In Celebration / William Christie

In Celebration / William Christie - Erato - ERA 2564686863 - 825646868636

Label: Erato
Catalog No: ERA 2564686863
Format: CD
Release Date: 2010-10-26
Number of Discs: 6
Running time: 1 hr. 16 min.
Mono/Stereo: Stereo
UPC Code: 825646868636

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Audio Samples

>Monteverdi, Claudio : Vespro della Beata Vergine
>d'India, Sigismondo : Alme luci beate / Io vi lascio mie scorte, madrigal for 5 voices
>d'India, Sigismondo : Sospir che del bel patto, madrigal (from Madrigali a cinque voci, Book 5)
>d'India, Sigismondo : Crud'Amarilli (from "Libro Primo de Madrigali a Cinque Voci)
>Charpentier, Marc-Antoine : La pierre philosophale, incidental music, H. 501
>Charpentier, Marc-Antoine : Ah! qu'ils sont courts les beaux jours, H 442
>Charpentier, Marc-Antoine : Charmantes fleurs, naissez, air for 2 voices & continuo, H. 449b
>Charpentier, Marc-Antoine : Quoi! rien ne peut vous arreter, air for voice & continuo, H. 462
>Charpentier, Marc-Antoine : Sans frayeur dans ce bois, H 467
>Landi, Stefano : Il Sant'Alessio
>     Prologo. Sinfonia
>     Prologo. Choro di Schiavi. Ghiaro giorno lieta sorte
>     Prologo. Ritornello e Roma. Né fur solo i miei Figli
>     Prologo. Choro di Schiavi. Già fastosa Guerriera
>     Act 2. Scene 7. O Morte gradita
>Charpentier, Marc-Antoine : La Descente d'Orphee aux Enfers, H488
>     Ouverture
>     Act 1. Scenes 1 & 2. Inventons mille jeux divers
>     Act 1. Scenes 1 & 2. Compagnes fidèles
>     Act 1. Scenes 1 & 2. Soutiens moi, chère Énone... Qu'ai-je en
>     Act 1. Scenes 1 & 2. Ah! Bergers c'en est fait
>     Act 1. Scenes 1 & 2. Entrée de nymphes et de bergers désespér
>Charpentier, Marc-Antoine : Medee, H491
>     Act 1. Prologue. Ouverture
>     Act 1. Prologue. Passepied
>     Act 1. Scene 6. Que l'épais bataillons
>     Act 1. Scene 6. Rondeau des Corinthiens
>     Act 1. Scene 6. Quel bonheur suit la tendresse
>     Act 1. Scene 6. Que d'épais bataillons
>     Act 1. Scene 6. Entr'acte
>     Act 3. Scenes 5-7. Noires filles du Stix
>     Act 3. Scenes 5-7. L'Enfer obéit à ta voix
>     Act 3. Scenes 5-7. Je voy le don fatal qu'exige ma rivale
>     Act 3. Scenes 5-7. Premier Air pour les Démons
>     Act 3. Scenes 5-7. Dieu du Cocyte et des royaumes sombres
>     Act 3. Scenes 5-7. Seconde entrée des Démons
>Purcell, Henry : Dido and Aeneas, Z626
>     Act 1. Overture
>     Act 1. Shake the cloud from off your brow
>     Act 1. Ah Belinda, I am prest with torment
>     Act 1. Grief increases by concealing... When monarchs unite
>     Act 1. The Triumphing Dance
>     Act 3. Scene 1. Come away, fellow sailors... / The Sailors' Dance
>     Act 3. Scene 1. The Witches' Dance
>     Act 3. Scene 2. When I am laid in earth
>Purcell, Henry : King Arthur, or the British Worthy, Z628
>     Overture
>     Air
>     Act 1. Brave souls, to be renown'd in story
>     Act 3. Prelude
>     Act 3. What ho! thou genius of this isle, what ho!
>     Act 3. Prelude while Cold Genius rises / What power art th
>     Act 3. Thou doting fool, forbear, forbear
>     Act 3. Great Love, I know thee now
>     Act 3. No part of my dominion shall be waste
>     Act 3. Prelude
>     Act 3. See, see, we assemble... / Dance
>     Act 3. 'Tis I, 'tis I that have warm'd ye
>     Act 5. Fairest Isle, all isles excelling
>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416
>     Nuit
>     Réveil des bergers
>     Chorus pastorum. Coeli aperti sunt
>     Récit de l'Ange. Nolite timere pastores
>     Choeur des anges. Gloria in altissimis Deo
>Charpentier, Marc-Antoine : Les Plaisirs de Versailles, H480
>     Ouverture
>     Scene 1. Que tout cède aux douceurs de mes accords
>     Scene 2. Menuet
>Rameau, Jean-Philippe : Hippolyte et Aricide
>     Act 2. Scenes 3-5. Premier Air des Furies / Deuxième Air des Furies / Pluton c
>     Act 2. Scenes 3-5. Dieux! que d'infortunés gémissent dans ces lieux!
>     Act 2. Scenes 3-5. Du Destin le vouloir suprême
>     Act 2. Scenes 3-5. Ah! qu'on daigne au moins
>     Act 2. Scenes 3-5. Non, Neptune aurait beau t'entendre
>     Act 2. Scenes 3-5. Neptune vous demande gràce
>     Act 2. Scenes 3-5. Vous, qui de l'avenir percez la nuit profonde
>     Act 3. Scene 1. Cruelle mère des amours
>     Act 3. Scene 8. Premier Air des Matelots / Deuxième Air des Matelots
>     Act 3. Scene 8. Premier Rigaudon en tambourin / Deuxième Rigaudon en tambourin
>Rameau, Jean-Philippe : Les Fetes d'Hebe ou Les Talens Liriques
>     Ouverture
>     Entrée 3
>     Entrée 3
>     Entrée 3
>     Entrée 3
>     Entrée 3
>     Entrée 3
>     Entrée 3
