Audio Samples
Act 1. Scene 5. O Lord, whose mercies numberless
Act 1. Scene 2. The raptur'd soul
Yet, can I hear that dulcet lay
Act 3. Scene 3. Destructive war
Act 1. Scene 19. Accompagnato. Ah che dissi!
Act 1. Scene 19. Aria. Se resto sul lido
Act 3. Scene 8. Fanfare & Recitative. Odi colà la frigia tromba?
Act 3. Scene 8. Aria. A trionfar mi chiama
Say, lovely Dream!
Act 2. Vengeance, O come inspire me!
Bach, Carl Philipp Emanuel : Symphony for orchestra in D major (Orchester-sinfonien no 1), H. 663, Wq. 183/1
Act 2. Scene 3. Ah! non turbi il mio riposo
Act 2. Scene 2. Ballo
Act 2. Scene 2. Arioso. Che puro ciel!
Act 3. Scene 1. Recitative. Ahimè! Dove trascorsi?
Act 3. Scene 1. Aria. Che farò senza Euridice?
Pensa a serbarmi, o caraAlbum Summary
Iestyn Davies (Countertenor)
Jonathan Cohen [Cello/Conductor] (Keyboards)
Notes & Reviews:
British countertenor Iestyn Davies is one of the fastest rising stars on the concert and opera circuit. Following his highly acclaimed recording of Porpora cantatas, he returns for a second solo album with a selection of arias written for Gaetano Guadagni - the first 'modern' castrato, famed all over Europe for the lyric purity of his voice and his powerful, naturalistic acting style. Not only did he enjoy a close artistic relationship with Handel, but Guadagni effectively created the role of Orpheus in Gluck's Orfeo ed Euridice. For this recital, Davies is joined again by the renowned period-instrument band Arcangelo, directed by Jonathan Cohen.
Sunday Times
Davies sings them superlatively well.
The Guardian
Davies includes some of the showstoppers written for [Guadagni] by Handel and Arne, delivering them with wonderful finesse and flawless tone. Orfeo itself, however, lies awkwardly for a counter-tenor, and Davies is occasionally forced to sacrifice intensity for the sake of integrity of line. The orchestral playing, from Arcangelo under Jonathan Cohen, is exquisite.
American Record Guide, November/December 2012
Full tests and translations, with admirable notes. No lover of 18th Century opera should miss this extraordinarily fine release.
BBC Music Magazine, August 2012
Through his effortless line, countertenor Iestyn Davies revivifies Guadagni's Orphic powers...Whether drawing out sustained notes or knitting together filigreed coloratura, he is a paragon of gallant taste: poised, cool, elegant...Jonathan Cohen and his ensemble Arcangelo capture the rapid, unexpected twists of the younger Bach's radical imagination...this [is] a refreshingly ambitious and superbly realised recording.
International Record Review, July/August 2012
I think that if I had to nominate a CD to represent Iestyn Davies this one would be my choice.
Recording information: St. Silas The Martyr, St. Silas Place, Kentish Town, Lo (08/10/2011-08/12/2011).
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Works Details
Handel, George Frideric : Saul, HWV 53 :: Act 1. Scene 5. O Lord, whose mercies numberless - Performers: Iestyn Davies (Countertenor); Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 5 min. 28 sec.
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1738
Handel, George Frideric : Theodora, HWV 68 :: Act 1. Scene 2. The raptur'd soul - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 8 min. 19 sec.
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1749
Handel, George Frideric : The Choice of Hercules, HWV 69 :: Yet, can I hear that dulcet lay - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 4 min. 6 sec.
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1750
Handel, George Frideric : Belshazzar, HWV 61 :: Act 3. Scene 3. Destructive war - Performers: Iestyn Davies (Countertenor); Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 2 min. 16 sec.
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1744
Hasse, Johann Adolf : Didone abbandonata :: Act 1. Scene 19. Accompagnato. Ah che dissi! - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 1 min. 26 sec.
- Period Time: Classical
- Form: Opera/Operetta
Hasse, Johann Adolf : Didone abbandonata :: Act 1. Scene 19. Aria. Se resto sul lido - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 5 min. 35 sec.
- Period Time: Classical
- Form: Opera/Operetta
Hasse, Johann Adolf : Didone abbandonata :: Act 3. Scene 8. Fanfare & Recitative. Odi colà la frigia tromba? - Performers: Iestyn Davies (Countertenor); Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Period Time: Classical
- Form: Opera/Operetta
Hasse, Johann Adolf : Didone abbandonata :: Act 3. Scene 8. Aria. A trionfar mi chiama - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 6 min. 36 sec.
- Period Time: Classical
- Form: Opera/Operetta
Smith, John Christopher : The Fairies :: Say, lovely Dream! - Performers: Iestyn Davies (Countertenor); Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 5 min. 42 sec.
- Period Time: Classical
- Written: 1755
Arne, Thomas Augustine : Alfred :: Act 2. Vengeance, O come inspire me! - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 6 min. 52 sec.
- Period Time: Classical
- Written: 1740
Bach, Carl Philipp Emanuel : Symphony for orchestra in D major (Orchester-sinfonien no 1), H. 663, Wq. 183/1 - Performer: Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 9 min. 35 sec.
- Period Time: Classical
- Form: Orchestral
- Written: 1775-1776
Gluck, Christoph Willibald : Telemaco :: Act 2. Scene 3. Ah! non turbi il mio riposo - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 3 min. 40 sec.
- Period Time: Classical
- Form: Opera/Operetta
- Written: 1765
Gluck, Christoph Willibald : Orfeo ed Euridice :: Act 2. Scene 2. Ballo - Performer: Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 2 min. 18 sec.
- Period Time: Classical
- Form: Opera/Operetta
Gluck, Christoph Willibald : Orfeo ed Euridice :: Act 2. Scene 2. Arioso. Che puro ciel! - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 5 min. 50 sec.
- Period Time: Classical
- Form: Opera/Operetta
Gluck, Christoph Willibald : Orfeo ed Euridice :: Act 3. Scene 1. Recitative. Ahimè! Dove trascorsi? - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 1 min. 14 sec.
- Period Time: Classical
- Form: Opera/Operetta
Gluck, Christoph Willibald : Orfeo ed Euridice :: Act 3. Scene 1. Aria. Che farò senza Euridice? - Performers: Jonathan Cohen [Cello/Conductor] (Keyboards); Iestyn Davies (Countertenor)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 3 min. 48 sec.
- Period Time: Classical
- Form: Opera/Operetta
Gluck, Christoph Willibald : Ezio :: Pensa a serbarmi, o cara - Performers: Iestyn Davies (Countertenor); Jonathan Cohen [Cello/Conductor] (Keyboards)
- Conductor: Jonathan Cohen
- Ensemble: Arcangelo
- Notes: St. Silas The Martyr, St. Silas Place, Kentish Town, London, England (08/10/2011-08/12/2011)
- Running Time: 3 min. 58 sec.
- Period Time: Classical
- Form: Opera/Operetta

























