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The All Baroque Box: From Monteverdi to Bach / Anne Sofie von Otter, Andreas Scholl, Emma Kirkby, Christophe Rousset et al.

Notes & Reviews:

With our All-Baroque Box we realize one of our fondest superbudget-box dreams: harnessing the supreme catalogue of Archiv Produktion (supplemented on occasion by Decca L'oiseau lyre recording) to give our customers a comprehensive collection of great music from Monteverdi to Bach.

The music ranges from huge Baroque (Missa Salisburghensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (Goldberg Variations, Bach cello suites, solo cantatas) - overwhelming in its impact and emotional content.

Of course, Baroque music is also an ideal lifestyle choice - nothing quite like it to get you going in the morning or to accompany your final thought at the end of the day... it's all here to sample and to revel in.

Monteverdi, Vivaldi, Rameau, Handel and Bach are the main composers included, with Vespers, concertos, operas, cantatas, oratorios and passions galore.

Plus classic recordings of Giovanni Grabrieli, Biber, Lully, Charpentier, Purcell, Corelli, Couperings, Heinichen, Telemann, Domenico Scarlatti and Pergolesi and many more. Four complete opera: Monteverdin's Orfeo, Purcell's Dido and Aeneas, Rameau's Dardanus and Handel's Giulio Cesare. Favorites are there too, including the Allegri Misrere and the Pachelbel Canon and Guige.

The performances, almost all in the period-instrument tradition, bring together the great artists of Archiv of the last 30 years John Eliot Gardiner, Reinhard Goebel, Paul McCreesh, Marc, Minkowski and Trevor Pinnock, with their respective choirs and orchestras - all of an outstanding quality. Soloists include Anne Sofie von Otter, Andreas Scholl, Emma Kirkby, Simon Preston, Christophe Rousset, Gustav Leonhardt, Simon Standage - the heroes and heroines of the early music movement.

Captures a real Baroque look - five different images of models floating in water, swathed in rich colored fabrics. They could be figures from a Roman baroque ceiling or altar. The booklet, running to 140 pages, provides, in addition to a full-scale track list, a Baroque timeline of political and cultural event, the whole illustrade y original sketches from Fred Munzmaier, DG's former creative director.


Works:

Ich habe genug, BWV 82 by Johann Sebastian Bach

Performer: Peter Harvey (Bass)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1727; Cöthen, Germany
Date of Recording: 02/2000
Venue: Priory Church, Christchurch, Dorset
Length: 23 Minutes 39 Secs.
Language: German

Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach

Performer: Stephen Varcoe (Bass Baritone), Anthony Rolfe Johnson (Tenor), Michael Chance (Countertenor),
Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 03/1990
Length: 24 Minutes 35 Secs.
Language: German

Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach

Performer: Ruth Holton (Soprano), Michael Chance (Countertenor), Anthony Rolfe Johnson (Tenor),
Stephen Varcoe (Bass Baritone)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Written: 1723
Date of Recording: 03/1990
Length: 28 Minutes 5 Secs.
Language: German

Saint Matthew Passion, BWV 244 by Johann Sebastian Bach

Performer: Deborah York (Soprano), Julia Gooding (Soprano), Magdalena Kozená (Mezzo Soprano),
Susan Bickley (Mezzo Soprano), Mark Padmore (Tenor), Peter Harvey (Bass),
James Gilchrist (Tenor), Stephan Loges (Bass)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Circa 1727; Leipzig, Germany
Date of Recording: 04/2002
Length: 161 Minutes 32 Secs.
Language: German

Mass in B minor, BWV 232 by Johann Sebastian Bach

Performer: Lynne Dawson (Soprano), Jane Fairfield (Soprano), Jean Knibbs (Soprano),
Patrizia Kwella (Soprano), Carol Hall (Soprano), Mary Nichols (Mezzo Soprano),
Michael Chance (Countertenor), Patrick Collin (Countertenor), Ashley Stafford (Countertenor),
Wynford Evans (Tenor), Howard Milner (Tenor), Andrew Murgatroyd (Tenor),
Richard Lloyd Morgan (Bass), Stephen Varcoe (Bass), Elizabeth Wilcock (Violin),
Lisa Beznosiuk (Flute), Sophia McKenna (Oboe), Valerie Darke (Oboe),
Michael Thompson (French Horn), Timothy Mason (Cello), Nancy Argenta (Soprano),
Valerie Botwright (Double Bass), Alastair Ross (Organ), Paul Nicholson (Harpsichord)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1747-49; Leipzig, Germany
Date of Recording: 02/1985
Venue: All Saints' Church, Tooting, London
Length: 106 Minutes 22 Secs.
Language: Latin

