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Notes & Reviews:
With our All-Baroque Box we realize one of our fondest superbudget-box dreams: harnessing the supreme catalogue of Archiv Produktion (supplemented on occasion by Decca L'oiseau lyre recording) to give our customers a comprehensive collection of great music from Monteverdi to Bach.
The music ranges from huge Baroque (Missa Salisburghensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (Goldberg Variations, Bach cello suites, solo cantatas) - overwhelming in its impact and emotional content.
Of course, Baroque music is also an ideal lifestyle choice - nothing quite like it to get you going in the morning or to accompany your final thought at the end of the day... it's all here to sample and to revel in.
Monteverdi, Vivaldi, Rameau, Handel and Bach are the main composers included, with Vespers, concertos, operas, cantatas, oratorios and passions galore.
Plus classic recordings of Giovanni Grabrieli, Biber, Lully, Charpentier, Purcell, Corelli, Couperings, Heinichen, Telemann, Domenico Scarlatti and Pergolesi and many more. Four complete opera: Monteverdin's Orfeo, Purcell's Dido and Aeneas, Rameau's Dardanus and Handel's Giulio Cesare. Favorites are there too, including the Allegri Misrere and the Pachelbel Canon and Guige.
The performances, almost all in the period-instrument tradition, bring together the great artists of Archiv of the last 30 years John Eliot Gardiner, Reinhard Goebel, Paul McCreesh, Marc, Minkowski and Trevor Pinnock, with their respective choirs and orchestras - all of an outstanding quality. Soloists include Anne Sofie von Otter, Andreas Scholl, Emma Kirkby, Simon Preston, Christophe Rousset, Gustav Leonhardt, Simon Standage - the heroes and heroines of the early music movement.
Captures a real Baroque look - five different images of models floating in water, swathed in rich colored fabrics. They could be figures from a Roman baroque ceiling or altar. The booklet, running to 140 pages, provides, in addition to a full-scale track list, a Baroque timeline of political and cultural event, the whole illustrade y original sketches from Fred Munzmaier, DG's former creative director.
Works:
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Peter Harvey (Bass)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1727; Cöthen, Germany
Date of Recording: 02/2000
Venue: Priory Church, Christchurch, Dorset
Length: 23 Minutes 39 Secs.
Language: German
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer: Stephen Varcoe (Bass Baritone), Anthony Rolfe Johnson (Tenor), Michael Chance (Countertenor),
Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 03/1990
Length: 24 Minutes 35 Secs.
Language: German
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Michael Chance (Countertenor), Anthony Rolfe Johnson (Tenor),
Stephen Varcoe (Bass Baritone)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Written: 1723
Date of Recording: 03/1990
Length: 28 Minutes 5 Secs.
Language: German
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer: Deborah York (Soprano), Julia Gooding (Soprano), Magdalena Kozená (Mezzo Soprano),
Susan Bickley (Mezzo Soprano), Mark Padmore (Tenor), Peter Harvey (Bass),
James Gilchrist (Tenor), Stephan Loges (Bass)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Circa 1727; Leipzig, Germany
Date of Recording: 04/2002
Length: 161 Minutes 32 Secs.
Language: German
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer: Lynne Dawson (Soprano), Jane Fairfield (Soprano), Jean Knibbs (Soprano),
Patrizia Kwella (Soprano), Carol Hall (Soprano), Mary Nichols (Mezzo Soprano),
Michael Chance (Countertenor), Patrick Collin (Countertenor), Ashley Stafford (Countertenor),
Wynford Evans (Tenor), Howard Milner (Tenor), Andrew Murgatroyd (Tenor),
Richard Lloyd Morgan (Bass), Stephen Varcoe (Bass), Elizabeth Wilcock (Violin),
Lisa Beznosiuk (Flute), Sophia McKenna (Oboe), Valerie Darke (Oboe),
Michael Thompson (French Horn), Timothy Mason (Cello), Nancy Argenta (Soprano),
Valerie Botwright (Double Bass), Alastair Ross (Organ), Paul Nicholson (Harpsichord)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1747-49; Leipzig, Germany
Date of Recording: 02/1985
Venue: All Saints' Church, Tooting, London
Length: 106 Minutes 22 Secs.