>     Entrée 3
>     Entrée 3
>Rameau, Jean-Philippe : Zoroastre (1756 version)
>     Act 3. Scenes 1-6. Ritournelle / Arrêtez, modérez cette fureur extrême
>     Act 3. Scenes 1-6. Un coeur fier qui brise sa chaîne
>     Act 3. Scenes 1-6. Osons achever de grands crimes
>     Act 3. Scenes 1-6. Sommeil, fuis ce séjour / L'aurore vermeille / Duo. Pou
>     Act 3. Scenes 1-6. Sommeil, fuis de ce séjour
>     Act 3. Scenes 1-6. Entrée de peuple différents
>     Act 3. Scenes 1-6. Mille rayons brillants / Duo. tout se ranime / O lumièr
>     Act 3. Scenes 1-6. Loure
>     Act 3. Scenes 1-6. Ariette. Accourez, jeunesse brillante
>     Act 3. Scenes 1-6. Entrée des Montagnards
>Handel, George Frideric : Orlando, HWV 31
>     Ouvertura. Lentement
>     Ouvertura. Allegro
>     Act 2. Scene 1. Aria. Quando spieghi i tuoi tormenti
>     Act 3. Scene 8. Duetto. Finché prendi ancora il sangue
>     Act 3. Scene 8. Recitativo. Vieni... Già per la man d'Orlando
>     Act 3. Scene 8. Aria. Già l'ebro mio ciglio
>Handel, George Frideric : Alcina, HWV 34
>     Sinfonia
>     Menuet
>     Musette
>     Act 1. Scene 14. Aria. Tornami a vagheggiar
>     Act 3. Scene 3. Aria. Sta nell'Ircana
>     Act 3. Scene 5. Aria. Mi restano le lagrime
>Handel, George Frideric : Acis and Galatea, HWV 49a
>     Act 1. Sinfonia
>     Act 1. Air. Love in her eyes sits playing
>     Act 1. Air. As when the dove laments her love
>     Act 1. Chorus. Happy we! What joys I feel!
>Handel, George Frideric : Theodora, HWV 68
>     Ouverture. (Grave) - Allegro
>     Ouverture. Trio
>     Ouverture. Courante
>     Part 1. Scene 4. Air. As with rosy steps the morn advancing
>     Part 1. Scene 4. Chorus of Christians. All pow'r in Heav'n above
>     Part 1. Scene 5. Air. Angels, ever bright and fair
>Desmarest, Henry : Grand Motet 'Usquequo, Domine, oblivisceris me in finem?'
>     Opening
>Desmarest, Henry : Grand Motet 'Domine, ne in furore tuo arguas me'
>     no 7. Turbatus est a furore oculus mesus
>     no 8. Discedite a me omnes qui operamini iniquit
>     no 9. Exaudivit Dominus deprecationem meam
>     no 10. Erubescant, et conturbentur vehementer omn
>Couperin, François : Leçons de tenébres
>Rameau, Jean-Philippe : Grand Motet 'In convertendo'
>     no 5. Choeur gracieux. Laudate nomen Dei cum cantico
>     no 6. Trio. Qui seminant in lacrimis
>     no 7. Choeur. Euntes ibant et flebant
>Rameau, Jean-Philippe : Grand Motet 'Deus noster refugium'
>     no 3. Prélude du choeur. Sonuerunt et turbatae sunt
>Mondonville, Jean-Joseph Cassanéa de : Grand Motet 'Dominus regnavit'
>     Elevaverunt flumina
>Mondonville, Jean-Joseph Cassanéa de : Grand Motet 'In exitu Israel'
>     March & Chorus. In exitu Israel
>     Mare vidit
>     Jordanis conversus est retrorsum
>     A facie Domini
>Mozart, Wolfgang Amadeus : Mass in C minor, K 427
>     no 1. Kyrie eleison
>     no 2. Gloria in excelcis
>Mozart, Wolfgang Amadeus : Requiem, K 626
>     no 1. Introitus
>     no 2. Kyrie eleison
>     no 3. Sequentia. Dies irae
>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620
>     Overture
>     Act 1. Scene 2. Aria. Der Vogelfänger bin ich ja
>     Act 1. Scene 6. Recitative & Aria. O zittre nicht, mein lieber Sohn... Zum L
>     Act 1. Scene 14. Duet. Bei Männern, welche Liebe fühlen
>     Act 1. Scene 15. Wie stark ist nicht dein Zauberton
>     Act 2. Scene 1. Aria & Chorus. O Isis und Osiris
>Rameau, Jean-Philippe : Le Guirlande
>     Scene 2. Air gracieux
>     Scene 2. Hâtons-nous, voici l'aurore
>     Scene 2. 1st & 2nd Menuets
>     Scene 6. Air gracieux, 1st & 2nd Tambourins
>     Scene 6. Vole, Amour
>     Scene 6. Contredanse
>Rameau, Jean-Philippe : Zephyre
>     Scene 5-6. Quels sons! Quelle vive lumière! / Rassurez-vous, je cède et vos fers sont rom
>     Scene 6. Sarabande pour les fleurs
>     Scene 6. 1st & 2nd Gavottes
>     Scene 6. Amour, sois le Dieu de nos âmes
>     Scene 6. Contredanse
>Lully, Jean-Baptiste : Psyche
>     Prélude pour les trompettes
>     Chorus. Chantons les plaisirs charmants
>Lully, Jean-Baptiste : Isis
>     Duet. Aimez, profitez du temps
>     Prelude. Entrée des peuples des climate glacés / Chorus. L'hiver qui nous tourmente / Rec
>     Scène des forges. Prélude / Chorus. Que le feu des forges s'allume / Recitative & Chorus.
>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384
>     Ouverüre
>     Act 1. Scene 1. Aria. Hier soll ich dich denn sehen
>     Act 1. Scene 7. Aria. Ach, ich liebte, war so glücklich
>     Act 2. Scene 9. Aria. Wenn der Freude Tränen flieáen
>     Act 3. Scene 9. Vaudeville. Nie werd' ich deine Held verkennen

