A Napoli: Favorite Italian songs & arias by Tosti, Leoncavallo, Rossini, Galdieri, et al. / Marc Hervieux, tenor

Audio Samples

>Russo, Vincenzo : I te vurria vasa, for ensemble
>Rossini, Gioachino : La Danza
>Tosti, Francesco Paolo : Ideale, for voice & piano (or orchestra)
>Leoncavallo, Ruggero : Mattinata
>Barbieri, Antonio : Munasterio e Santa Chiara, for ensemble
>Cardillo, Salvatore : Core' ngrato
>Crescenzo, Vincenzo di : Rondine al nido, romance for voice & piano (or orchestra)
>Curtis, Ernesto de : Non ti scordar di me
>Bixio, Cesare Andrea : Parlami d'amore, Mariù
>Falvo, Rodolfo : Dicitencello vuie
>Tosti, Francesco Paolo : Romanze (3)
>Cannio, Enrico : O surdato 'nnammurato
>Mario, E.A. : Santa Lucia luntana, for voice & orchestra
>Gambardella, Salvatore : O marenariello
>Bixio, Cesare Andrea : Mamma

Album Summary

>Russo, Vincenzo : I te vurria vasa, for ensemble
>Rossini, Gioachino : La Danza
>Tosti, Francesco Paolo : Ideale, for voice & piano (or orchestra)
>Leoncavallo, Ruggero : Mattinata
>Barbieri, Antonio : Munasterio e Santa Chiara, for ensemble
>Cardillo, Salvatore : Core' ngrato
>Crescenzo, Vincenzo di : Rondine al nido, romance for voice & piano (or orchestra)
>Curtis, Ernesto de : Non ti scordar di me
>Bixio, Cesare Andrea : Parlami d'amore, Mariù
>Falvo, Rodolfo : Dicitencello vuie
>Tosti, Francesco Paolo : Romanze (3)
>Cannio, Enrico : O surdato 'nnammurato
>Mario, E.A. : Santa Lucia luntana, for voice & orchestra
>Gambardella, Salvatore : O marenariello
>Bixio, Cesare Andrea : Mamma
Performers Composers

Notes & Reviews:

Following the great success of Le Premier Noël and Tenor Arias, tenor Marc Hervieux returns with A Napoli, his third ATMA CD, dedicated to Neapolitan songs. Surrounded by 10 fantastic musicians such as pianist and arranger Louise-André Baril, violinist François Pilon, guitarist Daniel Bolshoy and flutist Marie-André Benny, Marc Hervieux delivers superb renditions of these favourite Italian songs.

Internationally, Marc Hervieux has sung, among many other roles, Alfredo in Verdi's La Traviata at the Mariinski Theater for the Kirov Opera, in Israel with the New Israel Philharmonic, at the New Jersey Opera Festival, and at the Opéra de Nice; the Chevalier Des Grieux in Massenet's Manon at the Málaga Opera in Spain, and Rodolfo in La Bohème at Metz, France. He has sung in Starmania and its symphonic version, Starmania Opéra, in Montreal (world premieres), Quebec City, Ottawa, Paris, and Seoul. The major Canadian opera houses have invited Marc Hervieux to sing, among other roles, Rodolfo in La Bohème, Edgardo in Lucia di Lammermoor, Pinkerton in Madama Butterfly, Michel de Frobisher in Frobisher, the Duke in Rigoletto, Hoffmann in Les Contes d'Hoffmann, Mario inTosca, Luigi in Il Tabarro, the chevalier de la Force in Dialogues des carmélites, the title role in Faust, and Don José in Carmen.

Notes & Reviews:

Recording information: Église Saint-François-de-Sales, Laval, Québec, Canada (06/2009).

Refusing to pander to the classical pop market, "Quebec's answer to Pavarotti," Marc Hervieux, continues with his quest to bring opera in its purest form back to the charts with his third studio album, A Napoli. Indeed, the follow-up to 2010's Tenor Arias suggests that the Montreal Conservatory of Music graduate still isn't yet concerned with making his craft accessible to the wider public as he confidently tackles 15 of his favorite Neapolitan songs, most of which will be only familiar to opera aficionados. Backed by an impressive array of musicians, including pianist Louise-Andrée Baril, flutist Marie-Andrée Benny, and guitarist Daniel Bolshoy, Hervieux justifies his esteemed reputation on a passionate rendition of Vincenzo de Crescenzo's tale of lost love "Rondine al Nido," and a suitably melancholic take on Antonio Barbieri's nostalgic ode to Napoli, "Munasterio `e Santa Chiara," while also showcasing his interpretive skills on the mandolin-led opener, "I' Te Vurria Vasa," and an expressive performance of Gioachino Rossini's humorous "La Danza." There are a few more familiar numbers such as Enrico Cannio's melancholic wartime-inspired "O Surdato `Nnammurato," arguably the most famous composition from the Neapolitan repertoire, and Salvatore Gambardella's "O Marenariello," whose English-language version was later made famous by Dean Martin. But while A Napoli may not provide the gateway for those unaccustomed to the operatic world, it's an authentic and charming listen that should appeal to audiences who are. ~ Jon O'Brien



