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Buddy Guy: Living Proof [Digipak]

Audio Samples

>74 Years Young
>Thank Me Someday
>On the Road
>Stay Around a Little Longer
>Key Don't Fit
>Living Proof
>Where the Blues Begins
>Too Soon
>Everybody's Got to Go
>Let the Door Knob Hit Ya
>Guess What
>Skanky

Track List

>74 Years Young
>Thank Me Someday
>On the Road
>Stay Around a Little Longer
>Key Don't Fit
>Living Proof
>Where the Blues Begins
>Too Soon
>Everybody's Got to Go
>Let the Door Knob Hit Ya
>Guess What
>Skanky

Album Remarks & Appraisals:

"Buddy Guy is arguably the most influential blues guitarist of his generation. His stratospheric solo on "74 Years Young" shows where Hendrix found inspiration, while Eric Clapton, Stevie Ray Vaughan et al borrowed from his tone and phrasing. Living Proof is an autobiographical suite, hatched with producer/drummer Tom Hambridge after the latter taped Guy's reminiscences. It's an engaging, uncompromising affair, charting Guy's ascent from Louisiana roots to Chicago success, en route lamenting lost loves and savaging ex-wives. Anger and flamboyance alternate with reflective pieces such as "Everybody's Got To Go" and "Stay Around", an almost sombre duet with BB King." -The Guardian

"The legendary pioneer of the Chicago blues turned 74 in July this year, and he's determined to show that he's still in fine voice, and - more even importantly - that he's still one of the most exhilarating and inventive guitarists in the world.

"I'm 74 years young, there's nothing I haven't done / I've drunk wine with kings and The Rolling Stones," he notes cheerfully on the opening track, as he switches from a solid, slinky acoustic guitar riff to a sudden, furious and attacking solo that provides an instant reminder of why he is so special. Here, after all, is an artist who started out in Louisiana, moved to Chicago to be influenced by the likes of Muddy Waters and Howlin' Wolf, and played with such passion and fury that some blues purists criticised his furious guitar work as "noise" - though this style influenced and impressed blues-rockers from Hendrix to Eric Clapton, Jimmy Page and, of course, The Rolling Stones.

A semi-autobiographical album like this can easily become an exercise in self-congratulation and nostalgia, but it succeeds because of the sheer quality and variety in the playing. After bragging about the fine condition that he's still in, he switches to Thank Me Someday, a reminiscence of his early life, back on a Louisiana plantation, where he drove his family mad as he taught himself to play on a self-made two-string guitar. It starts with a compelling riff that echoes Howlin' Wolf, and then switches to another blistering, screeching and exuberant guitar solo. Then he switches styles yet again with the upbeat On the Road, which provides another reminder that blues can be cheerful as well as sad, and there's a further mood change for the thoughtful and emotional Stay Around a Little Longer. Here he's joined by another blues legend, B.B. King, for a slower, soulful, gospel-tinged ballad on which the two great veterans congratulate themselves on how good they still sound. That may seem horribly mawkish, but they mean what they say and the result is a friendly, poignant little piece of blues history.

There is only one other special guest involved, and that's yet another guitar legend, Carlos Santana, who proves a predictably fine sparring partner for Guy on the rolling Where the Blues Begins. The crisp production work is by Tom Hambridge, who also plays drums in Guy's backing band, and he keeps the changes coming throughout the set. The closing tracks include the thoughtful Everybody's Got to Go, the upbeat Let The Doorknob Hit Ya, and the slow, keyboard-backed Guess What, on which Guy shows off powerful vocals. It ends with an instrumental, Skanky, and another demonstration of his exhilarating guitar work." - BBC

"Buddy Guy is arguably the most influentialblues guitarist of his generation. His stratospheric solo on "74 Years Young" shows where Hendrix found inspiration, while Eric Clapton, Stevie Ray Vaughan et al borrowed from his tone and phrasing. Living Proof is an autobiographical suite, hatched with producer/drummer Tom Hambridge after the latter taped Guy's reminiscences. It's an engaging, uncompromising affair, charting Guy's ascent from Louisiana roots to Chicago success, en route lamenting lost loves and savaging ex-wives. Anger and flamboyance alternate with reflective pieces such as "Everybody's Got To Go" and "Stay Around", an almost sombre duet with BB King." - Guardian

Living Proof is Buddy Guy's 26th studio album. The album loosely follows the progression of Buddy Guy's life. "Living Proof was designed partially as an aural autobiography from the legendary Buddy Guy, opening up with the stark summation "74 Years Young," then running through songs that often address some aspect of a working musician's life."

Album Reviews:

Down Beat (p.75) - 3.5 stars out of 5 -- "Guy is a deeply expressive singer, most in character when his aggressive pout torches lyrics about spurned lovers, as with 'Don't Let The Door Knob Hit Ya.'"

Living Blues (p.37) - "[H]e's still got the chops to play Buddy Guy with more dexterity, intensity, and age-defying power than anyone else..."

Billboard (p.36) - "He plays and sings with biting ferocity on 'Thank Me Someday,' 'Key Don't Fit,' 'Guess What' and the album-closing instrumental 'Skanky'..."

Mojo (Publisher) (p.96) - 3 stars out of 5 -- "[T]here is no nostalgia about 'Living Proof,' 'Guess What' or the instrumental 'Skanky,' where his guitar flashes like a Japanese chef's knife."

Uncut (magazine) (p.88) - 4 stars out of 5 -- "There are lots of marital bust-ups and squalls of fretboard fury that show that Buddy may be old but he's still wild."

Album Notes

Audio Mixers: Ducky Carlisle; Tom Hambridge.

Recording information: Blackbird Studios, Nashville, TN.

Photographers: Paul Natkin; Chuck Lanza.

Save for a cover of Muddy Waters' "Country Boy," Buddy Guy's Living Proof follows the template of 2008's Skin Deep by featuring only original material penned by Guy, although never fear, it's still the blues and it's still full of Guy's fiery guitar playing.



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