Album Summary

>Monteverdi, Claudio : Vespro della Beata Vergine
>d'India, Sigismondo : Alme luci beate / Io vi lascio mie scorte, madrigal for 5 voices
>d'India, Sigismondo : Sospir che del bel patto, madrigal (from Madrigali a cinque voci, Book 5)
>d'India, Sigismondo : Crud'Amarilli (from "Libro Primo de Madrigali a Cinque Voci)
>Charpentier, Marc-Antoine : La pierre philosophale, incidental music, H. 501
>Charpentier, Marc-Antoine : Ah! qu'ils sont courts les beaux jours, H 442
>Charpentier, Marc-Antoine : Charmantes fleurs, naissez, air for 2 voices & continuo, H. 449b
>Charpentier, Marc-Antoine : Quoi! rien ne peut vous arreter, air for voice & continuo, H. 462
>Charpentier, Marc-Antoine : Sans frayeur dans ce bois, H 467
>Landi, Stefano : Il Sant'Alessio
>Charpentier, Marc-Antoine : La Descente d'Orphee aux Enfers, H488
>Charpentier, Marc-Antoine : Medee, H491
>Purcell, Henry : Dido and Aeneas, Z626
>Purcell, Henry : King Arthur, or the British Worthy, Z628
>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416
>Charpentier, Marc-Antoine : Les Plaisirs de Versailles, H480
>Rameau, Jean-Philippe : Hippolyte et Aricide
>Rameau, Jean-Philippe : Les Fetes d'Hebe ou Les Talens Liriques
>Rameau, Jean-Philippe : Zoroastre (1756 version)
>Handel, George Frideric : Orlando, HWV 31
>Handel, George Frideric : Alcina, HWV 34
>Handel, George Frideric : Acis and Galatea, HWV 49a
>Handel, George Frideric : Theodora, HWV 68
>Desmarest, Henry : Grand Motet 'Usquequo, Domine, oblivisceris me in finem?'
>Desmarest, Henry : Grand Motet 'Domine, ne in furore tuo arguas me'
>Couperin, François : Leçons de tenébres
>Rameau, Jean-Philippe : Grand Motet 'In convertendo'
>Rameau, Jean-Philippe : Grand Motet 'Deus noster refugium'
>Mondonville, Jean-Joseph Cassanéa de : Grand Motet 'Dominus regnavit'
>Mondonville, Jean-Joseph Cassanéa de : Grand Motet 'In exitu Israel'
>Mozart, Wolfgang Amadeus : Mass in C minor, K 427
>Mozart, Wolfgang Amadeus : Requiem, K 626
>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620
>Rameau, Jean-Philippe : Le Guirlande
>Rameau, Jean-Philippe : Zephyre
>Lully, Jean-Baptiste : Psyche
>Lully, Jean-Baptiste : Isis
>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384
Performers Conductor Ensembles Composers


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Works Details

>Monteverdi, Claudio : Vespro della Beata Vergine
  • Performers: Joseph Cornwell (Tenor); Maryseult Wieczorek (Soprano); Paul Agnew; Sophie Marin-Degor (Soprano); Thierry Felix (Voice); Clive Bayley (Bass)
  • Conductor: William Christie
  • Ensemble: Les Sacqueboutiers
  • Notes: Fondation Eugène Napoléon, Paris, France (07/14/1997-07/20/1997)
  • Running Time: 21 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1610

>d'India, Sigismondo : Alme luci beate / Io vi lascio mie scorte, madrigal for 5 voices
  • Performers: Matthieu Lecroart (Voice); Maryseult Wieczorek (Soprano); Brian Feehan (Theorbo); Stephanie Revidat (Voice); Francois Piolino (Voice)
  • Conductor: William Christie
  • Ensemble: Orlando Gibbons Viol Ensemble
  • Notes: Salle Wagram, Paris (04/20/1997-04/23/1997)
  • Running Time: 1 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>d'India, Sigismondo : Sospir che del bel patto, madrigal (from Madrigali a cinque voci, Book 5)
  • Performer: Brian Feehan (Theorbo)
  • Conductor: William Christie
  • Ensemble: Orlando Gibbons Viol Ensemble
  • Notes: Salle Wagram, Paris (04/20/1997-04/23/1997)
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance
  • Form: Choral

>d'India, Sigismondo : Crud'Amarilli (from "Libro Primo de Madrigali a Cinque Voci)
  • Performers: Francois Piolino (Voice); Matthieu Lecroart (Voice); Maryseult Wieczorek (Soprano); Brian Feehan (Theorbo); Renaud Delaigue (Voice)
  • Conductor: William Christie
  • Ensemble: Orlando Gibbons Viol Ensemble
  • Notes: Salle Wagram, Paris (04/20/1997-04/23/1997)
  • Running Time: 3 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>Charpentier, Marc-Antoine : La pierre philosophale, incidental music, H. 501
  • Conductor: William Christie
  • Running Time: 7 min. 15 sec.
  • Period Time: Baroque
  • Written: 1681

>Charpentier, Marc-Antoine : Ah! qu'ils sont courts les beaux jours, H 442
  • Performers: Francois Piolino (Voice); Patricia Petibon (Soprano); David Monnier (Voice); Paul Agnew; Sophie Daneman (Soprano); Andrew Sinclair (Tenor); Adele Eikenes (Soprano)
  • Conductor: William Christie
  • Running Time: 1 min. 3 sec.
  • Period Time: Baroque
  • Written: circa 1680

>Charpentier, Marc-Antoine : Charmantes fleurs, naissez, air for 2 voices & continuo, H. 449b
  • Performers: Paul Agnew; David Monnier (Voice); Sophie Daneman (Soprano); Francois Piolino (Voice); Adele Eikenes (Soprano); Patricia Petibon (Soprano); Andrew Sinclair (Tenor)
  • Conductor: William Christie
  • Running Time: 3 min. 15 sec.
  • Period Time: Baroque
  • Written: circa 1689

>Charpentier, Marc-Antoine : Quoi! rien ne peut vous arrêter, air for voice & continuo, H. 462
  • Performers: David Monnier (Voice); Patricia Petibon (Soprano); Paul Agnew; Adele Eikenes (Soprano); Andrew Sinclair (Tenor); Sophie Daneman (Soprano); Francois Piolino (Voice)
  • Conductor: William Christie
  • Running Time: 2 min. 9 sec.
  • Period Time: Baroque

