Striggio: 40 Part Mass

Audio Samples

>Striggio, Alessandro : Ecce beatam lucem
>Striggio, Alessandro : Missa "Ecco si beato giorno", for 40 voices
>Galilei, Vincenzo : Contrapunto
>Striggio, Alessandro : Fuggi, spene mia, intermedi
>Striggio, Alessandro : O giovenil ardire, intermedi
>Striggio, Alessandro : Altr'io che queste spighe, madrigal for 12 voices
>Striggio, Alessandro : D'ogni gratia et d'amor, madrigal
>Striggio, Alessandro : O de la bella Etruria invitto Duce, madrigal for 5 voices
>Striggio, Alessandro : Caro dolce ben mio, madrigal for 5 voices
>Striggio, Alessandro : Miser'oime, madrigal for 5 voices
>Chant, Gregorian : Spem in alium (Sarum plainchant)
>Tallis, Thomas : Spem in alium

Album Summary

>Striggio, Alessandro : Ecce beatam lucem
>Striggio, Alessandro : Missa "Ecco si beato giorno", for 40 voices
>Galilei, Vincenzo : Contrapunto
>Striggio, Alessandro : Fuggi, spene mia, intermedi
>Striggio, Alessandro : O giovenil ardire, intermedi
>Striggio, Alessandro : Altr'io che queste spighe, madrigal for 12 voices
>Striggio, Alessandro : D'ogni gratia et d'amor, madrigal
>Striggio, Alessandro : O de la bella Etruria invitto Duce, madrigal for 5 voices
>Striggio, Alessandro : Caro dolce ben mio, madrigal for 5 voices
>Striggio, Alessandro : Miser'oime, madrigal for 5 voices
>Chant, Gregorian : Spem in alium (Sarum plainchant)
>Tallis, Thomas : Spem in alium
Performers Conductor Ensemble
  • >
Composers

Notes & Reviews:

A feast of Renaissance choral music from Italy and England, the album (and bonus DVD) reveals a work by the Italian Alessandro Striggio - believed lost until recent discovery of vocal parts, in Paris. Striggio's 40-part mass was itself based on his own 40-part motet, which is also included on the album. The mass is a spectacularly colorful and dramatic work, which in the final Agnus Dei calls for no fewer than 60 individual vocal parts.

"Beautifully performed by I Fagiolini with soloists and countless continuo parts, the polychoral effects are striking but harmonically not very interesting. Striggio's secular madrigals are more alluring, and at the end comes Tallis's more famous 40-part Spem in alium, done here with instruments, incomparably more subtle and moving, a masterpiece." -The Observer

"[I Fagiolini] do not perform Spem in Alium exactly as we are used to hearing it, for conductor Robert Hollingworth adds continuo to the voices there too, giving extra definition to the work's passing dissonances, which take it far beyond the sumptuous but bland harmonic world of Striggio's models." -The Guardian

"Decca's engineers... did an excellent job balancing individual details against the total sound picture. Striggio's music isn't as richly textured as Tallis's: no dissonant crunches, fewer soaring blasts. Yet you can still get hypnotised by the dappled flow of mellifluous chords, decorated with florid phrases winding round like honeysuckle." -The Times

"Though Striggio's more formal Italian harmonic decorum precludes the kind of harmonic complexities that make Tallis's masterwork such a superb experience, it nonetheless inhabits a powerfully affecting landscape, and is arranged here for period orchestration featuring viols, cornetts, lutes and the like." -The Independent

"[The Striggio's] impact in this premiere recording by the voices and period instruments of I Fagiolini under Robert Hollingworth is terrific...Far from splurging his ample resources at once, Striggio juxtaposes passages of differing density, guided by the implications of the Mass text, to create a dramatic expanse in which the full effect of the 40 (or 60) voices is all the more powerful for having been kept in reserve." -The Telegraph

"The instruments transfigure much of this music. They do the heavy lifting for some of the choir parts in the Mass and Ecce beatum lucem, contribute to the spacious sonorities, and add delicate moments of colour...Without instruments, the I Fagiolini voices can be tender and nuanced."- BBC Music Magazine

"The ear is constantly taken by details in the elephantine crowd, a distant tenor laughing up a scale, an abrasive shawm doubling a choir's 'hosanna'...Tallis's Spem in Alium is performed with instruments, a legitimate and rare event." -Classic FM

"I Fagiliolini seem to revel in the showy splendour of it all...Hollingworth has chosen his combination of voices and instruments with care...Worth hearing? Definitely." - Gramophone

Notes & Reviews:

Recording information: All Saints, Tooting, London, England (09/23/2010-10/01/2010).



Reviews

There are currently no reviews, be the first one!
Login or Create an Account to write a review
 

Also Purchased



Previous


Next


Works Details

>Striggio, Alessandro : Ecce beatam lucem
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 7 min. 46 sec.
  • Period Time: Renaissance

>Striggio, Alessandro : Missa "Ecco si beato giorno", for 40 voices
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 25 min. 7 sec.
  • Period Time: Renaissance
  • Form: Choral

>Galilei, Vincenzo : Contrapunto
  • Performers: David Miller (Lute); Lynda Sayce (Lute); Erin Headley (Bass Viola da gamba)
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 2 min. 20 sec.
  • Period Time: Renaissance

>Striggio, Alessandro : Fuggi, spene mia, intermedi
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance

>Striggio, Alessandro : O giovenil ardire, intermedi
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 3 min. 44 sec.
  • Period Time: Renaissance

>Striggio, Alessandro : Altr'io che queste spighe, madrigal for 12 voices
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 2 min. 7 sec.
  • Period Time: Renaissance
  • Form: Choral

>Striggio, Alessandro : D'ogni gratia et d'amor, madrigal
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 3 min. 58 sec.
  • Period Time: Renaissance
  • Form: Choral

>Striggio, Alessandro : O de la bella Etruria invitto Duce, madrigal for 5 voices
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 4 min. 9 sec.
  • Period Time: Renaissance
  • Form: Choral

>Striggio, Alessandro : Caro dolce ben mio, madrigal for 5 voices
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 2 min. 25 sec.
  • Period Time: Renaissance
  • Form: Choral

>Striggio, Alessandro : Miser'oimè, madrigal for 5 voices
  • Performer: Matthew Long
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 2 min. 22 sec.
  • Period Time: Renaissance
  • Form: Choral

>Chant, Gregorian : Spem in alium (Sarum plainchant)
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 2 min. 4 sec.
  • Period Time: Renaissance

>Tallis, Thomas : Spem in alium
  • Conductor: Robert Hollingworth
  • Notes: All Saints, Tooting, London, England (09/23/2010-10/01/2010)
  • Running Time: 8 min. 55 sec.
  • Period Time: Renaissance
  • Written: circa 1567