Giulio Cesare, HWV 17 by George Frideric Handel

Performer: Pascal Bertin (Countertenor), Bejun Mehta (Boy Soprano), Magdalena Kozená (Mezzo Soprano),
Anne Sofie von Otter (Mezzo Soprano), Marijana Mijanovic (Alto), Alan Ewing (Bass),
Jean-Michel Ankaoua (Baritone), Charlotte Hellekant (Mezzo Soprano)
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1724; London, England
Date of Recording: 11/2002
Venue: Grosser Saal, Konzerthaus, Vienna
Length: 219 Minutes 18 Secs.
Language: Italian

Messiah, HWV 56 by George Frideric Handel

Performer: Anne Sofie von Otter (Mezzo Soprano), Arleen Augér (Soprano), Michael Chance (Countertenor),
John Tomlinson (Bass Baritone), Howard Crook (Tenor)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert, English Concert Choir
Period: Baroque
Written: 1742; Dublin, Ireland
Language: English

Water Music, HWV 348-350 by George Frideric Handel

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1715/1736; London, England

Water Music Suite no 1 in F major, HWV 348 by George Frideric Handel

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1715-1717; London, England

Water Music Suite no 2 in D major, HWV 349 by George Frideric Handel

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1715-1717; London, England

Water Music Suite no 3 in G major, HWV 350 by George Frideric Handel

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1715-1717; London, England

Music for the Royal Fireworks, HWV 351 by George Frideric Handel

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1749; London, England
Length: 17 Minutes 44 Secs.

Dixit Dominus, HWV 232 by George Frideric Handel

Performer: Arleen Augér (Soprano), Diana Montague (Soprano), John Mark Ainsley (Tenor),
Lynne Dawson (Soprano), Leigh Nixon (Tenor), Simon Birchall (Bass)
Conductor: Simon Preston
Orchestra/Ensemble: Westminster Abbey Choir, Westminster Abbey Orchestra
Period: Baroque
Written: 1707; Italy
Language: Latin

Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel

Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English

Coronation Anthems (4): no 3, HWV 260 "The king shall rejoice" by George Frideric Handel

Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English

Coronation Anthems (4): no 4, HWV 261 "My heart is inditing" by George Frideric Handel

Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English

Coronation Anthems (4): no 2, HWV 259 "Let thy hand be strengthened" by George Frideric Handel

Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English

Sonata for Harpsichord in C major, K 502/L 3 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.

Sonata for Harpsichord in C major, K 460/L 324 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 6 Minutes 0 Secs.

Sonata for Harpsichord in D minor, K 516/L S12 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.

Sonata for Harpsichord in D minor, K 517/L 266 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.

Sonata for Harpsichord in D major, K 478/L 12 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.

Sonata for Harpsichord in D major, K 479/L S16 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.

Sonata for Harpsichord in F major, K 518/L 116 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.

Sonata for Harpsichord in F minor, K 519/L 475 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.

Sonata for Harpsichord in G minor, K 546/L 312 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.

Sonata for Harpsichord in G major, K 547/L S28 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.

Sonata for Harpsichord in B flat major, K 529/L 327 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.

Sonata for Harpsichord in B flat major, K 544/L 497 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.

Sonata for Harpsichord in B flat major, K 545/L 500 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.

Sonata for Harpsichord in C major, K 461/L 8 by Domenico Scarlatti

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.

Stabat Mater by Giovanni Battista Pergolesi

Performer: Emma Kirkby (Soprano), James Bowman (Countertenor)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1736; Pozzuoli, Italy
Date of Recording: 08/1988
Venue: St Jude-on-the-Hill, Hampstead, London
Length: 37 Minutes 17 Secs.
Language: Latin

Salve Regina in C minor by Giovanni Battista Pergolesi

Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1736; Pozzuoli, Italy
Date of Recording: 08/1988
Venue: St Jude-on-the-Hill, Hampstead, London
Language: Latin