>Charpentier, Marc-Antoine : Sans frayeur dans ce bois, H 467
  • Performers: Patricia Petibon (Soprano); David Monnier (Voice); Francois Piolino (Voice); Paul Agnew; Sophie Daneman (Soprano); Andrew Sinclair (Tenor); Adele Eikenes (Soprano)
  • Conductor: William Christie
  • Running Time: 2 min. 14 sec.
  • Period Time: Baroque
  • Written: 1680

>Landi, Stefano : Il Sant'Alessio :: Prologo. Sinfonia
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (09/26/1995-10/02/1995)
  • Running Time: 2 min. 30 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Landi, Stefano : Il Sant'Alessio :: Prologo. Choro di Schiavi. Ghiaro giorno lieta sorte
  • Performer: Maryseult Wieczorek (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (09/26/1995-10/02/1995)
  • Period Time: Baroque
  • Form: Opera/Operetta

>Landi, Stefano : Il Sant'Alessio :: Prologo. Ritornello e Roma. Né fur solo i miei Figli
  • Performer: Maryseult Wieczorek (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (09/26/1995-10/02/1995)
  • Running Time: 3 min. 53 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Landi, Stefano : Il Sant'Alessio :: Prologo. Choro di Schiavi. Già fastosa Guerriera
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (09/26/1995-10/02/1995)
  • Running Time: 1 min. 6 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Landi, Stefano : Il Sant'Alessio :: Act 2. Scene 7. O Morte gradita
  • Performer: Patricia Petibon (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (09/26/1995-10/02/1995)
  • Running Time: 3 min. 24 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Charpentier, Marc-Antoine : La Descente d'Orphée aux Enfers, H488 :: Ouverture
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 2 min. 52 sec.
  • Period Time: Baroque
  • Written: ?1686

>Charpentier, Marc-Antoine : La Descente d'Orphée aux Enfers, H488 :: Act 1. Scenes 1 & 2. Inventons mille jeux divers
  • Performers: Katalin Károlyi (Mezzo Soprano); Patricia Petibon (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 4 min. 6 sec.
  • Period Time: Baroque
  • Written: ?1686

>Charpentier, Marc-Antoine : La Descente d'Orphée aux Enfers, H488 :: Act 1. Scenes 1 & 2. Compagnes fidèles
  • Performer: Patricia Petibon (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 3 min. 14 sec.
  • Period Time: Baroque
  • Written: ?1686

>Charpentier, Marc-Antoine : La Descente d'Orphée aux Enfers, H488 :: Act 1. Scenes 1 & 2. Soutiens moi, chère Énone... Qu'ai-je en
  • Performers: Paul Agnew (Voice); Sophie Daneman (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 1 min. 12 sec.
  • Period Time: Baroque
  • Written: ?1686

>Charpentier, Marc-Antoine : La Descente d'Orphée aux Enfers, H488 :: Act 1. Scenes 1 & 2. Ah! Bergers c'en est fait
  • Performer: Paul Agnew (Voice)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 2 min. 49 sec.
  • Period Time: Baroque
  • Written: ?1686

>Charpentier, Marc-Antoine : La Descente d'Orphée aux Enfers, H488 :: Act 1. Scenes 1 & 2. Entrée de nymphes et de bergers désespér
  • Performer: Paul Agnew (Voice)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 2 min. 22 sec.
  • Period Time: Baroque
  • Written: ?1686

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Prologue. Ouverture
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 1 min. 58 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Prologue. Passepied
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 2 min. 38 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Scene 6. Que l'épais bataillons
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 4 min. 33 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Scene 6. Rondeau des Corinthiens
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 1 min. 14 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Scene 6. Quel bonheur suit la tendresse
  • Performers: Francois Piolino (Voice); Jean-Claude Sarragosse (Bass)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 2 min. 46 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Scene 6. Que d'épais bataillons
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 1 min. 40 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 1. Scene 6. Entr'acte
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 3. Scenes 5-7. Noires filles du Stix
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 1 min. 21 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 3. Scenes 5-7. L'Enfer obéit à ta voix
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 1 min. 48 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 3. Scenes 5-7. Je voy le don fatal qu'exige ma rivale
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 3. Scenes 5-7. Premier Air pour les Démons
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 1 min. 34 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 3. Scenes 5-7. Dieu du Cocyte et des royaumes sombres
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 3 min. 45 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Charpentier, Marc-Antoine : Medée, H491 :: Act 3. Scenes 5-7. Seconde entrée des Démons
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/03/1994-05/12/1994)
  • Running Time: 2 min. 35 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1693

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 1. Overture
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 1 min. 50 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 1. Shake the cloud from off your brow
  • Performer: Sophie Marin-Degor (Soprano)
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 1 min. 2 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 1. Ah Belinda, I am prest with torment
  • Performer: Véronique Gens (Soprano)
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 3 min. 38 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 1. Grief increases by concealing... When monarchs unite
  • Performers: Sophie Marin-Degor (Soprano); Véronique Gens (Soprano)
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 1. The Triumphing Dance
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 1 min. 10 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 3. Scene 1. Come away, fellow sailors... / The Sailors' Dance
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 2 min. 20 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 3. Scene 1. The Witches' Dance
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 1 min. 38 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : Dido and Aeneas, Z626 :: Act 3. Scene 2. When I am laid in earth
  • Performer: Véronique Gens (Soprano)
  • Conductor: William Christie
  • Notes: Théâtre-Opéra de Massy, Essonne, France (11/08/1994-11/11/1994)
  • Running Time: 3 min. 53 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Overture
  • Conductor: William Christie
  • Running Time: 1 min. 51 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Air
  • Conductor: William Christie
  • Running Time: 1 min. 5 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 1. Brave souls, to be renown'd in story
  • Conductor: William Christie
  • Running Time: 2 min. 49 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. Prelude
  • Conductor: William Christie
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. What ho! thou genius of this isle, what ho!
  • Performer: Susannah Waters (Soprano)
  • Conductor: William Christie
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. Prelude while Cold Genius rises / What power art th
  • Performer: Petteri Salomaa (Bass)
  • Conductor: William Christie
  • Running Time: 4 min. 8 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. Thou doting fool, forbear, forbear
  • Performer: Susannah Waters (Soprano)
  • Conductor: William Christie
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. Great Love, I know thee now
  • Performer: Petteri Salomaa (Bass)
  • Conductor: William Christie
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. No part of my dominion shall be waste
  • Performer: Susannah Waters (Soprano)
  • Conductor: William Christie
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. Prelude
  • Conductor: William Christie
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. See, see, we assemble... / Dance
  • Conductor: William Christie
  • Running Time: 1 min. 27 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 3. 'Tis I, 'tis I that have warm'd ye
  • Conductor: William Christie
  • Running Time: 2 min. 1 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : King Arthur, or the British Worthy, Z628 :: Act 5. Fairest Isle, all isles excelling
  • Performer: Véronique Gens (Soprano)
  • Conductor: William Christie
  • Running Time: 4 min. 46 sec.
  • Period Time: Baroque
  • Written: 1691