Language: Latin
Giulio Cesare, HWV 17 by George Frideric Handel
Performer: Pascal Bertin (Countertenor), Bejun Mehta (Boy Soprano), Magdalena Kozená (Mezzo Soprano),
Anne Sofie von Otter (Mezzo Soprano), Marijana Mijanovic (Alto), Alan Ewing (Bass),
Jean-Michel Ankaoua (Baritone), Charlotte Hellekant (Mezzo Soprano)
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1724; London, England
Date of Recording: 11/2002
Venue: Grosser Saal, Konzerthaus, Vienna
Length: 219 Minutes 18 Secs.
Language: Italian
Messiah, HWV 56 by George Frideric Handel
Performer: Anne Sofie von Otter (Mezzo Soprano), Arleen Augér (Soprano), Michael Chance (Countertenor),
John Tomlinson (Bass Baritone), Howard Crook (Tenor)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert, English Concert Choir
Period: Baroque
Written: 1742; Dublin, Ireland
Language: English
Water Music, HWV 348-350 by George Frideric Handel
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1715/1736; London, England
Water Music Suite no 1 in F major, HWV 348 by George Frideric Handel
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1715-1717; London, England
Water Music Suite no 2 in D major, HWV 349 by George Frideric Handel
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1715-1717; London, England
Water Music Suite no 3 in G major, HWV 350 by George Frideric Handel
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1715-1717; London, England
Music for the Royal Fireworks, HWV 351 by George Frideric Handel
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1749; London, England
Length: 17 Minutes 44 Secs.
Dixit Dominus, HWV 232 by George Frideric Handel
Performer: Arleen Augér (Soprano), Diana Montague (Soprano), John Mark Ainsley (Tenor),
Lynne Dawson (Soprano), Leigh Nixon (Tenor), Simon Birchall (Bass)
Conductor: Simon Preston
Orchestra/Ensemble: Westminster Abbey Choir, Westminster Abbey Orchestra
Period: Baroque
Written: 1707; Italy
Language: Latin
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English
Coronation Anthems (4): no 3, HWV 260 "The king shall rejoice" by George Frideric Handel
Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English
Coronation Anthems (4): no 4, HWV 261 "My heart is inditing" by George Frideric Handel
Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English
Coronation Anthems (4): no 2, HWV 259 "Let thy hand be strengthened" by George Frideric Handel
Performer: Simon Preston (Organ)
Conductor: Trevor Pinnock
Orchestra/Ensemble: Westminster Abbey Choir, English Concert
Period: Baroque
Written: 1727; London, England
Language: English
Sonata for Harpsichord in C major, K 502/L 3 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
Sonata for Harpsichord in C major, K 460/L 324 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 6 Minutes 0 Secs.
Sonata for Harpsichord in D minor, K 516/L S12 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
Sonata for Harpsichord in D minor, K 517/L 266 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
Sonata for Harpsichord in D major, K 478/L 12 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
Sonata for Harpsichord in D major, K 479/L S16 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.
Sonata for Harpsichord in F major, K 518/L 116 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
Sonata for Harpsichord in F minor, K 519/L 475 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
Sonata for Harpsichord in G minor, K 546/L 312 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.
Sonata for Harpsichord in G major, K 547/L S28 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
Sonata for Harpsichord in B flat major, K 529/L 327 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
Sonata for Harpsichord in B flat major, K 544/L 497 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 5 Minutes 0 Secs.
Sonata for Harpsichord in B flat major, K 545/L 500 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 3 Minutes 0 Secs.
Sonata for Harpsichord in C major, K 461/L 8 by Domenico Scarlatti
Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 18th Century
Date of Recording: 10/1986
Venue: New Victoria Theatre, Basford
Length: 4 Minutes 0 Secs.
Stabat Mater by Giovanni Battista Pergolesi
Performer: Emma Kirkby (Soprano), James Bowman (Countertenor)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1736; Pozzuoli, Italy
Date of Recording: 08/1988
Venue: St Jude-on-the-Hill, Hampstead, London
Length: 37 Minutes 17 Secs.
