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Rachmaninov: Complete Songs Vol 2 / Howard Shelley, et al

Album Summary

>Rachmaninov, Sergey : Were You Hiccoughing?, song for voice & piano, TN ii/54
>Rachmaninov, Sergey : Night, song for voice & piano, TN ii/55
>Rachmaninov, Sergey : Songs (12) for voice & piano, Op. 21
>Rachmaninov, Sergey : Songs (15) for voice & piano, Op. 26
Performers Composer

Notes & Reviews:

"Joan Rodgers does some amazing things with her voice, and knows what she is singing about. Howard Shelley, as the guiding spirit of the enterprise, is a constant inspiration." ***** -Classic CD

Gramophone Classical Music Guide
Two figures in particular haunt this second volume of Chandos's survey of Rachmaninov's songs - Feodor Chaliapin and Rachmaninov himself. They had become friends in the years when they worked together in an opera company and when Rachmaninov was concentrating on developing his piano virtuosity. As a result the Op 21 songs are dominated by an almost operatic declamatory manner coupled with formidably difficult accompaniments. Leiferkus rises splendidly to the occasion, above all in 'Fate' (Op 21 No 1), and so throughout the songs does Howard Shelley. He's unbowed by the technical problems and he understands the novel proportions of songs in which the piano's participation has an unprecedented role. He also enjoys himself in the roisterous exchanges with Leiferkus in what's really Rachmaninov's only lighthearted song, Were you hiccoughing? The songs for the other voices are less powerful, in general more lyrical and intimate.

Alexandre Naoumenko only has five songs, and they aren't, on the whole, among the more striking examples, but he responds elegantly to 'The fountain' (Op 26 No 11). Maria Popescu gives a beautiful account of one of the most deservedly popular of them all, 'To the children' (Op 26 No 7), and of the remarkable Merezhkovsky setting, 'Christ is risen' (Op 26 No 6). Joan Rodgers is enchanting in 'The Lilacs' (Op 21 No 5) and moving in the song acknowledging that love is slipping away, 'Again I am alone' (Op 26 No 9). She has complete mastery of the style, and nothing here is finer than her arching phrase ending 'How peaceful' (Op 21 No 7) - 'da ty, mechta moya' (and you, my dream) - with Shelley gently articulating Rachmaninov's reflective piano postlude from the world of Schumann.



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Works Details

>Rachmaninov, Sergey : Were You Hiccoughing?, song for voice & piano, TN ii/54
  • Performers: Sergei Leiferkus; Howard Shelley (Piano)
  • Notes: St. Michael's Church, Highgate, London, England (07/25/1994-07/27/1994)
  • Running Time: 1 min. 37 sec.
  • Period Time: Romantic
  • Written: 1899

>Rachmaninov, Sergey : Night, song for voice & piano, TN ii/55
  • Performers: Maria Popescu (Mezzo Soprano); Howard Shelley (Piano)
  • Notes: St. Michael's Church, Highgate, London, England (07/25/1994-07/27/1994)
  • Running Time: 3 min. 15 sec.
  • Period Time: Romantic
  • Written: 1900

>Rachmaninov, Sergey : Songs (12) for voice & piano, Op. 21
  • Performers: Sergei Leiferkus; Alexandre Naoumenko (Tenor); Maria Popescu (Mezzo Soprano); Joan Rodgers (Soprano); Howard Shelley (Piano)
  • Notes: St. Michael's Church, Highgate, London, England (07/25/1994-07/27/1994)
  • Running Time: 7 min. 13 sec.
  • Period Time: Romantic
  • Written: 1900-1902

>Rachmaninov, Sergey : Songs (15) for voice & piano, Op. 26
  • Performers: Sergei Leiferkus; Alexandre Naoumenko (Tenor); Maria Popescu (Mezzo Soprano); Joan Rodgers (Soprano); Howard Shelley (Piano)
  • Notes: St. Michael's Church, Highgate, London, England (07/25/1994-07/27/1994)
  • Running Time: 2 min. 31 sec.
  • Period Time: Romantic
  • Written: 1906