Willie Nelson/Wynton Marsalis: Here We Go Again: Celebrating the Genius of Ray Charles

Audio Samples

>Hallelujah I Love Her So [Gospel 2-Beat/Boogaloo/ 4/4 Swing]
>Come Rain or Come Shine [Walking Ballad]
>Unchain My Heart [Bolero with Habanera Bass]
>Cryin' Time [Country Ballad]
>Losing Hand [Dirge with Chain-Gang Shuffle]
>Hit the Road Jack [Gospel 2-Beat/4/4 Swing]
>I'm Moving On [Boogaloo with Afro-Latin Backbeat/ 4/4 Swing]
>Busted [Gospel 12/8 Shuffle]
>Here We Go Again [Rhythm & Blues 12/8 Shuffle]
>Makin' Whoopee [Hard-Bop 2-Beat/4/4 Swing]
>I Love You So Much (It Hurts) [Waltz]
>What'd I Say [Boogaloo]

Track List

>Hallelujah I Love Her So [Gospel 2-Beat/Boogaloo/ 4/4 Swing]
>Come Rain or Come Shine [Walking Ballad]
>Unchain My Heart [Bolero with Habanera Bass]
>Cryin' Time [Country Ballad]
>Losing Hand [Dirge with Chain-Gang Shuffle]
>Hit the Road Jack [Gospel 2-Beat/4/4 Swing]
>I'm Moving On [Boogaloo with Afro-Latin Backbeat/ 4/4 Swing]
>Busted [Gospel 12/8 Shuffle]
>Here We Go Again [Rhythm & Blues 12/8 Shuffle]
>Makin' Whoopee [Hard-Bop 2-Beat/4/4 Swing]
>I Love You So Much (It Hurts) [Waltz]
>What'd I Say [Boogaloo]

Album Remarks & Appraisals:

"There are times when you say, "I wish I could've been there," and this is one of them. Willie, Wynton, Norah and a great backing band made up of members of the Jazz at Lincoln Center Orchestra and harmonica genius Mickey Raphael play the music of Ray Charles at Rose Theater in New York City. The event happened in February 2009, and Blue Note is now putting out the results. The set is loose, personal and a perfect tribute to the genius of Charles. The arrangements drip with jazz, blues and country, too. Jones delivers a beautiful rendition of "Come Rain Or Shine." Her duet with Nelson on "Cryin' Time" is an intimate thrill. "Hit The Road Jack" features a killer intro and outro by Marsalis and the band. Marsalis even drops in on the tune with some surprisingly good vocals. But it's the individuality of each of these three artists that makes the record. Jones has sophisticated country cool. Marsalis cuts loose, and sounds like he's having a great time. And Nelson is a wonderful improvising singer, but when he plays Trigger, his vintage Martin N-20 guitar, there's always a twangy surprise." -DownBeat

Album Reviews:

JazzTimes (p.67) - "[Marsalis's] horn is spectacular throughout, consistently establishing incredibly high imaginative benchmarks..."

Record Collector (magazine) (p.92) - 3 stars out of 5 -- "It's enhanced by the alluring presence of Norah Jones, who contributes blithe, bittersweet vocals..."

Album Notes

Personnel: Wynton Marsalis (trumpet); Mickey Raphael (harmonica); Walter Blanding (tenor saxophone); Dan Nimmer (piano); Ali Jackson Jr. (drums, percussion).

Audio Mixer: Jeff Jones "the Jedi Master".

Recording information: Rose Theater, Frederick P. Rose Hall (02/09/2009-02/10/2009).

Photographer: Julie Skarratt.

Willie Nelson and Wynton Marsalis first worked together at The Allen Room at New York's Jazz at Lincoln Center for two nights in 2007, and while at first it would seem to be an odd pairing, it really isn't: Nelson's singing and guitar playing have always fallen well to the jazz side of country all along anyway, and he's hardly been a garden variety hat act during his long career, while Marsalis has long worked to reintroduce jazz as a viable popular form in American music. It's about synthesis, really, and so it makes perfect sense for Nelson and Marsalis to turn to the music of Ray Charles, one of the greatest assimilators of American pop music -- all forms of it, from gospel to blues, country, jazz, and R&B-for their encore shows at the heralded jazz house -- this time for two sold-out nights at Rose Theater in February 2009 with special guest Norah Jones. Marsalis arranged the music as both an homage to Charles and as a loose song cycle about the ups and downs of love, and backed by his working quintet of tenor saxophonist Walter Blanding, pianist Dan Nimmer, bassist Carlos Henriquez, and drummer Ali Jackson, plus Nelson's longtime harmonica player Mickey Raphael, it all feels wonderfully appropriate, with Charles' standards like "Hallelujah I Love Her So," "Cryin' Time," "Hit the Road Jack," "Busted," "Makin' Whoopie," and his iconic signature hit, "What'd I Say" all sounding comfortable and fresh. The only thing missing is Ray Charles himself, who undoubtedly would have had no trouble fitting into these shows. Radio now splits everything into little niches. That isn't what Charles was about. He saw music as convergence. This fine concert album plays in that same spirit. ~ Steve Leggett



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