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Wagner - Tannhauser: Overture, S422/R275 - Wagner - Tannhauser: Overture, S422/R275 | |
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Wagner - O du mein holder Abendstern, Rezitativ und Romanze aus der Oper Tannhauser, S444/R277 - Wagner - O du mein holder Abendstern, Rezitativ und Romanze aus der Oper Tannhauser, S444/R277 | |
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Wagner - 2 Stucke aus Tannhauser und Lohengrin, S445/R278 - Wagner - 2 Stucke aus Tannhauser und Lohengrin, S445/R278: No. 1. Einzug der Gaste auf Wartburg | |
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Wagner - Am stillen Herd aus den Meistersingern, S448/R281 - Wagner - Am stillen Herd aus den Meistersingern, S448/R281 | |
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Wagner - Walhall aus dem Ring des Nibelungen, S449/R282 - Wagner - Walhall aus dem Ring des Nibelungen, S449/R282 | |
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Weber - Der Freischutz: Overture, S575/R289 - Weber - Der Freischutz: Overture, S575/R289 |
Notes & Reviews:
Steven Mayer has performed the fiendishly difficult solos of Art Tatum, as well as music by Jelly Roll Morton, James P. Johnson and Fats Waller alongside Mozart, Schumann and Ives for audiences worldwide. Winner of the Grand Prix du Disque Liszt for his Liszt concertos recording with the London Symphony Orchestra, Mayer has appeared as soloist with orchestras from the Leipzig Gewandhaus to the Boston Pops. Mayer has taught at the Manhattan School of Music and the International Keyboard Institute.
American Record Guide
... I am pleased to report that it is of high quality. The sound is outstanding. All the tones are pure and sweet, with not a single ugly strike to be found anywhere. Mayer's technique is well suited to this difficult and ornate music: the scale work and flourishes are outstanding. In addition there are a few truly impressive moments, such as the concluding minutes of 'Am Stillen Herd' from Meistersinger, where the initially soft tones grow imperceptibly into the thundering chords of the final cadence. Another highly satisfying experience is supplied by the 'Entry of the Guests' from Tannhäuser. This, one of the few works exhibiting any real zip...
Fanfare
This is a welcome addition to the Naxos series, and one of the finer ones to date. It is a pleasure to encounter again the estimable artistry of Steven Mayer, a pianist from whom we can only hope to hear more. Warmly recommended.
Recording information: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009).
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Works Details
Liszt, Franz : Overture to Wagner's "Tannhäuser", S 442 - Performer: Steven Mayer (Piano)
- Notes: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009)
- Running Time: 17 min. 34 sec.
- Period Time: Romantic
- Written: 1848
Liszt, Franz : O du mein holder Abendstern, transcription for piano (after Wagner :: Tannhäuser), S. 444 (LW A163) - Performer: Steven Mayer (Piano)
- Notes: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009)
- Running Time: 8 min. 49 sec.
- Period Time: Romantic
- Written: 1849
Liszt, Franz : Einzug der Gäste auf der Wartburg, transcription for piano (after Wagner :: Tannhäuser), S. 445/1a - Performer: Steven Mayer (Piano)
- Notes: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009)
- Running Time: 11 min. 54 sec.
- Period Time: Romantic
- Form: March
- Written: 1876
Liszt, Franz : Am stillen Herd, transcription for piano (after Wagner :: Die Meistersinger), S. 448 (LW A254) - Performer: Steven Mayer (Piano)
- Notes: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009)
- Running Time: 10 min. 49 sec.
- Period Time: Romantic
- Written: 1871
Liszt, Franz : Walhall aus Der Ring des Nibelungen, transcription for piano (after Wagner), S. 449 (LW A269) - Performer: Steven Mayer (Piano)
- Notes: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009)
- Running Time: 7 min. 18 sec.
- Period Time: Romantic
- Written: 1875
Liszt, Franz : Overture zum Freischütz, transcription for piano (after Weber), S. 575 (LW A129) - Performer: Steven Mayer (Piano)
- Notes: St. Anne's Church, Toronto, Ontario, Canada (04/26/2009-04/29/2009)
- Running Time: 11 min. 3 sec.
- Period Time: Romantic
- Written: 1846

























