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Kid Cudi: Man on the Moon II: The Legend of Mr. Rager

Audio Samples

>Scott Mescudi vs. the World - (featuring Cee Lo Green)
>Revofev
>Don't Play This Song
>We Aite (Wake Your Mind Up)
>Marijuana
>Mojo so Dope
>Ashin' Kusher
>Erase Me
>Wild'n Cuz Im Young
>Mood, The
>Maniac - (featuring St. Vincent)
>Mr. Rager
>These Worries - (featuring Mary J. Blige)
>End, The - (featuring Chip Tha Ripper/Nicole Wray)
>All Along
>Ghost!
>Trapped in My Mind

Track List

>Scott Mescudi vs. the World - (featuring Cee Lo Green)
>Revofev
>Don't Play This Song
>We Aite (Wake Your Mind Up)
>Marijuana
>Mojo so Dope
>Ashin' Kusher
>Erase Me
>Wild'n Cuz Im Young
>Mood, The
>Maniac - (featuring St. Vincent)
>Mr. Rager
>These Worries - (featuring Mary J. Blige)
>End, The - (featuring Chip Tha Ripper/Nicole Wray)
>All Along
>Ghost!
>Trapped in My Mind

Album Remarks & Appraisals:

Man on the Moon II: The Legend of Mr. Rager is the second studio album by American recording artist Kid Cudi. The album was formerly known as Cudder: The Revolution of Evolution, before being renamed. The album was released November 9, 2010 by GOOD Music and Universal Motown.

"In the often macho world of hip hop, Kid Cudi stands as a strange customer. The 26-year-old Cleveland rapper is, to all intents and purposes, an introverted gawky, geek.

Having seen Kanye West open all the genre's dorm-doors with The College Dropout half a decade ago he set about chiseling his debut album Man on the Moon: The End of Day (2009). It was one of the most ambitious, challenging hip hop albums of recent note.

However, slow to come to the boil (there were a lot of Cudi's now trademark sallow beats), impatient critics dismissed it as over-cooked whilst fans expecting an album of Day N' Nite's (his international hit after production duo Crookers remixed it) were left scratching their head by an hour-long concept album narrated by Common which didn't, shall we say, exactly skip along. It was a dark, winding, slow-rollercoaster through his inner-consciousness. Now it's clear the man born Scott Mescudi doesn't really do festival-slayers like Jay-Z, Kanye et al; instead, he makes hip hop sound like it was discovered on the surface of the Jupiter. A tribute to his tenacity, here Cudi has stuck to his promise and returned with part II of a trilogy of albums. And once again it's not an immediately engaging listen.

Cudi's penchant for wintry, bleak beats and lurching, frosty melodies remain. Following the pattern of his debut, the poppier highlights - such as Scott Mescudi Vs. The World (featuring Cee-Lo) and Erase Me (featuring friend and mentor West) - are infrequent jewels tucked amongst 17 tracks. Sadly, their irregularity only serves to exaggerate their position as high-points.

Beyond that, the concept falls down. Part I at least felt like a whole body of work. Hard work yes, but rewarding. This just feels like a never-ending chore. The woeful Marijuana ("it's the only thing which keeps me level"), MANIAC and Ashin' Kusher in particular are tiresome, half-hearted and directionless. Considering some of Cudi's non-musical controversies (punching one of his own fans and being sentenced for cocaine possession, plus his candid comments about other rappers), and his warping the genre's traditional boundaries, ...Mr. Rager can only be heard as a drab disappointment. No doubt he has more between his ears than many others in his field, but when Drake, Nicki Minaj andWiz Khalifa are teaming new ideas with headline-stealing hits it makes Cudi's personal challenge look all the more difficult." - BBC

"In Roger Ebert's "Glossary of Movie Terms", he defines a sequel as "a filmed deal". Music isn't film, but the definition still applies. With music, though, the deal is most often between the artist and the audience or the artist and the artist himself. Hip-hop musicians in particular tend to frame albums as sequels to capture some of the cache or success of the original work. That's why GZA is making Liquid Swords 2 and not Beneath the Surface 2. In Kid Cudi's case, following up his debut album Man on the Moon: The End of Day with Man on the Moon 2: The Legend of Mr. Rager<./i>seems mainly about carrying on the mood of the first album, keeping listeners in the same state of mind. This sequel at times plays less like continuation than repetition.

Man on the Mood: The End of Day set a cloudy scene inside our protagonist's head, full of alcohol and drugs used to dull pain, ignore loneliness, ward off night terrors and get away from the doldrums of everyday life. The hit single "Day 'N' Nite" was the perfect encapsulation of all this: a late-night scene of attempted calm within a climate of inner turmoil. So was "Pursuit of Happiness", where Ratatat's music helped create the right tone for Kid Cudi's (slightly) mixed feelings about his life of excess. "Up Up and Away" used bubbly pop to exemplify drugs as a vacation.

