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Audio Samples
American SaluteLiberty FanfareCakewalk: Excerpt(s)Symphonic Sketches: JubileeDixieStars and Stripes ForeverVariations for Organ on "America"Variations on a Shaker MelodyYankee DoodleBattle Hymn of the RepublicStar Spangled SpectacularGod Bless AmericaAmerica the BeautifulTrack List
American SaluteLiberty FanfareCakewalk: Excerpt(s)Symphonic Sketches: JubileeDixieStars and Stripes ForeverVariations for Organ on "America"Variations on a Shaker MelodyYankee DoodleBattle Hymn of the RepublicStar Spangled SpectacularGod Bless AmericaAmerica the BeautifulAlbum Notes
Selections recorded September 17, 1985, May 11 and September 16, 1986.
Selections recorded September 17, 1985, May 11 and September 16, 1986.
Patriotism is standard fare in symphonic "pops" concerts -- which figures, since the summer seasons are usually in full swing around July 4 -- and everything on this Kunzel/Cincinnati Pops disc will eventually turn up in your local outdoor bandshell sooner or later. Well, almost everything, since Kunzel does venture outside the safe, crowd-pleasing flag-wavers in this spaciously recorded collection of Americana. While the name Charles Ives still scares off queasy orchestra managers, Ives' organ piece "Variations on 'America'" (as cleverly orchestrated by William Schuman) is one of his milder attempts at ear-stretching -- and Kunzel exuberantly gets the jokes. "Cakewalk," Hershy Kay's marvelously witty ballet orchestrations of music by Louis Moreau Gottschalk, isn't played very often these days -- and after hearing Kunzel's sumptuous performances of three choice excerpts, you wonder why. George Whitefield Chadwick's high-spirited, Tchaikovsky-like "Jubilee" from "Symphonic Sketches" is another underappreciated rarity -- and it probably sounds better here on a good home system than it ever does outdoors. Otherwise, except for a brief detour into a swatch from Copland's "Appalachian Spring," the program aims more toward elaborate manifestations of mainstream patriotic tunes. Indeed, this CD has the tried-and-true structure of a symphonic "pops" concert, beginning with a typical John Williams wake-up call ("Liberty Fanfare"), getting most of the classical stuff out of the way first, proceeding to the bread-and-butter tunes and marches, getting serious down the stretch with "God Bless America" and "America the Beautiful," and closing with -- what else? -- "The Stars and Stripes Forever," complete with chorus. And it's a good concert, though more rare classical Americana would have made it even better. ~ Richard S. Ginell
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