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Glosas: des Prez; Verdelo; de Rore; Parrilla / Vincent Parilla, recorder

> De tous biens plaine - De tous biens plaine
> Chi me dara piupace - Chi me dara piupace
> Per dolor mi bagno il viso - Per dolor mi bagno il viso
> Los Seys libros del Delphin, Vol. 3 - Los Seys libros del Delphin, Vol. 3: Mille regres, "La cancion del Emperador del quarto tono de Jusquin"
> Mille regretz - Mille regretz
> Igno soave ove il mio foco alento - Igno soave ove il mio foco alento
> Madonna per voi ardo - Madonna per voi ardo
> Anchor che col partire - Anchor che col partire
> Une jeune filette [16th Century] - Une jeune filette [16th Century]
> Doulce memoire en plaisir consommee - Doulce memoire en plaisir consommee
> Counterpoint on Ave Maris Stella - Counterpoint on Ave Maris Stella
> Counterpoint on La Spagna (after D. Ortiz) - Counterpoint on La Spagna (after D. Ortiz)
> Obras de Musica: Diferencias sobre el canto de La Dama le demanda - Diferencias sobre el canto de La Dama le demanda
> Passacaglia - Passacaglia

Album Summary

>Anonymous : De tous biens playne
>Cara, Marchetto : Chi me dara piu pace
>Tromboncino, Bartolomeo : Per dolor mi bagno il viso, song
>Narváez, Luys de : Mille regretz (after Josquin), for vihuela
>Desprez, Josquin : Mille regretz, song for 4 parts
>Verdelot, Phillippe : Igno soave ove il mio foco alento, madrigal for 4 voices (also for voice & lute, arranged by Willaer
>Verdelot, Phillippe : Madonna per voi ardo, madrigal for 4 voices (also for voice & lute, arranged by Willaert)
>Rore, Cipriano de : Anchor che col partire, madrigal
>Anonymous, French : Une jeune fillette
>Sandrin : Doulce memoire (from "Le Parangon")
>Parrilla, Vicente : Contrapunto sobre Ave Maris Stella, improvisation
>Parrilla, Vicente : Contrapunto sobre La Spagna, improvisation (after Diego Ortiz)
>Cabezón, Hernando de : Diferencias sobre el Canto de La dama le demanda
>Parrilla, Vicente : Passacaglia for recorder, theorbo & percussion
Performers Conductor Ensembles Composers

Notes & Reviews:

Vincent Parilla, together with his ensemble, More Hispano, explores the 16th century art of musical ornamentation, diminution and improvisation in this latest release. His virtuoso and imaginative recorder playing brings new life to songs and madrigals that enjoyed great popularity during the Renaissance. Accompanied by some of the finest young Spanish Early Music specialists, The New York Times raves, "Mr. Parilla and company go all out."

Ritmo
Anyone who has enjoyed his live performances may wonder if this study will be kept fresh, continuity and magic of the concert, and we can assure you that you do not lose the least.

Pizzicato
This wonderful production gives us a beautiful anthology of Iberian music. Glosas turns out to be a very erudite, very transparent and extremely consistent. Without showing signs of a great voice, Raquel Andueza, soprano, perfectly dressed this directory for small chamber ensembles. Vicente Parilla, which animates the whole, breathes the spirit of the fairest in perfect harmony with the directory defended. Far from the exuberant virtuosity, far from the bombastic music, this music is a haven straight out of another age, a true moment of happiness.

American Record Guide
This is an estimable performance that demonstrates how truly modern early music can be when the musicians have the freedom of knowing every nuance of its original language.

Notes & Reviews:

Recording information: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009).



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Works Details

>Anonymous : De tous biens playne
  • Performers: Fahmi Alqhai (Viola da gamba); Vicente Parrilla (Recorder); Miguel Rincon (Lute)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 4 min. 18 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Cara, Marchetto : Chi me dara piú pace
  • Conductor: Vicente Parrilla
  • Ensemble: More Hispano
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 4 min. 1 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Per dolor mi bagno il viso, song
  • Conductor: Vicente Parrilla
  • Ensemble: More Hispano
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 5 min. 32 sec.
  • Period Time: Renaissance
  • Written: by 1511

>Luys de Narváez (circa 1500 - bef 1560) : Mille regretz (after Josquin), for vihuela
  • Performer: Miguel Rincon (Lute)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 3 min. 31 sec.
  • Period Time: Renaissance
  • Written: by 1538

>Desprez, Josquin : Mille regretz, song for 4 parts
  • Performers: Miguel Rincon (Lute); Vicente Parrilla (Recorder)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 4 min. 3 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1480s

>Verdelot, Phillippe : Igno soave ove il mio foco alento, madrigal for 4 voices (also for voice & lute, arranged by Willaer
  • Conductor: Vicente Parrilla
  • Ensemble: More Hispano
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 6 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral

>Verdelot, Phillippe : Madonna per voi ardo, madrigal for 4 voices (also for voice & lute, arranged by Willaert)
  • Conductor: Vicente Parrilla
  • Ensemble: More Hispano
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 5 min. 46 sec.
  • Period Time: Renaissance
  • Form: Choral

>Rore, Cipriano de : Anchor che col partire, madrigal
  • Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 6 min. 33 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1547

>Anonymous, French : Une jeune fillette
  • Performers: Raquel Andueza (Soprano); Vicente Parrilla (Recorder); Miguel Rincon (Lute)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 5 min. 44 sec.
  • Period Time: Renaissance
  • Form: Christmas

>Sandrin : Doulce mémoire (from "Le Parangon")
  • Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 3 min. 59 sec.
  • Period Time: Renaissance
  • Written: 1538

>Parrilla, Vicente : Contrapunto sobre Ave Maris Stella, improvisation
  • Performers: Raquel Andueza (Soprano); Vicente Parrilla (Recorder)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 2 min. 49 sec.
  • Period Time: Contemporary

>Parrilla, Vicente : Contrapunto sobre La Spagna, improvisation (after Diego Ortiz)
  • Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 3 min. 44 sec.
  • Period Time: Contemporary

>Hernando de Cabezón (1541 - 1602) : Diferencias sobre el Canto de La dama le demanda
  • Conductor: Vicente Parrilla
  • Ensemble: More Hispano
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 2 min. 37 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Parrilla, Vicente : Passacaglia for recorder, theorbo & percussion
  • Performers: Alvaro Garrido (Percussion); Vicente Parrilla (Recorder); Miguel Rincon (Theorbo)
  • Conductor: Vicente Parrilla
  • Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
  • Running Time: 9 min. 16 sec.
  • Period Time: Contemporary