The Victoria Collection

Audio Samples

>Victoria, Tomas L. de : Laetatus sum (Psalm 121), for 12 voices & organ
>Victoria, Tomas L. de : Missa Laetatus sum, for 12 voices & organ
>Victoria, Tomas L. de : Veni Creator Spiritus, hymn for 4 voices
>Victoria, Tomas L. de : Vadam, et circumibo civitatem, motet for 6 voices
>Victoria, Tomas L. de : Vidi speciosam, motet for 6 voices
>Victoria, Tomas L. de : Ad caenam agni providi, hymn for 4 voices
>Victoria, Tomas L. de : Magnificat sexti tone (all), for 12 voices & organ
>Victoria, Tomas L. de : Lamentations, for chorus
>Victoria, Tomas L. de : Vexilla regis "more hispano," hymn for 4 voices
>Victoria, Tomas L. de : Pange lingua "more hispano," hymn for 4 voices
>Victoria, Tomas L. de : Salve regina, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Ave regina coelorum, antiphon for 5 voices
>Victoria, Tomas L. de : Nigra sum sed formosa, motet for 6 voices
>Victoria, Tomas L. de : Quam pulchri sunt gressus tui, motet for 4 voices
>Victoria, Tomas L. de : Trahe me post te, motet for 6 voices
>Victoria, Tomas L. de : Ave regina coelorum, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Taedet animam meam, responsory for 6 voices (Missa Pro defunctis II)
>Victoria, Tomas L. de : Missa Pro defunctis II, for 6 voices
>Victoria, Tomas L. de : Missa Salve regina, for 8 voices & organ
>Victoria, Tomas L. de : Ave maris stella, hymn for 4 voices
>Victoria, Tomas L. de : Alma Redemptoris mater, antiphon for 2 choirs & organ
>Victoria, Tomas L. de : Regina coeli, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Ave Maria, gratia plena, motet for 8 voices & organ
>Victoria, Tomas L. de : Magnificat primi toni (all), for 8 voices & organ

Album Summary

>Victoria, Tomas L. de : Laetatus sum (Psalm 121), for 12 voices & organ
>Victoria, Tomas L. de : Missa Laetatus sum, for 12 voices & organ
>Victoria, Tomas L. de : Veni Creator Spiritus, hymn for 4 voices
>Victoria, Tomas L. de : Vadam, et circumibo civitatem, motet for 6 voices
>Victoria, Tomas L. de : Vidi speciosam, motet for 6 voices
>Victoria, Tomas L. de : Ad caenam agni providi, hymn for 4 voices
>Victoria, Tomas L. de : Magnificat sexti tone (all), for 12 voices & organ
>Victoria, Tomas L. de : Lamentations, for chorus
>Victoria, Tomas L. de : Vexilla regis "more hispano," hymn for 4 voices
>Victoria, Tomas L. de : Pange lingua "more hispano," hymn for 4 voices
>Victoria, Tomas L. de : Salve regina, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Ave regina coelorum, antiphon for 5 voices
>Victoria, Tomas L. de : Nigra sum sed formosa, motet for 6 voices
>Victoria, Tomas L. de : Quam pulchri sunt gressus tui, motet for 4 voices
>Victoria, Tomas L. de : Trahe me post te, motet for 6 voices
>Victoria, Tomas L. de : Ave regina coelorum, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Taedet animam meam, responsory for 6 voices (Missa Pro defunctis II)
>Victoria, Tomas L. de : Missa Pro defunctis II, for 6 voices
>Victoria, Tomas L. de : Missa Salve regina, for 8 voices & organ
>Victoria, Tomas L. de : Ave maris stella, hymn for 4 voices
>Victoria, Tomas L. de : Alma Redemptoris mater, antiphon for 2 choirs & organ
>Victoria, Tomas L. de : Regina coeli, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Ave Maria, gratia plena, motet for 8 voices & organ
>Victoria, Tomas L. de : Magnificat primi toni (all), for 8 voices & organ
Conductor Ensemble Composer

Notes & Reviews:

The year 2011 marks the 400th anniversary of the death of Tomas Luis de Victoria. This remarkable Spaniard, perhaps the most outstanding composer of his time, epitomized the emotion and fervor of Renaissance Europe. This new box set contains four of The Sixteen’s celebrated Victoria recordings, including his masterpiece, the Requiem 1605. Also featuring some of the composer’s Lamentations for Holy Week, this set makes a wonderful Easter gift.

“Excellent performances and recorded sound beautiful and moving.” — Gramophone



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Works Details

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Laetatus sum (Psalm 121), for 12 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 6 min. 56 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Missa Laetatus sum, for 12 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 21 min. 49 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Veni Creator Spiritus, hymn for 4 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 7 min. 9 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Vadam, et circumibo civitatem, motet for 6 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 8 min. 55 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Vidi speciosam, motet for 6 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 7 min. 47 sec.
  • Period Time: Renaissance
  • Written: 1572

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ad caenam agni providi, hymn for 4 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 7 min. 2 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Magnificat sexti tone (all), for 12 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 8 min. 11 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Lamentations, for chorus
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 6 min. 58 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Vexilla regis "more hispano," hymn for 4 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 10 min. 13 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Lamentations, for chorus
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 6 min. 58 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Pange lingua "more hispano," hymn for 4 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 8 min. 37 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Lamentations, for chorus
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Running Time: 6 min. 58 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Salve regina, antiphon for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 10 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ave regina coelorum, antiphon for 5 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 4 min. 22 sec.
  • Period Time: Renaissance
  • Written: 1572

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Nigra sum sed formosa, motet for 6 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 47 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Quam pulchri sunt gressus tui, motet for 4 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 56 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Trahe me post te, motet for 6 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 16 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ave regina coelorum, antiphon for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 41 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Taedet animam meam, responsory for 6 voices (Missa Pro defunctis II)
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 4 min. 10 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Missa Pro defunctis II, for 6 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 38 min. 17 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Salve regina, antiphon for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 10 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Missa Salve regina, for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 16 min. 17 sec.
  • Period Time: Renaissance
  • Written: 1592

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ave maris stella, hymn for 4 voices
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 6 min. 15 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Alma Redemptoris mater, antiphon for 2 choirs & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 4 min. 53 sec.
  • Period Time: Renaissance
  • Written: 1581

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Regina coeli, antiphon for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 3 min. 30 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ave Maria, gratia plena, motet for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 4 min. 9 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Magnificat primi toni (all), for 8 voices & organ
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Notes: St. Jude's on the Hill, Hampstead Garden Suburb, London, England (02/05/1997-02/07/1997)
  • Running Time: 8 min. 9 sec.
  • Period Time: Renaissance
  • Form: Choral