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Works Details

>Russo, Vincenzo : I te vurria vasà, for ensemble
  • Performers: Francois Pilon (Mandolin); Francois Pilon (Violin); Marc Hervieux (Tenor); Julie Triquet (Violin); Alain Desgagné (Clarinet); Yan Chênevert (Double Bass); Annie Gadbois (Cello); Daniel Bolshoy (Guitar); Marie-Andrée Benny (Flute); Louise-Andrée Baril (Piano); Josée Marchand (Oboe)
  • Running Time: 2 min. 58 sec.
  • Written: 1900

>Rossini, Gioachino : La Danza
  • Performers: Francois Pilon (Tambourine); Francois Pilon (Violin); Marc Hervieux (Tenor); Julie Triquet (Violin); Alain Desgagné (Clarinet); Yan Chênevert (Double Bass); Annie Gadbois (Cello); Marie-Andrée Benny (Flute); Josée Marchand (Oboe)
  • Running Time: 3 min. 21 sec.
  • Period Time: Romantic
  • Written: 1830-1835

>Tosti, Francesco Paolo : Ideale, for voice & piano (or orchestra)
  • Performers: Marc Hervieux (Tenor); Yan Chênevert (Double Bass); Annie Gadbois (Cello); Daniel Bolshoy (Guitar); Caroline Lizotte (Harp); Louise-Andrée Baril (Piano)
  • Running Time: 3 min. 57 sec.
  • Period Time: Romantic
  • Written: circa 1870-1915

>Leoncavallo, Ruggero : Mattinata
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Julie Triquet (Violin); Alain Desgagné (Clarinet); Yan Chênevert (Double Bass); Annie Gadbois (Cello); Marie-Andrée Benny (Flute); Louise-Andrée Baril (Piano)
  • Running Time: 2 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1904

>Barbieri, Antonio : Munasterio e Santa Chiara, for ensemble
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Julie Triquet (Violin); Yan Chênevert (Double Bass); Caroline Lizotte (Harp); Louise-Andrée Baril (Piano)
  • Running Time: 5 min. 26 sec.
  • Written: 1945

>Cardillo, Salvatore : Core' ngrato
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Alain Desgagné (Clarinet); Annie Gadbois (Cello); Louise-Andrée Baril (Piano)
  • Running Time: 4 min. 7 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1911

>Crescenzo, Vincenzo di : Rondine al nido, romance for voice & piano (or orchestra)
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Annie Gadbois (Cello); Marie-Andrée Benny (Flute); Louise-Andrée Baril (Piano)
  • Running Time: 3 min. 30 sec.
  • Period Time: Romantic
  • Written: circa 1920

>Curtis, Ernesto de : Non ti scordar di me
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Julie Triquet (Violin); Annie Gadbois (Cello); Louise-Andrée Baril (Piano)
  • Running Time: 2 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1935

>Bixio, Cesare Andrea : Parlami d'amore, Mariù
  • Performers: Marc Hervieux (Tenor); Daniel Bolshoy (Guitar); Marie-Andrée Benny (Flute)
  • Running Time: 3 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1932

>Falvo, Rodolfo : Dicitencello vuie
  • Performers: Francois Pilon (Violin); Francois Pilon (Mandolin); Marc Hervieux (Tenor); Alain Desgagné (Clarinet); Annie Gadbois (Cello); Louise-Andrée Baril (Piano)
  • Running Time: 3 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1930

>Tosti, Francesco Paolo : Romanze (3)
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Louise-Andrée Baril (Piano)
  • Running Time: 4 min. 43 sec.
  • Period Time: Romantic
  • Written: circa 1880-1910

>Cannio, Enrico : O surdato 'nnammurato
  • Performers: Francois Pilon (Mandolin); Francois Pilon (Tambourine); Francois Pilon (Violin); Marc Hervieux (Tenor); Alain Desgagné (Clarinet); Annie Gadbois (Cello); Daniel Bolshoy (Guitar); Marie-Andrée Benny (Flute); Louise-Andrée Baril (Piano); Josée Marchand (Oboe)
  • Running Time: 2 min. 13 sec.
  • Period Time: Post Romantic
  • Written: 1915

>Mario, E.A. : Santa Lucia luntana, for voice & orchestra
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Louise-Andrée Baril (Piano)
  • Running Time: 4 min. sec.
  • Period Time: Romantic
  • Written: 1919

>Gambardella, Salvatore : O marenariello
  • Performers: Francois Pilon (Violin); Francois Pilon (Mandolin); Marc Hervieux (Tenor); Julie Triquet (Violin); Yan Chênevert (Double Bass); Annie Gadbois (Cello); Louise-Andrée Baril (Piano)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Written: 19th Century

>Bixio, Cesare Andrea : Mamma
  • Performers: Francois Pilon (Violin); Marc Hervieux (Tenor); Julie Triquet (Violin); Alain Desgagné (Clarinet); Yan Chênevert (Double Bass); Annie Gadbois (Cello); Marie-Andrée Benny (Flute); Josée Marchand (Oboe)
  • Running Time: 2 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 19th Century