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Ramin Djawadi (Composer): Game of Thrones

Track List

>Game of Thrones: Main Title
>Game of Thrones: North Of The Wall
>Game of Thrones: Goodbye Brother
>Game of Thrones: The Kingsroad
>Game of Thrones: The King's Arrival
>Game of Thrones: Love In The Eyes
>Game of Thrones: A Raven From King's Landing
>Game of Thrones: The Wall
>Game of Thrones: Things I Do For Love
>Game of Thrones: A Golden Crown
>Game of Thrones: Winter Is Coming
>Game of Thrones: A Bird Without Feathers
>Game of Thrones: Await The King's Justice
>Game of Thrones: You'll Be Queen One Day
>Game of Thrones: The Assassin's Dagger
>Game of Thrones: To Vaes Dothrak
>Game of Thrones: Jon's Honor
>Game of Thrones: Black Of Hair
>Game of Thrones: You Win Or You Die
>Game of Thrones: Small Pack Of Wolves
>Game of Thrones: Game Of Thrones
>Game of Thrones: Kill Them All
>Game of Thrones: The Pointy End
>Game of Thrones: Victory Does Not Make Us Conquerors
>Game of Thrones: When The Sun Rises In The West
>Game of Thrones: King Of The North
>Game of Thrones: The Night's Watch
>Game of Thrones: Fire And Blood
>Game of Thrones: Finale

Album Notes

Composer: Ramin Djawadi .

Composer: Ramin Djawadi .

Liner Note Authors: David Benioff; D.B. Weiss.

As with everything associated with HBO's adaptation of George R.R. Martin's A Song of Fire and Ice book series, Ramin Djawadi's Game of Thrones score brings the characters, countries, and moods of Martin's world to life with aplomb. Massive string sections give the music necessary majesty, particularly on "Main Title," but Djawadi adds heavy percussion and more exotic touches, such as prickly dulcimer and autoharp to give a more tribal and warlike feel befitting the show's scheming and incipient battles. Tracks such as "North of the Wall," which boasts an icy atmosphere and enough shocks to do a horror movie score proud, and "Love in the Eyes," which captures the wilder feel of the Dothraki people with smoky flutes and rolling percussion that evoke Peter Gabriel's landmark Passion score, convey Westeros' geography as well as its feelings. Djawadi telegraphs those emotions ably, however, particularly with "Goodbye Brother"'s slow, Celtic-tinged melody and "When the Sun Rises in the West"'s mournfully droning flutes. In between are vivid mood pieces like the medieval pomp of "The King's Arrival" and the palpable danger of "Small Pack of Wolves," which could be Westeros' equivalent of heavy metal. Most powerful of all, however, might be "Fire and Blood," which grows from wisps of strings and flutes into towering drum tattoos. In all, Game of Thrones is a triumphant score that reflects the care involved in the entire adaptation. ~ Heather Phares


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