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For Valour, Op. 7 - — | |
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For Valour, Op. 7 - Andante tranquillo | |
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For Valour, Op. 7 - Marcarto e pomposo, sempre pesante | |
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For Valour, Op. 7 - Allegro vivace | |
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For Valour, Op. 7 - Piu allegro | |
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Doctor Merryheart - — (Theme) | |
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Doctor Merryheart - Variation 1: Whimsies and Sunshadows (Grillen und Sonnenschatten) | |
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Doctor Merryheart - Variation 2: Smiles and Storms (Lacheln und Sturme) | |
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Doctor Merryheart - Variation 3: Dreams: Asleep in the Arms of Venus (Traume: Schlummernd in den Armen der Venus) | |
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Doctor Merryheart - Variation 4: Merryheart as a chivalrous knight chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | |
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Doctor Merryheart - Variation 5: Merryheart fights a dragon (Merryheart kampft mit dem Drache) | |
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Doctor Merryheart - Variation 6: Merryheart leads a procession of heroes (Merryheart fuhrt einem Zug Helden) | |
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Doctor Merryheart - Variation 7: Merryheart awakes (Merryheart ist wash) | |
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Doctor Merryheart - The Dance of Merryheart (Merryhearts Tanz) | |
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Symphony No. 11 - I. Adagio - | |
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Symphony No. 11 - II. Allegro giocoso - | |
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Symphony No. 11 - II. Adagio - | |
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Symphony No. 11 - II. (Scherzo) - | |
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Symphony No. 11 - II. Andante espressivo teneramente | |
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Symphony No. 11 - III. Maestoso e pesante - Allegro marcia | |
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Symphony No. 11 - III. Grazioso - | |
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Symphony No. 11 - III. Allegro marcia | |
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Symphony No. 15 - Maestoso e marcato - | |
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Symphony No. 15 - — - | |
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Symphony No. 15 - — - | |
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Symphony No. 15 - Cantabile e espressivo molto - | |
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Symphony No. 15 - — - | |
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Symphony No. 15 - Allegro con brio |
Album Summary
Conductors Ensemble ComposerNotes & Reviews:
Havergal Brian was never a conventional composer, but the three later works on this disc rank among his most unconventional approaches to the symphonic form. The highly virtuosic Doctor Merryheart portrays an imaginary astronomer's musical obsessions. The artless spontaneity of Symphony No. 11, whose Adagio is one of Brian's most profound inspirations, and the extrovert character of Symphony No. 15, are firmly grounded in Brian's resourceful technical mastery. The martial vigour of the early overture For Valour drew inspiration from the Walt Whitman poem Drum Taps (also used by Vaughan Williams in Dona nobis pacem, NXS 8572424).
"This is a reissue...I've thoroughly enjoyed listening to this recording, hearing new things each time. The symphonies are powerful, stately, yet vivacious, and have a scope that goes beyond the actual track timing...Playing and recorded sound are superb; notes are in English. Since much of Brian's music can be rather forbidding, this is a good place to start."-American Record Guide
Notes & Reviews:Recording information: National Concert Hall, Dublin.
Reviews
Important recordings in the Brian revival
Submitted on 03/03/11 by Dean Frey
Also Purchased
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Works Details
Brian, Havergal : For Valor, for organ & orchestra - Conductor: Tony Rowe
- Running Time: 3 min. 40 sec.
- Period Time: Post Romantic
Brian, Havergal : Doctor Merryheart - Conductor: Adrian Leaper
- Running Time: 1 min. 36 sec.
- Period Time: Post Romantic
Brian, Havergal : Symphony no 11 - Conductor: Adrian Leaper
- Running Time: 6 min. 32 sec.
- Period Time: Post Romantic
- Form: Orchestral
Brian, Havergal : Symphony no 15 in A major - Conductor: Tony Rowe
- Running Time: 4 min. 24 sec.
- Period Time: Post Romantic
- Form: Orchestral
























