Poulenc: Dialogues de Carmélites / Matthews, Polaski, Brunner, Breedt

> Dialogues des Carmelites, FP 159 - Act II Scene 2: Mes cheres filles (La Nouvelle Prieure)
> Dialogues des Carmelites, FP 159 - Act II Scene 2: Mes Soeurs, sa Reverence vient de nous dire (Mere Marie, Les Carmelites, La Nouvelle Prieure)
> Dialogues des Carmelites, FP 159 - Act II: Interlude: Que se passe-t'il? (La Prieure, Constance, Mere Marie)
> Dialogues des Carmelites, FP 159 - Act II Scene 3: Prelude
> Dialogues des Carmelites, FP 159 - Act II Scene 3: Pourquoi vous tenez-vous ainsi? (Le Chevalier, Blanche)
> Dialogues des Carmelites, FP 159 - Act II Scene 3: Dans des temps comme ceux-ci (Le Chevalier, Blanche)
> Dialogues des Carmelites, FP 159 - Act II Scene 3: Oh! ne me quittez pas sur un adieu de facherie! (Le Chevalier, Blanche)
> Dialogues des Carmelites, FP 159 - Act II Scene 2: Remettez-vous, Soeur Blanche (Mere Marie, Blanche)
> Dialogues des Carmelites, FP 159 - Act II Scene 4: Prelude
> Dialogues des Carmelites, FP 159 - Act II Scene 4: Mes cheres filles (L'Aumonier, Les Carmelites)
> Dialogues des Carmelites, FP 159 - Act II Scene 4: Qu'allez-vous devenir? (Blanche, L'Aumonier, Constance, Mathilde, La Prieure, Mere Marie)
> Dialogues des Carmelites, FP 159 - Act II Scene 4: On a tire la clochette! (Constance, Mathilde, La Foule, L'Aumonier, Les Carmelites, Mere Marie)
> Dialogues des Carmelites, FP 159 - Act II Scene 4: Ou sont les religieuses? (Premier commissaire, Mere Marie, Deuxieme commissaire)
> Dialogues des Carmelites, FP 159 - Act II Scene 4: Mes Soeurs, notre Reverende Mere viendra bientot (Mere Jeanne, Blanche, Mere Marie, La Foule)
> Dialogues des Carmelites, FP 159 - Act III Scene 1: Prelude - Parlez-leur, mon Pere (Mere Marie, L'Aumonier, Mere Jeanne, Mathilde)
> Dialogues des Carmelites, FP 159 - Act III Scene 1: Il y a une seule opposition (Mere Marie, Mathilde, Constance, L'Aumonier)
> Dialogues des Carmelites, FP 159 - Act III: Interlude: Citoyennes, nous vous felicitons (L'Officier)
> Dialogues des Carmelites, FP 159 - Act III: Interlude: Soeur Gerald, il faut absolument prevenir le pretre (La Prieure, Mere Marie)
> Dialogues des Carmelites, FP 159 - Act III Scene 2: Prelude
> Dialogues des Carmelites, FP 159 - Act III Scene 2: C'est vous (Blanche, Mere Marie)
> Dialogues des Carmelites, FP 159 - Act III Scene 2: Soeur Blanche de l'Agonie du Christ! (Mere Marie, Blanche, La voic d'une femme)
> Dialogues des Carmelites, FP 159 - Act III Scene 2: Interlude
> Dialogues des Carmelites, FP 159 - Act III Scene 3: Mes filles, voila que s'acheve (La Prieure, Mere Jeanne, Constance, Mathilde)
> Dialogues des Carmelites, FP 159 - Act III Scene 3: Le Tribunal revolutionnaire (Le Geolier)
> Dialogues des Carmelites, FP 159 - Act III Scene 3: Mes filles, j'ai desire de tout mon coeur (La Prieure)
> Dialogues des Carmelites, FP 159 - Act III: Interlude: Elles sont condamnees a mort (L'Aumonier, Mere Marie)
> Dialogues des Carmelites, FP 159 - Act III Scene 4: Prelude
> Dialogues des Carmelites, FP 159 - Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche)

Album Summary

>Poulenc, Francis : Dialogues des Carmelites, opera, FP 159
Performers Conductor Ensemble Composer

Notes & Reviews:

Poulenc's opera premiered at the Milan Scala on January 26, 1957 (in Italian). The work is currently experiencing a renaissance in the most important opera houses of the world. The theme that holds this opera together is that of fear: the story takes place during the French Revolution.

Oehms Classics now presents a live recording of the celebrated production from the Theater an der Wien. To optimize the results for listeners at home, this recording is a stylistically perfect combination of performances from 2008 and 2011.

BBC Music Magazine
The most successful singers are mezzo-soprano Michelle Breedt who brings the right tone of sympathy to the role of Mere Marie, and soprano Hendricke van Kerckhove whose Soeur Contsnace is delightfully scatty, though also wise beyond her years...The Viennese ORF Radio Symphony Orchestra plays with spirit, even if the string section lacks that essentially French bite and implacability.

International Record Review
The finest singing in this performance comes from its protagonist. Sally Matthews's vocal command exceeds that of any Blanche currently on CD (even EMI's legendary Denise Duval). Her lyric soprano takes on an exciting edge in Blanche's dramatic outbursts, but Matthews also boasts luminous floated pianissimos...[Michelle Breedt] certainly possesses the most beautiful voice of any recorded Marie.

American Record Guide, July / August 2012
Breedt's sturdy Mere Marie is an asset. Kerckhova is a charming, exuberant Soeur Constance. There is delicate grace and courage to the Mme Lidoine of Brunner. The male contingent of the cast is quite able, with a particularly strong Marquis and Chevalier from Jean- Philippe Lafont and Yann Beuron. The celebrated final scene of the opera glows with intensity and drama under the ministrations of De Billy. By subduing the chorus to a bare minimum the diminution of the nuns' singing is very clear. It packs quite a wallop.

Notes & Reviews:

Recording information: Theater an der Wien (01/2008/04/2011).



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Works Details

>Poulenc, Francis : Dialogues des Carmélites, opera, FP 159
  • Performers: Sally Matthews (Soprano); Jurgen Sacher (Voice); Michelle Breedt (Mezzo Soprano); Yann Beuron (Tenor); Jean-Philippe LaFont (Baritone); Heidi Brunner (Voice); Christa Ratzenböck (Voice); Matjaz Robavs (Baritone); Deborah Polaski (Soprano); Craig Smith (Piano); Dominik Koninger (Voice); Hendrickje Van Kerckhove (Voice); Nenad Marinkovic (Voice); Magdalena Hofmann (Mezzo Soprano); Erik Arman (Voice)
  • Conductor: Bertrand De Billy
  • Ensemble: Arnold Schoenberg Choir
  • Running Time: 3 min. 28 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1953-1956