>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416 :: Nuit
  • Conductor: William Christie
  • Notes: Grande Salle, Cité de la Musique, Paris, France (12/21/2000-12/22/2000)
  • Running Time: 4 min. 12 sec.
  • Period Time: Baroque
  • Written: ?1690

>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416 :: Réveil des bergers
  • Conductor: William Christie
  • Notes: Grande Salle, Cité de la Musique, Paris, France (12/21/2000-12/22/2000)
  • Period Time: Baroque
  • Written: ?1690

>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416 :: Chorus pastorum. Coeli aperti sunt
  • Conductor: William Christie
  • Notes: Grande Salle, Cité de la Musique, Paris, France (12/21/2000-12/22/2000)
  • Period Time: Baroque
  • Written: ?1690

>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416 :: Récit de l'Ange. Nolite timere pastores
  • Performer: Cyril Auvity (Tenor)
  • Conductor: William Christie
  • Notes: Grande Salle, Cité de la Musique, Paris, France (12/21/2000-12/22/2000)
  • Running Time: 2 min. 40 sec.
  • Period Time: Baroque
  • Written: ?1690

>Charpentier, Marc-Antoine : In Navtivitatem Domini Canticum, H416 :: Choeur des anges. Gloria in altissimis Deo
  • Conductor: William Christie
  • Notes: Grande Salle, Cité de la Musique, Paris, France (12/21/2000-12/22/2000)
  • Running Time: 2 min. 19 sec.
  • Period Time: Baroque
  • Written: ?1690

>Charpentier, Marc-Antoine : Les Plaisirs de Versailles, H480 :: Ouverture
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 1 min. 56 sec.
  • Period Time: Baroque
  • Written: 1682

>Charpentier, Marc-Antoine : Les Plaisirs de Versailles, H480 :: Scene 1. Que tout cède aux douceurs de mes accords
  • Performer: Sophie Daneman (Soprano)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Running Time: 3 min. 49 sec.
  • Period Time: Baroque
  • Written: 1682

>Charpentier, Marc-Antoine : Les Plaisirs de Versailles, H480 :: Scene 2. Menuet
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (05/20/1995-05/23/1995)
  • Period Time: Baroque
  • Written: 1682

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Premier Air des Furies / Deuxième Air des Furies / Pluton c
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 4 min. 55 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Dieux! que d'infortunés gémissent dans ces lieux!
  • Performers: Laurent Naouri (Baritone); Francois Piolino (Voice)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 1 min. 32 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Du Destin le vouloir suprême
  • Performers: Matthieu Lecroart (Voice); Christopher Josey (Countertenor); Bertrand Bontoux (Bass)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 1 min. 42 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Ah! qu'on daigne au moins
  • Performer: Laurent Naouri (Baritone)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 2 min. 34 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Non, Neptune aurait beau t'entendre
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Neptune vous demande gràce
  • Performers: Yann Beuron (Tenor); Nathan Berg (Voice)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 2 min. 2 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 2. Scenes 3-5. Vous, qui de l'avenir percez la nuit profonde
  • Performers: Christopher Josey (Countertenor); Bertrand Bontoux (Bass); Matthieu Lecroart (Voice)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 4 min. 22 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 3. Scene 1. Cruelle mère des amours
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 5 min. 52 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 3. Scene 8. Premier Air des Matelots / Deuxième Air des Matelots
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 2 min. 9 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Hippolyte et Aricide :: Act 3. Scene 8. Premier Rigaudon en tambourin / Deuxième Rigaudon en tambourin
  • Performers: Galle Mechaly (Voice); Laurent Naouri (Baritone)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/06/1996-10/13/1996)
  • Running Time: 3 min. 1 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Ouverture
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 4 min. 8 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 1 min. 23 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 2 min. 31 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 1 min. 30 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 1 min. 6 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Performers: Maryseult Wieczorek (Soprano); Jean-Paul Fouchecourt (Voice)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 1 min. 53 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 2 min. 17 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Performer: Jean-Paul Fouchecourt (Voice)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Running Time: 4 min. 22 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Les Fêtes d'Hébé ou Les Talens Liriques :: Entrée 3
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (01/21/1997-01/28/1997)
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Ritournelle / Arrêtez, modérez cette fureur extrême
  • Performers: Anna-Maria Panzarella (Voice); Nathan Berg (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 3 min. 23 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Un coeur fier qui brise sa chaîne
  • Performers: Nathan Berg (Voice); Anna-Maria Panzarella (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Osons achever de grands crimes
  • Performer: Nathan Berg (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 2 min. 49 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Sommeil, fuis ce séjour / L'aurore vermeille / Duo. Pou
  • Performers: Galle Mechaly (Voice); Mark Padmore (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 3 min. 36 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Sommeil, fuis de ce séjour
  • Performers: Mark Padmore (Voice); Galle Mechaly (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 1 min. 3 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Entrée de peuple différents
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 1 min. 31 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Mille rayons brillants / Duo. tout se ranime / O lumièr
  • Performers: Mark Padmore (Voice); Galle Mechaly (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 3 min. 49 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Loure
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 1 min. 38 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Ariette. Accourez, jeunesse brillante
  • Performer: Mark Padmore (Voice)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 2 min. 6 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Zoroastre (1756 version) :: Act 3. Scenes 1-6. Entrée des Montagnards
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (08/28/2001-09/10/2001)
  • Running Time: 1 min. 21 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Handel, George Frideric : Orlando, HWV 31 :: Ouvertura. Lentement
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (1996-01-16_1996-01-23&1996-)
  • Running Time: 3 min. 21 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Handel, George Frideric : Orlando, HWV 31 :: Ouvertura. Allegro
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (1996-01-16_1996-01-23&1996-)
  • Running Time: 1 min. 48 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Handel, George Frideric : Orlando, HWV 31 :: Act 2. Scene 1. Aria. Quando spieghi i tuoi tormenti
  • Performer: Rosa Mannion (Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (1996-01-16_1996-01-23&1996-)
  • Running Time: 3 min. 37 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Handel, George Frideric : Orlando, HWV 31 :: Act 3. Scene 8. Duetto. Finché prendi ancora il sangue
  • Performers: Rosemary Joshua (Soprano); Patricia Bardon (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (1996-01-16_1996-01-23&1996-)
  • Running Time: 2 min. 38 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Handel, George Frideric : Orlando, HWV 31 :: Act 3. Scene 8. Recitativo. Vieni... Già per la man d'Orlando
  • Performers: Patricia Bardon (Mezzo Soprano); Rosemary Joshua (Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (1996-01-16_1996-01-23&1996-)
  • Running Time: 1 min. 39 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Handel, George Frideric : Orlando, HWV 31 :: Act 3. Scene 8. Aria. Già l'ebro mio ciglio
  • Performer: Patricia Bardon (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (1996-01-16_1996-01-23&1996-)
  • Running Time: 4 min. 53 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Handel, George Frideric : Alcina, HWV 34 :: Sinfonia
  • Conductor: William Christie
  • Running Time: 2 min. 52 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Menuet
  • Conductor: William Christie
  • Running Time: 1 min. 5 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Musette
  • Conductor: William Christie
  • Running Time: 1 min. 55 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Act 1. Scene 14. Aria. Tornami a vagheggiar
  • Performer: Natalie Dessay (Soprano)
  • Conductor: William Christie
  • Running Time: 5 min. 1 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Act 3. Scene 3. Aria. Sta nell'Ircana
  • Performer: Susan Graham (Mezzo-soprano)
  • Conductor: William Christie
  • Running Time: 5 min. 52 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Act 3. Scene 5. Aria. Mi restano le lagrime
  • Performer: Renée Fleming (Soprano)
  • Conductor: William Christie
  • Running Time: 8 min. 22 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Acis and Galatea, HWV 49a :: Act 1. Sinfonia
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (05/10/1998-05/17/1998)
  • Running Time: 3 min. 16 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1718