Language: Latin
Salve Regina in C minor by Giovanni Battista Pergolesi
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1736; Pozzuoli, Italy
Date of Recording: 08/1988
Venue: St Jude-on-the-Hill, Hampstead, London
Language: Latin
Miserere mei Deus by Gregorio Allegri
Conductor: Simon Preston
Orchestra/Ensemble: Westminster Abbey Choir
Period: Renaissance
Written: by 1603; Italy
Date of Recording: 02/1985
Venue: All Saints' Church, Tooting, London
Length: 12 Minutes 0 Secs.
Language: Latin
L'Orfeo by Claudio Monteverdi
Performer: Lynne Dawson (Soprano), Anthony Rolfe Johnson (Tenor), Anne Sofie von Otter (Mezzo Soprano),
John Tomlinson (Bass), Nancy Argenta (Soprano), Mary Nichols (Soprano),
Diana Montague (Soprano), Willard White (Bass), Mark Tucker (Tenor),
Nigel Robson (Tenor), Simon Birchall (Bass), Michael Chance (Countertenor),
Howard Milner (Tenor), Nicholas Robertson (Tenor), Julianne Baird (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1607; Mantua, Italy
Date of Recording: 12/1985
Venue: EMI Abbey Road Studios, London
Length: 105 Minutes 43 Secs.
Language: Italian
Vespro della Beata Vergine by Claudio Monteverdi
Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor),
Bryn Terfel (Bass), Sandro Naglia (Tenor), Nigel Robson (Tenor),
Alastair Miles (Bass), Ann Monoyios (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts ...
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 05/1989
Venue: Live St Mark's Basilica, Venice
Length: 89 Minutes 7 Secs.
Language: Latin
Vespro della Beata Vergine: Magnificat a 7 by Claudio Monteverdi
Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor),
Nigel Robson (Tenor), Sandro Naglia (Tenor), Ann Monoyios (Soprano),
Bryn Terfel (Bass), Alastair Miles (Bass)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, London Oratory Junior Choir
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 07/1989
Venue: Live All Saints' Church, Tooting, London
Length: 18 Minutes 27 Secs.
Language: Latin
Madrigals, Book 7 by Claudio Monteverdi
Performer: Emma Kirkby (Soprano)
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
Written: by 1619; Italy
Language: Italian
Toccata a 4, C237 by Giovanni Gabrieli
Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 1 Minutes 11 Secs.
Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 5 Minutes 10 Secs.
Suscipe clementissime by Giovanni Gabrieli
Performer: Robert Horn (Tenor), Julian Podger (Tenor), Charles Pott (Baritone),
Simon Grant (Bass), Richard Savage (Bass), Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 55 Secs.
Language: Latin
Canzoni et sonate (21): Canzon XIV a 10 by Giovanni Gabrieli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 2 Minutes 52 Secs.
Buccinate in neomenia tuba by Giovanni Gabrieli
Performer: Robin Blaze (Countertenor), Julian Clarkson (Bass), Henry Wickham (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: 1615/1617; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 38 Secs.
Language: Latin
Intonationi d'organo: Del nono tono by Giovanni Gabrieli
Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: by 1593; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 0 Minutes 40 Secs.
Domine, Deus meus by Giovanni Gabrieli
Performer: Robert Harre-Jones (Countertenor), Timothy Roberts (Organ), Donald Greig (Baritone),
Simon Grant (Bass), Charles Pott (Baritone), Steven Harrold (Tenor),
Robert Horn (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort
Period: Renaissance
Written: 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 7 Minutes 19 Secs.
Language: Latin
Audi, dulcis amica mea by Bartolomeo Barbarino
Performer: Fred Jacobs (Chitarrone), Paula Chateauneuf (Chitarrone), David Hurley (Countertenor)
Period: Renaissance
Written: Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 40 Secs.
Language: Latin
Ardens est cor meum by Bartolomeo Barbarino
Performer: Paula Chateauneuf (Chitarrone), David Hurley (Countertenor), Fred Jacobs (Chitarrone)
Period: Renaissance
Written: circa 1608; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 2 Minutes 44 Secs.
Language: Latin
Timor et Tremor by Giovanni Gabrieli
Performer: Timothy Roberts (Organ), Simon Grant (Bass), Charles Pott (Baritone),
Robert Harre-Jones (Countertenor), Henry Wickham (Baritone), Robert Horn (Tenor),
Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort
Period: Renaissance
Written: by 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 45 Secs.
Language: Latin
Intonationi d'organo: Del duodecimo tono by Giovanni Gabrieli
Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: by 1593; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 0 Minutes 33 Secs.