Miserere mei Deus by Gregorio Allegri

Conductor: Simon Preston
Orchestra/Ensemble: Westminster Abbey Choir
Period: Renaissance
Written: by 1603; Italy
Date of Recording: 02/1985
Venue: All Saints' Church, Tooting, London
Length: 12 Minutes 0 Secs.
Language: Latin

L'Orfeo by Claudio Monteverdi

Performer: Lynne Dawson (Soprano), Anthony Rolfe Johnson (Tenor), Anne Sofie von Otter (Mezzo Soprano),
John Tomlinson (Bass), Nancy Argenta (Soprano), Mary Nichols (Soprano),
Diana Montague (Soprano), Willard White (Bass), Mark Tucker (Tenor),
Nigel Robson (Tenor), Simon Birchall (Bass), Michael Chance (Countertenor),
Howard Milner (Tenor), Nicholas Robertson (Tenor), Julianne Baird (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1607; Mantua, Italy
Date of Recording: 12/1985
Venue: EMI Abbey Road Studios, London
Length: 105 Minutes 43 Secs.
Language: Italian

Vespro della Beata Vergine by Claudio Monteverdi

Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor),
Bryn Terfel (Bass), Sandro Naglia (Tenor), Nigel Robson (Tenor),
Alastair Miles (Bass), Ann Monoyios (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts ...
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 05/1989
Venue: Live St Mark's Basilica, Venice
Length: 89 Minutes 7 Secs.
Language: Latin

Vespro della Beata Vergine: Magnificat a 7 by Claudio Monteverdi

Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor),
Nigel Robson (Tenor), Sandro Naglia (Tenor), Ann Monoyios (Soprano),
Bryn Terfel (Bass), Alastair Miles (Bass)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, London Oratory Junior Choir
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 07/1989
Venue: Live All Saints' Church, Tooting, London
Length: 18 Minutes 27 Secs.
Language: Latin

Madrigals, Book 7 by Claudio Monteverdi

Performer: Emma Kirkby (Soprano)
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
Written: by 1619; Italy
Language: Italian

Toccata a 4, C237 by Giovanni Gabrieli

Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 1 Minutes 11 Secs.

Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 5 Minutes 10 Secs.

Suscipe clementissime by Giovanni Gabrieli

Performer: Robert Horn (Tenor), Julian Podger (Tenor), Charles Pott (Baritone),
Simon Grant (Bass), Richard Savage (Bass), Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 55 Secs.
Language: Latin

Canzoni et sonate (21): Canzon XIV a 10 by Giovanni Gabrieli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 2 Minutes 52 Secs.

Buccinate in neomenia tuba by Giovanni Gabrieli

Performer: Robin Blaze (Countertenor), Julian Clarkson (Bass), Henry Wickham (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: 1615/1617; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 38 Secs.
Language: Latin

Intonationi d'organo: Del nono tono by Giovanni Gabrieli

Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: by 1593; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 0 Minutes 40 Secs.

Domine, Deus meus by Giovanni Gabrieli

Performer: Robert Harre-Jones (Countertenor), Timothy Roberts (Organ), Donald Greig (Baritone),
Simon Grant (Bass), Charles Pott (Baritone), Steven Harrold (Tenor),
Robert Horn (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort
Period: Renaissance
Written: 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 7 Minutes 19 Secs.
Language: Latin

Audi, dulcis amica mea by Bartolomeo Barbarino

Performer: Fred Jacobs (Chitarrone), Paula Chateauneuf (Chitarrone), David Hurley (Countertenor)
Period: Renaissance
Written: Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 40 Secs.
Language: Latin

Ardens est cor meum by Bartolomeo Barbarino

Performer: Paula Chateauneuf (Chitarrone), David Hurley (Countertenor), Fred Jacobs (Chitarrone)
Period: Renaissance
Written: circa 1608; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 2 Minutes 44 Secs.
Language: Latin

Timor et Tremor by Giovanni Gabrieli

Performer: Timothy Roberts (Organ), Simon Grant (Bass), Charles Pott (Baritone),
Robert Harre-Jones (Countertenor), Henry Wickham (Baritone), Robert Horn (Tenor),
Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort
Period: Renaissance
Written: by 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 45 Secs.
Language: Latin

Intonationi d'organo: Del duodecimo tono by Giovanni Gabrieli

Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: by 1593; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 0 Minutes 33 Secs.

Jubilate Deo a 10 by Giovanni Gabrieli

Performer: Timothy Wilson (Countertenor), Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 40 Secs.
Language: Latin

Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 14 Secs.

