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Mozart: Clarinet Concerto; Bassoon Concerto; Flute Concerto No. 2

Notes & Reviews:

Gramophone Magazine
De Peyer plays the Clarinet Concerto most beautifully. The limpid tone and style will be the more universally winning because they are not associated with a vibrato, except of the most fractional nature and in the places crying out aloud for it; and the finished technique speaks for itself ... Collins has succeeded in ensuring a most satisfactory and stylish ensemble.

Gramophone Magazine
Claude Monteux's tone is clear and cool, his technique impeccable, his style admirably Mozartian, and in choosing his own cadenzas to play he chose right: these are at once the most idiomatic and the most effective of all those at present on offer on disc. The LSO accompany admirably and the balance between soloist and orchestra is ideal.



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