Jubilate Deo a 10 by Giovanni Gabrieli
Performer: Timothy Wilson (Countertenor), Donald Greig (Baritone)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 40 Secs.
Language: Latin
Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 14 Secs.
Misericordia tua Domine by Giovanni Gabrieli
Performer: Robert Harre-Jones (Countertenor), Charles Pott (Baritone), Robert Horn (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 4 Minutes 15 Secs.
Language: Latin
Canzoni et sonate (21): Sonata XX a 22 by Giovanni Gabrieli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 52 Secs.
Magnificat a 33 by Giovanni Gabrieli
Performer: Julian Clarkson (Bass), Henry Wickham (Baritone), Robert Horn (Tenor),
David Hurley (Countertenor), Steven Harrold (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 5 Minutes 56 Secs.
Language: Latin
Symphoniae sacrae, Book 2: In ecclesiis by Giovanni Gabrieli
Performer: Donald Greig (Baritone), Charles Pott (Baritone), Timothy Wilson (Countertenor),
Julian Podger (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1615; Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 6 Minutes 59 Secs.
Language: Latin
Canzoni et sonate (21): Sonata XXI con tre violoni by Giovanni Gabrieli
Performer: Fred Jacobs (Chitarrone), Florian Deuter (Violin), Rachel Podger (Violin),
Anna McDonald (Violin), Paula Chateauneuf (Chitarrone)
Period: Renaissance
Written: Venice, Italy
Date of Recording: 08/1995
Venue: Scuola Grande di San Rocco, Venice
Length: 3 Minutes 52 Secs.
Freue dich des Weibes deiner Jugend, SWV 453 by Heinrich Schütz
Performer: Frieder Lang (Tenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 4 Minutes 0 Secs.
Language: German
Psalms of David, Op. 2: Ist nicht Ephraim mein..., SWV 40 by Heinrich Schütz
Performer: Ashley Stafford (Countertenor), Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1619; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 6 Minutes 0 Secs.
Language: German
Symphoniae sacrae, Op. 12: Saul, Saul, was verfolgst, SWV 415 by Heinrich Schütz
Performer: Carol Hall (Soprano), Michael Chance (Countertenor), Simon Birchall (Baritone),
Lawrence Wallington (Baritone), Frieder Lang (Tenor), Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1650; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 3 Minutes 0 Secs.
Language: German
Geistliche Chormusik, Op. 11/SWV 369-397: Auf dem Gebirge..., SWV 396 by Heinrich Schütz
Performer: Michael Chance (Countertenor), Ashley Stafford (Countertenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, His Majesties Sagbutts and Cornetts
Period: Baroque
Written: 1648; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 6 Minutes 0 Secs.
Language: German
Musicalische Exequien, Op. 7/SWV 279-81 by Heinrich Schütz
Performer: Frieder Lang (Tenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1636; Germany
Date of Recording: 04/1987
Venue: Rosslyn Hill Chapel, Hampstead, London
Length: 30 Minutes 0 Secs.
