Antoine Boesset: Archangel & The Lys: Mass & Motets

• Sound Clips
• Album Summary
• Notes & Reviews
• Also Purchased
• Works Details

	Cantica sacra - Cantica sacra: Allemanda gravis
	Anna mater matris redemptoris nostri - Anna mater matris redemptoris nostri
	Quam pulchra es - Quam pulchra es
	Missus est Gabriel Angelus [Antiphonier de Montmartre, 1643] - Missus est Gabriel Angelus [Antiphonier de Montmartre, 1643]
	Messe du 11e mode - Kyrie
	Messe du 11e mode - Gloria
	Meslanges, Book 2 - Meslanges, Book 2: Prelude
	Messe du 11e mode - Messe du 11e mode: Credo
	Meslanges - Meslanges: Dum esset rex
	Ave maria gratia plena [Antiphonier de Montmartre, 1643] - Ave maria gratia plena [Antiphonier de Montmartre, 1643]
	Messe du 11e mode - Sanctus
	Messe du 11e mode - Agnus Dei
	Domine salvum fac regem - Domine salvum fac regem
	Ecce ancilla Domini [Antiphonier de Montmartre, 1643] - Ecce ancilla Domini [Antiphonier de Montmartre, 1643]
	Antiphonae - Antiphonae: Veni electa mea
	Cantica sacra - Cantica sacra: Symphonia a 4
	Dixit Dominus - Dixit Dominus
	Gabriel Angelus [Antiphonier de Montmartre, 1643] - Gabriel Angelus [Antiphonier de Montmartre, 1643]
	Salve Regina - Salve Regina
	Meslanges - Meslanges: Beata Dei genitrix
	Sancta Maria - Sancta Maria
	Visitat Maria Elisabeth - Visitat Maria Elisabeth
	Antiphonae - Antiphonae: Similabo eum viro sapienti
	Magnificat - Magnificat
	Ave mater pia - Ave mater pia

Album Summary

Performer

• Sébastien Daucé (Organ)

Conductor

• Daucé, Sébastien

Ensemble

• Ensemble Correspondances

Composers

• Antoine Boësset (1586 - 1643)
• Anonymous
• Gregorian Chant
• Henry du Mont (1610 - 1684)
• Etienne Moulinié (1600 - after 1669)

Notes & Reviews:

Boësset's repertoire for high voices, transmitted by the precious Deslauriers manuscript, is the only surviving musical evidence of the religious output of one of the most influential French composers of the 17th century. Bearing witness to a miraculously preserved and somewhat mysterious musical world, this precious recording reveals a repertoire at once sober and poetic, which invites us into the gates of those convents that attracted a public enthralled by their angelic voices and animated by a single authentic faith that further increased the powerful appeal and mystery of their singing.

Notes & Reviews:

Recording information: l'église de Labeaume (03/01/2011-03/05/2011).

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Works Details

Mont, Henry du : Allemande grave, prelude for 3 viols (from Mélanges, 1657)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 3 min. 17 sec.
• Period Time: Baroque

Antoine Boësset (1586 - 1643) : Anna mater matris redemptoris nostri, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 3 min. 9 sec.
• Period Time: Baroque
• Form: Choral

Antoine Boësset (1586 - 1643) : Quam pulchra es, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 2 min. 33 sec.
• Period Time: Baroque
• Form: Choral

Chant, Gregorian : Missus est Gabriel, antiphon in mode 8 (Liber Usualis 1400)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Period Time: Medieval
• Form: Choral

Antoine Boësset (1586 - 1643) : Mass in mode 11

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 18 min. 47 sec.
• Period Time: Baroque
• Form: Choral

Mont, Henry du : Prélude à 3 (from Mélanges, 1657)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 1 min. 42 sec.
• Period Time: Baroque

Antoine Boësset (1586 - 1643) : Mass in mode 11

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 18 min. 47 sec.
• Period Time: Baroque
• Form: Choral

Etienne Moulinié (1600 - after 1669) : Dum esset rex, motet (from Meslanges)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 1 min. 18 sec.
• Period Time: Baroque
• Form: Choral
• Written: 1658

Anonymous : Ave Maria gratia plena

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 1 min. 8 sec.
• Period Time: Renaissance

Antoine Boësset (1586 - 1643) : Mass in mode 11

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 18 min. 47 sec.
• Period Time: Baroque
• Form: Choral

Antoine Boësset (1586 - 1643) : Domine salvum fac regem, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 1 min. 54 sec.
• Period Time: Baroque
• Form: Choral

Chant, Gregorian : Ecce ancilla Domini, antiphon

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Period Time: Medieval
• Form: Choral

Antoine Boësset (1586 - 1643) : Veni electa mea, motet (from Antiphonæ)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 2 min. 25 sec.
• Period Time: Baroque
• Written: 1650

Mont, Henry du : Symphonia à 4 (from Cantica Sacra)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 2 min. 33 sec.
• Period Time: Baroque

Antoine Boësset (1586 - 1643) : Dixit Dominus, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 4 min. 11 sec.
• Period Time: Baroque
• Form: Choral

Chant, Gregorian : Gabriel Angelus, antiphon in mode 7 (Liber Usualis 1417)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 1 min. 24 sec.
• Period Time: Medieval
• Form: Choral

Antoine Boësset (1586 - 1643) : Salve Regina, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 3 min. 39 sec.
• Period Time: Baroque
• Form: Choral

Etienne Moulinié (1600 - after 1669) : Beata Dei genitrix, motet (from Meslanges)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 1 min. 25 sec.
• Period Time: Baroque
• Form: Choral

Antoine Boësset (1586 - 1643) : Sancta Maria, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 3 min. 56 sec.
• Period Time: Baroque
• Form: Choral

Antoine Boësset (1586 - 1643) : Visitat Maria Elisabeth, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 2 min. sec.
• Period Time: Baroque
• Form: Choral

Antoine Boësset (1586 - 1643) : Similabo eum viro sapienti, motet (from Antiphonæ)

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 2 min. 30 sec.
• Period Time: Baroque
• Form: Choral
• Written: 1650

Antoine Boësset (1586 - 1643) : Magnificat, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 4 min. 48 sec.
• Period Time: Baroque
• Form: Choral

Antoine Boësset (1586 - 1643) : Ave mater pia, motet

• Performer: Sébastien Daucé (Organ)
• Conductor: Sébastien Daucé
• Ensemble: Ensemble Correspondances
• Running Time: 3 min. 32 sec.
• Period Time: Baroque
• Form: Choral