>Handel, George Frideric : Acis and Galatea, HWV 49a :: Act 1. Air. Love in her eyes sits playing
  • Performer: Paul Agnew (Voice)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (05/10/1998-05/17/1998)
  • Running Time: 6 min. 9 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1718

>Handel, George Frideric : Acis and Galatea, HWV 49a :: Act 1. Air. As when the dove laments her love
  • Performer: Sophie Daneman (Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (05/10/1998-05/17/1998)
  • Running Time: 6 min. 12 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1718

>Handel, George Frideric : Acis and Galatea, HWV 49a :: Act 1. Chorus. Happy we! What joys I feel!
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (05/10/1998-05/17/1998)
  • Running Time: 1 min. 12 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1718

>Handel, George Frideric : Theodora, HWV 68 :: Ouverture. (Grave) - Allegro
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (05/12/2000-05/20/2000)
  • Running Time: 3 min. 3 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1749

>Handel, George Frideric : Theodora, HWV 68 :: Ouverture. Trio
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (05/12/2000-05/20/2000)
  • Running Time: 1 min. 33 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1749

>Handel, George Frideric : Theodora, HWV 68 :: Ouverture. Courante
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (05/12/2000-05/20/2000)
  • Running Time: 1 min. 44 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1749

>Handel, George Frideric : Theodora, HWV 68 :: Part 1. Scene 4. Air. As with rosy steps the morn advancing
  • Performer: Juliette Galstian (Mezzo Soprano)
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (05/12/2000-05/20/2000)
  • Running Time: 5 min. 57 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1749

>Handel, George Frideric : Theodora, HWV 68 :: Part 1. Scene 4. Chorus of Christians. All pow'r in Heav'n above
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (05/12/2000-05/20/2000)
  • Running Time: 2 min. 23 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1749

>Handel, George Frideric : Theodora, HWV 68 :: Part 1. Scene 5. Air. Angels, ever bright and fair
  • Performer: Sophie Daneman (Soprano)
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (05/12/2000-05/20/2000)
  • Running Time: 3 min. 23 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1749

>Desmarest, Henry : Grand Motet 'Usquequo, Domine, oblivisceris me in finem?' :: Opening
  • Performers: Arnaud Marzorati (Voice); Laurent Slaars (Baritone)
  • Conductor: William Christie
  • Running Time: 6 min. 47 sec.
  • Period Time: Baroque

>Desmarest, Henry : Grand Motet 'Domine, ne in furore tuo arguas me' :: no 7. Turbatus est a furore oculus mesus
  • Performers: Arnaud Marzorati (Voice); Laurent Slaars (Baritone)
  • Conductor: William Christie
  • Running Time: 1 min. 57 sec.
  • Period Time: Baroque

>Desmarest, Henry : Grand Motet 'Domine, ne in furore tuo arguas me' :: no 8. Discedite a me omnes qui operamini iniquit
  • Performers: Arnaud Marzorati (Voice); Laurent Slaars (Baritone)
  • Conductor: William Christie
  • Running Time: 2 min. 5 sec.
  • Period Time: Baroque

>Desmarest, Henry : Grand Motet 'Domine, ne in furore tuo arguas me' :: no 9. Exaudivit Dominus deprecationem meam
  • Performers: Arnaud Marzorati (Voice); Laurent Slaars (Baritone)
  • Conductor: William Christie
  • Running Time: 2 min. 39 sec.
  • Period Time: Baroque