Man on the Moon 2: The Legend of Mr. Rager, which was prefaced by a series of horror movie-style Internet trailers, begins with a song where the key line is, "This is a journey". The first album did feel like a journey, though in story it ended up circling around to similar circumstances, just with a different outlook on them. Where this sequel goes is already pretty familiar ground for Kid Cudi. The main subject is drugs as a means to get through life. The angle he looks at that from is fairly repetitious of the first album. Defiance about lifestyle choices and the quest to figure out his own mind were covered at least as well the first time around.

Occasionally, the songs, even if not going anywhere new, do have an extra confidence to them, perhaps the result of Kid Cudi achieving some success. "Mojo So Dope" is the best example of that confidence. It's a relatively empty anthem, but one which wears its swagger well. The first single "Erase Me", featuring Kanye West, similarly sounds big and confident. Both songs have that combination of presence, hooks and mood that made the best songs off the first album so compelling. Another of the highlights of Man on the Moon 2 achieves something different, tackling a hazy, hectic life by capturing vivid scenes of it. "The Mood" is skeletal and spooky, justifying the scary-movie allusions in the album trailers perhaps. It has a crazy Joker-style laugh repeating in the background, a general ghostly atmosphere, and the snapshot lyric "no one talks / lost in the mood".

Musically the album sometimes goes for murky, sometimes for Technicolor flash. The former sound can sometimes still work well with his vocals and subject matter, like on "Maniac", featuring Cage and St. Vincent, another potential single. Other times he seems too lackadaisical or almost comatose even, trying hard to capture the zombification of drug use. That difference sometimes recalls the difference between thinking romantically about drugs (a subject of much great art) and actually spending time with drug addicts (boring).

The album explores multiple reasons for obsession with drugs - spirituality, fantasy, genetics, compulsion, to avoid suicide. None are delved into as creatively as on the debut album. Even the best songs don't express the complexity of his state of mind as vividly as "Day 'n' Nite" did. Too often he replaces that song's level of detail with generality, replacing thoughtfulness with generic rebellion against uncertain enemies. Sometimes he seems to be falling into the typical trap of sequels: replicating instead of moving forward. In replicating, you always end up missing something. It's like what Ebert wrote about another "legend of" sequel, City Slickers 2: The Legend of Curly's Gold: "Like too many sequels, it has forgotten what the first film was really about."

"Trapped in My Mind", the title of the last track, seems like a summary of the album, representative of both its highs and its lows. Kid Cudi has demonstrated the ability to take one person's complicated psychological state and translate it into colorful hip-hop. Yet that can be a trap too - getting so focused on the same thoughts and feelings that you can't grow as an artist. What keeps that from happening here is the way Kid Cudi and his producers (Emile, Plain Pat, NoID, Dot da Genius, and others) continue to build alluring and sometimes fascinating soundscapes for his songs. If occasionally it seems like most of them are working from the template set by the two Ratatat-produced tracks on the first album, that's still a great starting place.

One inadvertently illuminating moment comes on "The End", featuring GLC, Chip Tha Ripper and Nicole Wray. On his verse, Chip Tha Rapper dives right into a specific narrative, taking you into his mindset. He does it well enough to crystallize the fact that it's something Kid Cudi rarely does at all, not to mention doing it well. It's a moment where the haze hanging over the album clears for an instant, where you have something specific to grab onto. Man on the Moon 2 offers those moments occasionally, but not often enough." -PopMatters

Album Notes

Personnel: Larry Gold (strings).

Recording information: Avex Studios, Honolulu, HI; DD172 Studios, New York, NY; Electric Lady Studios, New York, NY; Germano Studios, New York, NY; Glenwood Place Studios, Burbank, CA; Het It Man Studios, Chicago, IL; MRS Studios, New York, NY; Nightbird Studios; Parkland Playhouse, Parkland, FL; Record Plant, Los Angeles, CA; Scott's Crib, New York, NY; Slab Ent. Studios, Cleveland, OH; The Broski Room, New York, NY; The Sunset Marquis, Los Angeles, CA; Westlake Sound, West Hollywood.

Director: Scott Mescudi.

Photographer: Pamela Littky.

With Man on the Moon, Vol. 2, Cleveland-based rapper Kid Cudi drops the sequel to his debut album, but there's a twist. Vol. 1 focused on Cudi's dreams and nightmares but here he introduces Mr. Ranger, a rapper who lives in our world and is forced to deal with the realities of 2010. Guest rappers Snoop Dogg and Cage plus producers like Kanye West, the Neptunes, and Ratatat all help Cudi deliver the Ranger's story.



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