Misericordia tua Domine by Giovanni Gabrieli

Performer: Robert Harre-Jones (Countertenor), Charles Pott (Baritone), Robert Horn (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 15 Secs.
Language: Latin

Canzoni et sonate (21): Sonata XX a 22 by Giovanni Gabrieli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 52 Secs.

Magnificat a 33 by Giovanni Gabrieli

Performer: Julian Clarkson (Bass), Henry Wickham (Baritone), Robert Horn (Tenor),
David Hurley (Countertenor), Steven Harrold (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 5 Minutes 56 Secs.
Language: Latin

Symphoniae sacrae, Book 2: In ecclesiis by Giovanni Gabrieli

Performer: Donald Greig (Baritone), Charles Pott (Baritone), Timothy Wilson (Countertenor),
Julian Podger (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 59 Secs.
Language: Latin

Canzoni et sonate (21): Sonata XXI con tre violoni by Giovanni Gabrieli

Performer: Fred Jacobs (Chitarrone), Florian Deuter (Violin), Rachel Podger (Violin),
Anna McDonald (Violin), Paula Chateauneuf (Chitarrone)
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 52 Secs.

Freue dich des Weibes deiner Jugend, SWV 453 by Heinrich Schütz

Performer: Frieder Lang (Tenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 4 Minutes 0 Secs.
Language: German

Psalms of David, Op. 2: Ist nicht Ephraim mein..., SWV 40 by Heinrich Schütz

Performer: Ashley Stafford (Countertenor), Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1619; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 6 Minutes 0 Secs.
Language: German

Symphoniae sacrae, Op. 12: Saul, Saul, was verfolgst, SWV 415 by Heinrich Schütz

Performer: Carol Hall (Soprano), Michael Chance (Countertenor), Simon Birchall (Baritone),
Lawrence Wallington (Baritone), Frieder Lang (Tenor), Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1650; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 3 Minutes 0 Secs.
Language: German

Geistliche Chormusik, Op. 11/SWV 369-397: Auf dem Gebirge..., SWV 396 by Heinrich Schütz

Performer: Michael Chance (Countertenor), Ashley Stafford (Countertenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1648; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 6 Minutes 0 Secs.
Language: German

Musicalische Exequien, Op. 7/SWV 279-81 by Heinrich Schütz

Performer: Frieder Lang (Tenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1636; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 30 Minutes 0 Secs.
Language: German

Intonationi d'organo: Excerpt by Giovanni Gabrieli

Performer: Timothy Roberts (Organ)
Period: Renaissance

Deus in adiutorium by Giovanni Gabrieli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance

Sacrae symphoniae, Book 1: Angelus Domini descendit by Giovanni Gabrieli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1597; Venice, Italy

Dixit Dominus by Giovanni Antonio Rigatti

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque

Motetti (18): O intemerata by Alessandro Grandi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1621; Venice, Italy

Motetti (16) con le Letanie della beata vergine: Beata es Maria by Alessandro Grandi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1614; Ferrara, Italy

Laudate pueri by Claudio Monteverdi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1640; Italy

Suonata prima by Adriano Banchieri

Performer: Timothy Roberts (Organ)
Period: Baroque
Written: Italy

Beatam me dicent by Adriano Banchieri

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance

Laetatus sum a 6 by Claudio Monteverdi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Italy

O Maria, quae rapis corda hominum by Giacomo Finetti

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Italy

Haec est quae nescavit by Giacomo Finetti

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance

Nisi Dominus by Giovanni Antonio Rigatti

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 17th Century; Italy

Dialogo secondo by Adriano Banchieri

Performer: Timothy Roberts (Organ)
Period: Renaissance

Ante thronum by Adriano Banchieri

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance

Lauda Jerusalem by Pier Francesco Cavalli

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1656; Italy

O quam tu pulchra es by Alessandro Grandi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1625; Venice, Italy

Praeambulum for Organ by Anonymous

Performer: Timothy Roberts (Organ)

Chapter: Ecce virgo by Anonymous

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players

Deus qui mundum crimine iacentem by Claudio Monteverdi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Italy

Ave Maria, Dominus tecum by Claudio Monteverdi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque

Spiritus Sanctus by Claudio Monteverdi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque

