Antoine Boesset: Archangel & The Lys: Mass & Motets

> Cantica sacra - Cantica sacra: Allemanda gravis
> Anna mater matris redemptoris nostri - Anna mater matris redemptoris nostri
> Quam pulchra es - Quam pulchra es
> Missus est Gabriel Angelus [Antiphonier de Montmartre, 1643] - Missus est Gabriel Angelus [Antiphonier de Montmartre, 1643]
> Messe du 11e mode - Kyrie
> Messe du 11e mode - Gloria
> Meslanges, Book 2 - Meslanges, Book 2: Prelude
> Messe du 11e mode - Messe du 11e mode: Credo
> Meslanges - Meslanges: Dum esset rex
> Ave maria gratia plena [Antiphonier de Montmartre, 1643] - Ave maria gratia plena [Antiphonier de Montmartre, 1643]
> Messe du 11e mode - Sanctus
> Messe du 11e mode - Agnus Dei
> Domine salvum fac regem - Domine salvum fac regem
> Ecce ancilla Domini [Antiphonier de Montmartre, 1643] - Ecce ancilla Domini [Antiphonier de Montmartre, 1643]
> Antiphonae - Antiphonae: Veni electa mea
> Cantica sacra - Cantica sacra: Symphonia a 4
> Dixit Dominus - Dixit Dominus
> Gabriel Angelus [Antiphonier de Montmartre, 1643] - Gabriel Angelus [Antiphonier de Montmartre, 1643]
> Salve Regina - Salve Regina
> Meslanges - Meslanges: Beata Dei genitrix
> Sancta Maria - Sancta Maria
> Visitat Maria Elisabeth - Visitat Maria Elisabeth
> Antiphonae - Antiphonae: Similabo eum viro sapienti
> Magnificat - Magnificat
> Ave mater pia - Ave mater pia

Album Summary

>Mont, Henry du : Allemande grave, prelude for 3 viols (from Melanges, 1657)
>Boësset, Antoine : Anna mater matris redemptoris nostri, motet
>Boësset, Antoine : Quam pulchra es, motet
>Chant, Gregorian : Missus est Gabriel, antiphon in mode 8 (Liber Usualis 1400)
>Boësset, Antoine : Mass in mode 11
>Mont, Henry du : Prelude a 3 (from Melanges, 1657)
>Moulinié, Etienne : Dum esset rex, motet (from Meslanges)
>Anonymous : Ave Maria gratia plena
>Boësset, Antoine : Domine salvum fac regem, motet
>Chant, Gregorian : Ecce ancilla Domini, antiphon
>Boësset, Antoine : Veni electa mea, motet (from Antiphonae)
>Mont, Henry du : Symphonia a 4 (from Cantica Sacra)
>Boësset, Antoine : Dixit Dominus, motet
>Chant, Gregorian : Gabriel Angelus, antiphon in mode 7 (Liber Usualis 1417)
>Boësset, Antoine : Salve Regina, motet
>Moulinié, Etienne : Beata Dei genitrix, motet (from Meslanges)
>Boësset, Antoine : Sancta Maria, motet
>Boësset, Antoine : Visitat Maria Elisabeth, motet
>Boësset, Antoine : Similabo eum viro sapienti, motet (from Antiphonae)
>Boësset, Antoine : Magnificat, motet
>Boësset, Antoine : Ave mater pia, motet
Performer Conductor Ensemble Composers

Notes & Reviews:

Boësset's repertoire for high voices, transmitted by the precious Deslauriers manuscript, is the only surviving musical evidence of the religious output of one of the most influential French composers of the 17th century. Bearing witness to a miraculously preserved and somewhat mysterious musical world, this precious recording reveals a repertoire at once sober and poetic, which invites us into the gates of those convents that attracted a public enthralled by their angelic voices and animated by a single authentic faith that further increased the powerful appeal and mystery of their singing.

Notes & Reviews:

Recording information: l'église de Labeaume (03/01/2011-03/05/2011).



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Works Details

>Mont, Henry du : Allemande grave, prelude for 3 viols (from Mélanges, 1657)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 3 min. 17 sec.
  • Period Time: Baroque

>Antoine Boësset (1586 - 1643) : Anna mater matris redemptoris nostri, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 3 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Quam pulchra es, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 2 min. 33 sec.
  • Period Time: Baroque
  • Form: Choral

>Chant, Gregorian : Missus est Gabriel, antiphon in mode 8 (Liber Usualis 1400)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Period Time: Medieval
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Mass in mode 11
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 18 min. 47 sec.
  • Period Time: Baroque
  • Form: Choral

>Mont, Henry du : Prélude à 3 (from Mélanges, 1657)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 1 min. 42 sec.
  • Period Time: Baroque

>Antoine Boësset (1586 - 1643) : Mass in mode 11
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 18 min. 47 sec.
  • Period Time: Baroque
  • Form: Choral

>Etienne Moulinié (1600 - after 1669) : Dum esset rex, motet (from Meslanges)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 1 min. 18 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1658

>Anonymous : Ave Maria gratia plena
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 1 min. 8 sec.
  • Period Time: Renaissance

>Antoine Boësset (1586 - 1643) : Mass in mode 11
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 18 min. 47 sec.
  • Period Time: Baroque
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Domine salvum fac regem, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 1 min. 54 sec.
  • Period Time: Baroque
  • Form: Choral

>Chant, Gregorian : Ecce ancilla Domini, antiphon
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Period Time: Medieval
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Veni electa mea, motet (from Antiphonæ)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 2 min. 25 sec.
  • Period Time: Baroque
  • Written: 1650

>Mont, Henry du : Symphonia à 4 (from Cantica Sacra)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 2 min. 33 sec.
  • Period Time: Baroque

>Antoine Boësset (1586 - 1643) : Dixit Dominus, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 4 min. 11 sec.
  • Period Time: Baroque
  • Form: Choral

>Chant, Gregorian : Gabriel Angelus, antiphon in mode 7 (Liber Usualis 1417)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 1 min. 24 sec.
  • Period Time: Medieval
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Salve Regina, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 3 min. 39 sec.
  • Period Time: Baroque
  • Form: Choral

>Etienne Moulinié (1600 - after 1669) : Beata Dei genitrix, motet (from Meslanges)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 1 min. 25 sec.
  • Period Time: Baroque
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Sancta Maria, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 3 min. 56 sec.
  • Period Time: Baroque
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Visitat Maria Elisabeth, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 2 min. sec.
  • Period Time: Baroque
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Similabo eum viro sapienti, motet (from Antiphonæ)
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 2 min. 30 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1650

>Antoine Boësset (1586 - 1643) : Magnificat, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 4 min. 48 sec.
  • Period Time: Baroque
  • Form: Choral

>Antoine Boësset (1586 - 1643) : Ave mater pia, motet
  • Performer: Sébastien Daucé (Organ)
  • Conductor: Sébastien Daucé
  • Ensemble: Ensemble Correspondances
  • Running Time: 3 min. 32 sec.
  • Period Time: Baroque
  • Form: Choral