>Desmarest, Henry : Grand Motet 'Domine, ne in furore tuo arguas me' :: no 10. Erubescant, et conturbentur vehementer omn
  • Performers: Arnaud Marzorati (Voice); Laurent Slaars (Baritone)
  • Conductor: William Christie
  • Running Time: 3 min. 36 sec.
  • Period Time: Baroque

>François Couperin (1668 - 1733) : Leçons de tenébres
  • Performers: Sophie Daneman (Soprano); Patricia Petibon (Soprano)
  • Conductor: William Christie
  • Notes: Salle Wagram, Paris (10/14/1996-10/17/1996)
  • Running Time: 1 min. 40 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1712

>Rameau, Jean-Philippe : Grand Motet 'In convertendo' :: no 5. Choeur gracieux. Laudate nomen Dei cum cantico
  • Conductor: William Christie
  • Notes: Maison de Radio-France, Paris, France (06/08/1994-06/12/1994)
  • Running Time: 4 min. 4 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1720

>Rameau, Jean-Philippe : Grand Motet 'In convertendo' :: no 6. Trio. Qui seminant in lacrimis
  • Performer: Nicolas Rivenq (Voice)
  • Conductor: William Christie
  • Notes: Maison de Radio-France, Paris, France (06/08/1994-06/12/1994)
  • Running Time: 2 min. 18 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1720

>Rameau, Jean-Philippe : Grand Motet 'In convertendo' :: no 7. Choeur. Euntes ibant et flebant
  • Conductor: William Christie
  • Notes: Maison de Radio-France, Paris, France (06/08/1994-06/12/1994)
  • Running Time: 5 min. 12 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1720

>Rameau, Jean-Philippe : Grand Motet 'Deus noster refugium' :: no 3. Prélude du choeur. Sonuerunt et turbatae sunt
  • Performers: Nicolas Cavallier (Bass); Nicolas Rivenq (Voice)
  • Conductor: William Christie
  • Notes: Maison de Radio-France, Paris, France (06/08/1994-06/12/1994)
  • Running Time: 3 min. 35 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1713-1715

>Jean-Joseph Cassanéa de Mondonville (1711 - 1772) : Grand Motet 'Dominus regnavit' :: Elevaverunt flumina
  • Conductor: William Christie
  • Notes: Paris (06/18/1996-06/20/1996)
  • Running Time: 4 min. 5 sec.
  • Period Time: Classical
  • Form: Choral

>Jean-Joseph Cassanéa de Mondonville (1711 - 1772) : Grand Motet 'In exitu Israel' :: March & Chorus. In exitu Israel
  • Conductor: William Christie
  • Notes: Paris (06/18/1996-06/20/1996)
  • Running Time: 2 min. 42 sec.
  • Period Time: Classical
  • Form: Choral

>Jean-Joseph Cassanéa de Mondonville (1711 - 1772) : Grand Motet 'In exitu Israel' :: Mare vidit
  • Conductor: William Christie
  • Notes: Paris (06/18/1996-06/20/1996)
  • Running Time: 1 min. 14 sec.
  • Period Time: Classical
  • Form: Choral

>Jean-Joseph Cassanéa de Mondonville (1711 - 1772) : Grand Motet 'In exitu Israel' :: Jordanis conversus est retrorsum
  • Conductor: William Christie
  • Notes: Paris (06/18/1996-06/20/1996)
  • Running Time: 2 min. 18 sec.
  • Period Time: Classical
  • Form: Choral

>Jean-Joseph Cassanéa de Mondonville (1711 - 1772) : Grand Motet 'In exitu Israel' :: A facie Domini
  • Performer: Maarten Koningsberger (Baritone)
  • Conductor: William Christie
  • Notes: Paris (06/18/1996-06/20/1996)
  • Running Time: 5 min. 1 sec.
  • Period Time: Classical
  • Form: Choral

>Mozart, Wolfgang Amadeus : Mass in C minor, K 427 :: no 1. Kyrie eleison
  • Performer: Patricia Petibon (Soprano)
  • Conductor: William Christie
  • Ensemble: Les Saqueboutiers de Toulouse
  • Notes: Abbaye de Lessay, Normandy (04/20/1999-04/23/1999)
  • Running Time: 7 min. 17 sec.
  • Period Time: Classical
  • Form: Choral
  • Written: 1783

>Mozart, Wolfgang Amadeus : Mass in C minor, K 427 :: no 2. Gloria in excelcis
  • Conductor: William Christie
  • Ensemble: Les Saqueboutiers de Toulouse
  • Notes: Abbaye de Lessay, Normandy (04/20/1999-04/23/1999)
  • Running Time: 2 min. 16 sec.
  • Period Time: Classical
  • Form: Choral
  • Written: 1783

>Mozart, Wolfgang Amadeus : Requiem, K 626 :: no 1. Introitus
  • Performer: Anna-Maria Panzarella (Voice)
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (11/22/1994-11/24/1994)
  • Running Time: 5 min. 13 sec.
  • Period Time: Classical
  • Form: Choral
  • Written: 1791

>Mozart, Wolfgang Amadeus : Requiem, K 626 :: no 2. Kyrie eleison
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (11/22/1994-11/24/1994)
  • Running Time: 2 min. 17 sec.
  • Period Time: Classical
  • Form: Choral
  • Written: 1791

>Mozart, Wolfgang Amadeus : Requiem, K 626 :: no 3. Sequentia. Dies irae
  • Conductor: William Christie
  • Notes: Salle Berthier, Opéra Comique, Paris (11/22/1994-11/24/1994)
  • Running Time: 1 min. 47 sec.
  • Period Time: Classical
  • Form: Choral
  • Written: 1791

>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620 :: Overture
  • Conductor: William Christie
  • Notes: Studio Olivier Messiaen, Radio-France, Paris, France (08/02/1995-08/09/1995)
  • Running Time: 5 min. 58 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1791

>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620 :: Act 1. Scene 2. Aria. Der Vogelfänger bin ich ja
  • Performer: Anton Scharinger (Bass)
  • Conductor: William Christie
  • Notes: Studio Olivier Messiaen, Radio-France, Paris, France (08/02/1995-08/09/1995)
  • Running Time: 3 min. 7 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1791

