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Black Joe Lewis & the Honeybears/Black Joe Lewis: Scandalous [Digipak]

Track List

>Livin' in the Jungle
>I'm Gonna Leave You
>Booty City
>Black Snake
>She's so Scandalous
>Mustang Ranch
>You Been Lyin'
>Ballad of Jimmy Tanks
>Since I Met You Baby
>Jesus Took My Hand

Album Remarks & Appraisals:

"Scandalous - the group's sophomore release, produced, like their 2009 debut, Tell 'Em What Your Name Is!, by Spoon drummer Jim Eno - is more grease, grit, and grime than smooth, satin, and shine. The guitars scream, the drums pummel, the horns wail, and Lewis, like the most possessed among the Stax/Hi/Malaco/Chess crowd, is one demon of a singer. Scandalous, though a natural progression, takes some surprising turns that attest to a tightened-up band still figuring out just how much dy-no-mite they're capable of exploding. "Mustang Ranch" is a rippin', ribald road tale that Lewis doesn't so much sing as speed-jive his way through; "Jesus Took My Hand" is the kind of nasty-ass, hard-blues raunch that's more likely to get you tossed out of church than called up to testify." -The Phoenix

"The group manages to blend its influences so effectively that songs with full horn sections somehow sound stripped-down, and it’s clear that Scandalous is a stronger record than Tell ’Em. Lewis, who didn’t pick up a guitar until age 20, demonstrates his growing musical prowess, the Honeybears sound tighter, and perhaps most importantly, the album never falls victim to gimmicks. Scandalous isn’t a throwback, it’s a throw forward." -Paste

Album Reviews:

Spin (p.75) - "[T]hey simply howl, turning songs like 'Booty City' and 'Mustang Ranch' into gloriously hedonistic Saturday-night gospel standards."

Down Beat (p.93) - 3.5 stars out of 5 -- "Lewis' blast furnace of an album explodes with ragged shards of Chicago and Mississippi blues, Memphis soul, classic funk and garage rock."

Living Blues (p.59) - "One of the album's many shining moments arrives with 'You Been Lyin', a funky rocker that features rousing backup vocals..."

Album Notes

Personnel: Joe Lewis (vocals, guitar); Jason Frey (tenor saxophone); Joseph Woullard (baritone saxophone); Derek Phelps (trumpet); Bill Stevenson (keyboards); Jim Eno (drums, percussion); Matthew Strmiska (drums).

Audio Mixer: Jim Eno.

Photographer: Matt Wright-Steel.

On their Lost Highway debut, Tell 'Em What Your Name Is!, Black Joe Lewis & the Honeybears did everything right. A standard rock quartet with an eight-piece horn section, they offered a high-energy meld of retro-soul, funk, and R&B that recalled variously the early J. Geils Band, James Brown, Wilson Pickett, and Otis Redding with a Stax/Volt-influenced rhythm section. On Scandalous, Lewis and producer Jim Eno scraped the band's sound even further; right into the grain of rhythm & blues-based music. There are only four horns this time, bringing the groove as close to live as you can get. There is also more focus on Lewis' and Zach Ernest's nasty, gritty guitars and the absolutely throbbing basslines of Bill Stevenson. Check their sweaty workout amid the horns and chants in "Booty City," and the homage to real life Nevada brothel, "Mustang Ranch." Both are dance tunes, and both rely on a double dirty-ass guitar attack to do battle with the horns for dominance. Matthew Strimska's drums shuffle and shake, cracking with taut rimshot breaks to accent the rowdy, orgiastic grooves. "Living in the Jungle" is tough, naked, horn-blasting, primitive funk with great axe fills by Lewis, who is shouting his best James Brown tempered by the soulful eros of Joe Tex. Further, the band relies more on electric Delta blues this time out. The pedal-to-the-medal funk-blues of "You Been Lyin' has Lewis and band backed by progressive gospel group the Relatives. It's 12 bars, but the I-IV-V is stretched to the breaking point with tight arpeggio horn charts and multi-part vocal harmonies as the guitars rattle venomously. "Ballad of Jimmy Tanks" begins as a Stax-styled soul workout, then crashes directly into sweaty R.L. Burnside-esque grind-it-out blues. Ivory Joe Hunter's "Since I Met You Baby" is utterly raw, its guitars knife-edge tinny, with bass and B-3 bleeding over them. But a quirky, mariachi-cum-soul horn arrangement sends it into the stratosphere. Lewis is pleading at the limit of his range; his voice cracking in all the right spots. It's one of the band's finest recorded moments. The closer pays tribute to Burnside's lusty running mate, Junior Kimbrough, with its darkly sexual hypnotic groove. Its title? "Jesus Took My Hand." In a word, Scandalous most certainly is; it's a party record that bleeds Saturday night into Sunday morning and beyond. ~ Thom Jurek


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