angling for a date -- to the achingly poignant: "Everybody Says I'm Beautiful," a sad acknowledgement of aging, and "Every Time You Undress Me," which voices the singer's doubts that his lover still finds him attractive. The subject matter of Removable Parts is made of considerably sterner stuff; in fact, almost every song includes cringe-inducing imagery. The music of the songs is mostly deceptively and gently lyrical, creating a disorienting dissonance with the gruesome texts and topics. The show has been described as "tenderly dysfunctional," and that sounds pretty accurate. Dargel's light tenor is well-suited to the songs, which in some ways could be heard melodically as fairly conventional, but whose accompaniments (especially the inventive instrumentations of Thirteen Near-Death Experiences, for ICE and Little) are wittily skewed enough to situate this music in the realm of the very odd. The album is engineered more like a pop than a classical album, with relatively compressed sound, but the sound is vivid, and it works well for this material. In spite of its veneer of simplicity, Dargel's music has a sophistication that should give it strong appeal for fans of the intersection between experimental rock and classical.~Stephen Eddins
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Works DetailsDargel, Corey : Thirteen Near-Death Experiences, for voice, drums & ensemble
- Performers: Corey Dargel (Voice); David Little (Drums)
- Ensemble: International Contemporary Ensemble
- Running Time: 39 min. 52 sec.
- Period Time: Contemporary
Dargel, Corey : Removable Parts, for voice, piano & synthesizer
- Performers: Corey Dargel (Synthesizer); Corey Dargel (Voice); Kathleen Supové (Piano)
- Running Time: 34 min. 18 sec.
- Period Time: Contemporary