>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620 :: Act 1. Scene 6. Recitative & Aria. O zittre nicht, mein lieber Sohn... Zum L
  • Performer: Natalie Dessay (Soprano)
  • Conductor: William Christie
  • Notes: Studio Olivier Messiaen, Radio-France, Paris, France (08/02/1995-08/09/1995)
  • Running Time: 4 min. 37 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1791

>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620 :: Act 1. Scene 14. Duet. Bei Männern, welche Liebe fühlen
  • Performers: Anton Scharinger (Bass); Rosa Mannion (Soprano)
  • Conductor: William Christie
  • Notes: Studio Olivier Messiaen, Radio-France, Paris, France (08/02/1995-08/09/1995)
  • Running Time: 2 min. 56 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1791

>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620 :: Act 1. Scene 15. Wie stark ist nicht dein Zauberton
  • Performer: Hans-Peter Blochwitz (Tenor)
  • Conductor: William Christie
  • Notes: Studio Olivier Messiaen, Radio-France, Paris, France (08/02/1995-08/09/1995)
  • Running Time: 2 min. 57 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1791

>Mozart, Wolfgang Amadeus : Die Zauberflöte (The Magic Flute), K. 620 :: Act 2. Scene 1. Aria & Chorus. O Isis und Osiris
  • Performer: Reinhard Hagen (Bass)
  • Conductor: William Christie
  • Notes: Studio Olivier Messiaen, Radio-France, Paris, France (08/02/1995-08/09/1995)
  • Running Time: 2 min. 45 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1791

>Rameau, Jean-Philippe : Le Guirlande :: Scene 2. Air gracieux
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 1 min. 32 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1751

>Rameau, Jean-Philippe : Le Guirlande :: Scene 2. Hâtons-nous, voici l'aurore
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1751

>Rameau, Jean-Philippe : Le Guirlande :: Scene 2. 1st & 2nd Menuets
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 1 min. 40 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1751

>Rameau, Jean-Philippe : Le Guirlande :: Scene 6. Air gracieux, 1st & 2nd Tambourins
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 2 min. 49 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1751

>Rameau, Jean-Philippe : Le Guirlande :: Scene 6. Vole, Amour
  • Performers: Sophie Daneman (Soprano); Paul Agnew (Voice)
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 5 min. 59 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1751

>Rameau, Jean-Philippe : Le Guirlande :: Scene 6. Contredanse
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1751

>Rameau, Jean-Philippe : Zéphyre :: Scene 5-6. Quels sons! Quelle vive lumière! / Rassurez-vous, je cède et vos fers sont rom
  • Performers: Rebecca Ockenden (Soprano); Sophie Decaudaveine (Soprano); Galle Mechaly (Voice)
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 2 min. 24 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1750

>Rameau, Jean-Philippe : Zéphyre :: Scene 6. Sarabande pour les fleurs
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 1 min. 16 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1750

>Rameau, Jean-Philippe : Zéphyre :: Scene 6. 1st & 2nd Gavottes
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 2 min. 16 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1750

>Rameau, Jean-Philippe : Zéphyre :: Scene 6. Amour, sois le Dieu de nos âmes
  • Performers: Galle Mechaly (Voice); Rebecca Ockenden (Soprano)
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Running Time: 1 min. 55 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1750

>Rameau, Jean-Philippe : Zéphyre :: Scene 6. Contredanse
  • Conductor: William Christie
  • Notes: Studio Stolbergerstraáe, Köln (01/16/2000-01/20/2000)
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1750

>Lully, Jean-Baptiste : Psyché :: Prélude pour les trompettes
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (01/18/2002-01/20/2002)
  • Period Time: Baroque
  • Written: 1678

>Lully, Jean-Baptiste : Psyché :: Chorus. Chantons les plaisirs charmants
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (01/18/2002-01/20/2002)
  • Running Time: 1 min. 46 sec.
  • Period Time: Baroque
  • Written: 1678

>Lully, Jean-Baptiste : Isis :: Duet. Aimez, profitez du temps
  • Performers: Isabelle Obadia (Soprano); Emmanuelle Halimi (Soprano)
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (01/18/2002-01/20/2002)
  • Running Time: 1 min. 23 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Lully, Jean-Baptiste : Isis :: Prelude. Entrée des peuples des climate glacés / Chorus. L'hiver qui nous tourmente / Rec
  • Performers: Paul Agnew (Voice); Sophie Daneman (Soprano)
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (01/18/2002-01/20/2002)
  • Running Time: 4 min. 6 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Lully, Jean-Baptiste : Isis :: Scène des forges. Prélude / Chorus. Que le feu des forges s'allume / Recitative & Chorus.
  • Performers: Sophie Daneman (Soprano); Paul Agnew (Voice)
  • Conductor: William Christie
  • Notes: Espace de Projection, Ircam, Paris (01/18/2002-01/20/2002)
  • Running Time: 3 min. sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 :: Ouverüre
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (11/13/1997-11/19/1997)
  • Running Time: 4 min. sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1782

>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 :: Act 1. Scene 1. Aria. Hier soll ich dich denn sehen
  • Performer: Ian Bostridge (Tenor)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (11/13/1997-11/19/1997)
  • Running Time: 2 min. 23 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1782

>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 :: Act 1. Scene 7. Aria. Ach, ich liebte, war so glücklich
  • Performer: Christine Schäfer (Soprano)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (11/13/1997-11/19/1997)
  • Running Time: 5 min. 16 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1782

>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 :: Act 2. Scene 9. Aria. Wenn der Freude Tränen flieáen
  • Performer: Ian Bostridge (Tenor)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (11/13/1997-11/19/1997)
  • Running Time: 4 min. 56 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1782

>Mozart, Wolfgang Amadeus : Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 :: Act 3. Scene 9. Vaudeville. Nie werd' ich deine Held verkennen
  • Performers: Alan Ewing (Bass); Patricia Petibon (Soprano); Christine Schäfer (Soprano); Ian Bostridge (Tenor); Iain Paton (Tenor)
  • Conductor: William Christie
  • Notes: Théâtre de Poissy, Poissy, France (11/13/1997-11/19/1997)
  • Running Time: 4 min. 1 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1782