Language: German
Intonationi d'organo: Excerpt by Giovanni Gabrieli
Performer: Timothy Roberts (Organ)
Period: Renaissance
Deus in adiutorium by Giovanni Gabrieli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Sacrae symphoniae, Book 1: Angelus Domini descendit by Giovanni Gabrieli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: by 1597; Venice, Italy
Dixit Dominus by Giovanni Antonio Rigatti
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Motetti (18): O intemerata by Alessandro Grandi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1621; Venice, Italy
Motetti (16) con le Letanie della beata vergine: Beata es Maria by Alessandro Grandi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1614; Ferrara, Italy
Laudate pueri by Claudio Monteverdi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1640; Italy
Suonata prima by Adriano Banchieri
Performer: Timothy Roberts (Organ)
Period: Baroque
Written: Italy
Beatam me dicent by Adriano Banchieri
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Laetatus sum a 6 by Claudio Monteverdi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Italy
O Maria, quae rapis corda hominum by Giacomo Finetti
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Written: Italy
Haec est quae nescavit by Giacomo Finetti
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Nisi Dominus by Giovanni Antonio Rigatti
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 17th Century; Italy
Dialogo secondo by Adriano Banchieri
Performer: Timothy Roberts (Organ)
Period: Renaissance
Ante thronum by Adriano Banchieri
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Lauda Jerusalem by Pier Francesco Cavalli
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1656; Italy
O quam tu pulchra es by Alessandro Grandi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1625; Venice, Italy
Praeambulum for Organ by Anonymous
Performer: Timothy Roberts (Organ)
Chapter: Ecce virgo by Anonymous
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Deus qui mundum crimine iacentem by Claudio Monteverdi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Italy
Ave Maria, Dominus tecum by Claudio Monteverdi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Spiritus Sanctus by Claudio Monteverdi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Magnificat by Giovanni Antonio Rigatti
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Renaissance
Sonata con tre violini in eco by Biagio Marini
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Players
Period: Baroque
Collect: Dominus vobiscum - Deus, qui de beatae Mariae by Biagio Marini
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Dismissal: Dominus vobiscum - Benedicamus Domino by Biagio Marini
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Laudate Dominum by Claudio Monteverdi
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Italy
Intonazione for Organ by Giovanni Battista Fasolo
Performer: Timothy Roberts (Organ)
Period: Baroque
Written: 17th Century; Italy
Salve regina by Giovanni Antonio Rigatti
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 1646; Italy
Te Deum, LWV 55: Symphonie by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1677; France
La Bocanne primitive by Jacques Cordier
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 17th Century
La Bocanne compliquée by Jacques Cordier
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Phaëton, LWV 61: Troupe d'Astrée dansante by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1683; France
Ballet de la nuit: Overture by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: 20th Century
Written: 1653; Paris, France
Les plaisirs, LWV 2: Sarabande by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1655; France
Ballet de la nuit: Le Roi représentant le soleil levant by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: 20th Century
Written: 1653; Paris, France
Intermèdes de Xerxes, LWV 12: Air pour matelots jouant des trompettes marinesby Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
Intermèdes de Xerxes, LWV 12: Air pour les esclaves et singes dansants by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
Intermèdes de Xerxes, LWV 12: Air pour les postures de Scaramouche by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
Intermèdes de Xerxes, LWV 12: Air pour les docteurs, Frivelins et Polichinelles by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
Intermèdes de Xerxes, LWV 12: Air pour les esclaves dansants by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1660; France
Idylle sur la paix: Air pour Madame la Dauphine by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1685; Paris, France
Alcidiane, LWV 9: Ritournelle et air de Mademoiselle Hilaire by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1658; France
Alcidiane, LWV 9: Overture by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1658; France
Le triomphe de l'amour, LWV 59: Overture by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
Persée, LWV 60: Entrée des divinités infernales by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1682; France
Le bourgeois gentilhomme, LWV 43: Marche pour la cérémonie des Turcs by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France
Le bourgeois gentilhomme, LWV 43: Giourdina by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France
Le bourgeois gentilhomme, LWV 43: Chaconne des Scaramouches by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; Paris, France
Le triomphe de l'amour, LWV 59: Prélude de la nuit by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
Pomone: Passons nos jours dans ces vergers by Robert Cambert
Performer: Céline Scheen (Soprano), Goedele Heidbüchel (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Paris, France
Pomone: Que voyez-vous, mes yeux? by Robert Cambert
Performer: Goedele Heidbüchel (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Paris, France
Armide, LWV 71: Plus j'observe ces lieux by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
Atys, LWV 53: Dormons, dormons tous by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1676; France
Armide, LWV 71: Passacaglia by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
Armide, LWV 71: Act II, Scene 5 - Prelude by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
Les folies d'Espagne by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Les amants magnifiques, LWV 42: Entrée d'Apollon by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: by 1670; France
Le triomphe de l'amour, LWV 59: Entrée d'Apollon by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
Le triomphe de l'amour, LWV 59: Act 4, Scene 2 - Deuxième air by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1681; France
Isis, LWV 54: Scene 1 - Prologue by Jean-Baptiste Lully
Performer: Céline Scheen (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Ex Tempore, Musica Antiqua Cologne
Period: Baroque
Written: by 1677; France
Armide, LWV 71: Quel l'éclait de son nom by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
Armide, LWV 71: Esprits empressés à nous plaire by Jean-Baptiste Lully
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1686; France
Ombre de mon amant by Michel Lambert
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1689; France
Te Deum in D major, H 146 by Marc-Antoine Charpentier
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa ?1690; France
Messe de minuit pour Noël, H 9 by Marc-Antoine Charpentier
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa ?1690; France
In nativitatum Domini canticum, H 416 "Usquequo avertis" by Marc-Antoine Charpentier
Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa ?1685
Dido and Aeneas, Z 626 by Henry Purcell
Performer: Kym Amps (Soprano), Stephen Varcoe (Baritone), Lynne Dawson (Soprano),
Anne Sofie von Otter (Mezzo Soprano), Nigel Rogers (Tenor), Sarah Leonard (Soprano),
Elisabeth Priday (Soprano), Carol Hall (Soprano)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert, English Concert Choir
Period: Baroque
Written: 1689; England
Date of Recording: 07/1988
Venue: Henry Wood Hall, London
Length: 53 Minutes 56 Secs.
