Lang Lang (Piano): A Dangerous Method [Original Motion Picture Soundtrack]

Audio Samples

>A Dangerous Method: Burghhölzli
>A Dangerous Method: Miss Spielrein
>A Dangerous Method: Galvanometer
>A Dangerous Method: Carriage
>A Dangerous Method: He's Very Persuasive
>A Dangerous Method: Sabina
>A Dangerous Method: Otto Gross
>A Dangerous Method: A Boat With Red Sails
>A Dangerous Method: Siegfried
>A Dangerous Method: Freedom
>A Dangerous Method: End of the Affair
>A Dangerous Method: Letters
>A Dangerous Method: Confession
>A Dangerous Method: Risk My Authority
>A Dangerous Method: Vienna
>A Dangerous Method: Only One God
>A Dangerous Method: Something Unforgivable
>A Dangerous Method: Reflection
>Siegfried Idyll

Track List

>A Dangerous Method: Burghhölzli
>A Dangerous Method: Miss Spielrein
>A Dangerous Method: Galvanometer
>A Dangerous Method: Carriage
>A Dangerous Method: He's Very Persuasive
>A Dangerous Method: Sabina
>A Dangerous Method: Otto Gross
>A Dangerous Method: A Boat With Red Sails
>A Dangerous Method: Siegfried
>A Dangerous Method: Freedom
>A Dangerous Method: End of the Affair
>A Dangerous Method: Letters
>A Dangerous Method: Confession
>A Dangerous Method: Risk My Authority
>A Dangerous Method: Vienna
>A Dangerous Method: Only One God
>A Dangerous Method: Something Unforgivable
>A Dangerous Method: Reflection
>Siegfried Idyll

Album Notes

Composer: Howard Shore .

Composers: Howard Shore ; Richard Wagner .

Adapter: Howard Shore .

Personnel: James Sizemore (programming).

Audio Mixer: Simon Rhodes .

Recording information: Teldex Studio Berlin.

Editor: Jonathan Schultz.

Photographers: Marco Borggreve; Liam Daniel; Benjamin Ealovega.

"Burghölzli," the first cue on this album of Howard Shore's score for director David Cronenberg's film A Dangerous Method, begins with a slow, calm piano theme before moving into stirring, adventurous orchestral music. That turns out to be a good representation of the music in miniature. Set in pre-World War I Zurich and Vienna, A Dangerous Method concerns the relationship between psychoanalytic pioneers Sigmund Freud (Viggo Mortensen) and Carl Jung (Michael Fassbender), and of a woman who is a patient of both, Sabina Spielrein (Keira Knightley). Shore supports the setting and plot line with restrained, contemplative music in a classical mode suggestive of the late Romantic Era. His brief tracks suggest the troubled moods of sophisticated people in a period on the edge of extinction. And they are meant to fit in with the soundtrack's major section, a 32-minute version of Richard Wagner's 1870 work Siegfried's Idyll, arranged for piano by Shore and played by Lang Lang. The piece is a more delicate and personal effort than one associates with Wagner, written as a birthday present for his wife after the birth of their son. Again, it underlies a film concerned with complex emotions and psychological discoveries. ~ William Ruhlmann



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