Magnificat by Giovanni Antonio Rigatti

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance

Sonata con tre violini in eco by Biagio Marini

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Baroque

Collect: Dominus vobiscum - Deus, qui de beatae Mariae by Biagio Marini

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque

Dismissal: Dominus vobiscum - Benedicamus Domino by Biagio Marini

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque

Laudate Dominum by Claudio Monteverdi

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Italy

Intonazione for Organ by Giovanni Battista Fasolo

Performer: Timothy Roberts (Organ)
Period: Baroque
Written: 17th Century; Italy

Salve regina by Giovanni Antonio Rigatti

Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 1646; Italy

Te Deum, LWV 55: Symphonie by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1677; France

La Bocanne primitive by Jacques Cordier

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 17th Century

La Bocanne compliquée by Jacques Cordier

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque

Phaëton, LWV 61: Troupe d'Astrée dansante by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1683; France

Ballet de la nuit: Overture by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: 20th Century
Written: 1653; Paris, France

Les plaisirs, LWV 2: Sarabande by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1655; France

Ballet de la nuit: Le Roi représentant le soleil levant by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: 20th Century
Written: 1653; Paris, France

Intermèdes de Xerxes, LWV 12: Air pour matelots jouant des trompettes marinesby Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France

Intermèdes de Xerxes, LWV 12: Air pour les esclaves et singes dansants by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France

Intermèdes de Xerxes, LWV 12: Air pour les postures de Scaramouche by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France

Intermèdes de Xerxes, LWV 12: Air pour les docteurs, Frivelins et Polichinelles by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France

Intermèdes de Xerxes, LWV 12: Air pour les esclaves dansants by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France

Idylle sur la paix: Air pour Madame la Dauphine by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1685; Paris, France

Alcidiane, LWV 9: Ritournelle et air de Mademoiselle Hilaire by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1658; France

Alcidiane, LWV 9: Overture by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1658; France

Le triomphe de l'amour, LWV 59: Overture by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France

Persée, LWV 60: Entrée des divinités infernales by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1682; France

Le bourgeois gentilhomme, LWV 43: Marche pour la cérémonie des Turcs by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France

Le bourgeois gentilhomme, LWV 43: Giourdina by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France

Le bourgeois gentilhomme, LWV 43: Chaconne des Scaramouches by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France

Le triomphe de l'amour, LWV 59: Prélude de la nuit by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France

Pomone: Passons nos jours dans ces vergers by Robert Cambert

Performer: Céline Scheen (Soprano), Goedele Heidbüchel (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Paris, France

Pomone: Que voyez-vous, mes yeux? by Robert Cambert

Performer: Goedele Heidbüchel (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Paris, France

Armide, LWV 71: Plus j'observe ces lieux by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France

Atys, LWV 53: Dormons, dormons tous by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1676; France

Armide, LWV 71: Passacaglia by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France

Armide, LWV 71: Act II, Scene 5 - Prelude by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France

Les folies d'Espagne by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque

Les amants magnifiques, LWV 42: Entrée d'Apollon by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; France

Le triomphe de l'amour, LWV 59: Entrée d'Apollon by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France

Le triomphe de l'amour, LWV 59: Act 4, Scene 2 - Deuxième air by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France

Isis, LWV 54: Scene 1 - Prologue by Jean-Baptiste Lully

Performer: Céline Scheen (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Ex Tempore, Musica Antiqua Cologne
Period: Baroque
Written: by 1677; France

Armide, LWV 71: Quel l'éclait de son nom by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France

Armide, LWV 71: Esprits empressés à nous plaire by Jean-Baptiste Lully

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France

Ombre de mon amant by Michel Lambert

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1689; France

Te Deum in D major, H 146 by Marc-Antoine Charpentier

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa ?1690; France

Messe de minuit pour Noël, H 9 by Marc-Antoine Charpentier

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa ?1690; France

In nativitatum Domini canticum, H 416 "Usquequo avertis" by Marc-Antoine Charpentier

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa ?1685

Dido and Aeneas, Z 626 by Henry Purcell

Performer: Kym Amps (Soprano), Stephen Varcoe (Baritone), Lynne Dawson (Soprano),
Anne Sofie von Otter (Mezzo Soprano), Nigel Rogers (Tenor), Sarah Leonard (Soprano),
Elisabeth Priday (Soprano), Carol Hall (Soprano)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert, English Concert Choir
Period: Baroque
Written: 1689; England
Date of Recording: 07/1988
Venue: Henry Wood Hall, London
Length: 53 Minutes 56 Secs.
Language: English

Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day" by Henry Purcell

Performer: Julian Podger (Tenor), Susan Hemington Jones (Soprano), Mark Le Brocq (Countertenor),
Charles Daniels (Tenor), Charles Pott (Bass), Peter Harvey (Bass),
Christopher Purves (Bass), Tim Wilson (Countertenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 1692; England
Venue: Brinkburn Priory, Northumberland
Length: 49 Minutes 16 Secs.
Language: English

My beloved spake, Z 28 by Henry Purcell

Performer: Peter Harvey (Bass), Charles Pott (Bass), Charles Daniels (Tenor),
Julian Podger (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1678; England
Venue: Brinkburn Priory, Northumberland
Length: 9 Minutes 34 Secs.
Language: English

O sing unto the Lord, Z 44 by Henry Purcell

Performer: Peter Harvey (Bass), Christopher Purves (Bass), Julian Podger (Tenor),
Susan Hemington Jones (Soprano), Charles Daniels (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 1688; England
Venue: Brinkburn Priory, Northumberland
Length: 11 Minutes 14 Secs.
Language: English

Concerti grossi (12), Op. 6 by Arcangelo Corelli

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1708-1712; Rome, Italy

Pièces de clavecin, Book 3: Ordre 15 in A minor/A major by François Couperin

Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1722; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 20 Minutes 10 Secs.

L'art de toucher le clavecin by François Couperin

Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1716; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 13 Minutes 21 Secs.

Pièces de clavecin: Suite in D minor by Louis Couperin

Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 20 Minutes 21 Secs.

Pièces de clavecin: L'intrépide by Armand-Louis Couperin

Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 1 Minutes 56 Secs.

Pièces de clavecin: Rondeau "L'Arlequine ou la Adam" by Armand-Louis Couperin

Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1751; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 2 Minutes 49 Secs.

Pièces de clavecin: L'arlequine ou la Adam by Armand-Louis Couperin

Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1751; France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands

Destati Lidia mia by Francesco Gasparini

Performer: Andreas Scholl (Countertenor), Ottavio Dantone (Harpsichord)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1716; Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 10 Minutes 6 Secs.
Language: Italian

Ecco, che al fin ritorno by Francesco Gasparini

Performer: Ottavio Dantone (Harpsichord), Andreas Scholl (Countertenor)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1716; Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 11 Minutes 1 Secs.
Language: Italian

Fermate omai fugace e bella by Alessandro Scarlatti

Performer: Andreas Scholl (Countertenor), Ottavio Dantone (Harpsichord)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1724; Naples, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 11 Minutes 49 Secs.
Language: Italian

Quando penso agl'affani by Benedetto Marcello

Performer: Andreas Scholl (Countertenor), Ottavio Dantone (Harpsichord)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1720s; Venice, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 19 Minutes 43 Secs.
Language: Italian

Navicella, ove ten vai by Bernardo Pasquini

Performer: Ottavio Dantone (Harpsichord), Andreas Scholl (Countertenor)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 8 Minutes 27 Secs.
Language: Italian

Sinfonia à 4 by Bernardo Pasquini

Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 4 Minutes 10 Secs.

Concertino à 7 in G minor "del Signore Arcangelo Corelli" by Arcangelo Corelli

Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Rome, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 8 Minutes 13 Secs.

Introduzione à 4 by Pietro Paolo Bencini

Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 4 Minutes 6 Secs.

Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 4 Minutes 42 Secs.

Overture for Strings in G minor, BWV 1070 by Johann Sebastian Bach

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 17 Minutes 35 Secs.

Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia"by Antonio Vivaldi

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1705; Venice, Italy
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 8 Minutes 45 Secs.

Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399by George Frideric Handel

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: circa 1737-1738; London, England
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 13 Minutes 1 Secs.

Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach

Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1738-1739; Leipzig, Germany
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 22 Minutes 8 Secs.

L'estro armonico, Op. 3 by Antonio Vivaldi

Performer: Simon Standage (Violin), Micaela Comberti (Violin), Jaap ter Linden (Cello),
Miles Golding (Violin), Elizabeth Wilcock (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1711; Venice, Italy

Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi

Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1725; Venice, Italy

Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi

Performer: Trevor Pinnock (Harpsichord), Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1725; Venice, Italy

Concerto for Violin in F major, Op. 8 no 3/RV 29



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