Language: English
Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day" by Henry Purcell
Performer: Julian Podger (Tenor), Susan Hemington Jones (Soprano), Mark Le Brocq (Countertenor),
Charles Daniels (Tenor), Charles Pott (Bass), Peter Harvey (Bass),
Christopher Purves (Bass), Tim Wilson (Countertenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 1692; England
Venue: Brinkburn Priory, Northumberland
Length: 49 Minutes 16 Secs.
Language: English
My beloved spake, Z 28 by Henry Purcell
Performer: Peter Harvey (Bass), Charles Pott (Bass), Charles Daniels (Tenor),
Julian Podger (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: by 1678; England
Venue: Brinkburn Priory, Northumberland
Length: 9 Minutes 34 Secs.
Language: English
O sing unto the Lord, Z 44 by Henry Purcell
Performer: Peter Harvey (Bass), Christopher Purves (Bass), Julian Podger (Tenor),
Susan Hemington Jones (Soprano), Charles Daniels (Tenor)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: 1688; England
Venue: Brinkburn Priory, Northumberland
Length: 11 Minutes 14 Secs.
Language: English
Concerti grossi (12), Op. 6 by Arcangelo Corelli
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1708-1712; Rome, Italy
Pièces de clavecin, Book 3: Ordre 15 in A minor/A major by François Couperin
Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1722; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 20 Minutes 10 Secs.
L'art de toucher le clavecin by François Couperin
Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1716; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 13 Minutes 21 Secs.
Pièces de clavecin: Suite in D minor by Louis Couperin
Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 20 Minutes 21 Secs.
Pièces de clavecin: L'intrépide by Armand-Louis Couperin
Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 1 Minutes 56 Secs.
Pièces de clavecin: Rondeau "L'Arlequine ou la Adam" by Armand-Louis Couperin
Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1751; Paris, France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Length: 2 Minutes 49 Secs.
Pièces de clavecin: L'arlequine ou la Adam by Armand-Louis Couperin
Performer: Gustav Leonhardt (Harpsichord)
Period: Baroque
Written: by 1751; France
Date of Recording: 05/1987
Venue: Haarlem, The Netherlands
Destati Lidia mia by Francesco Gasparini
Performer: Andreas Scholl (Countertenor), Ottavio Dantone (Harpsichord)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1716; Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 10 Minutes 6 Secs.
Language: Italian
Ecco, che al fin ritorno by Francesco Gasparini
Performer: Ottavio Dantone (Harpsichord), Andreas Scholl (Countertenor)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1716; Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 11 Minutes 1 Secs.
Language: Italian
Fermate omai fugace e bella by Alessandro Scarlatti
Performer: Andreas Scholl (Countertenor), Ottavio Dantone (Harpsichord)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1724; Naples, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 11 Minutes 49 Secs.
Language: Italian
Quando penso agl'affani by Benedetto Marcello
Performer: Andreas Scholl (Countertenor), Ottavio Dantone (Harpsichord)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: 1720s; Venice, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 19 Minutes 43 Secs.
Language: Italian
Navicella, ove ten vai by Bernardo Pasquini
Performer: Ottavio Dantone (Harpsichord), Andreas Scholl (Countertenor)
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 8 Minutes 27 Secs.
Language: Italian
Sinfonia à 4 by Bernardo Pasquini
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 4 Minutes 10 Secs.
Concertino à 7 in G minor "del Signore Arcangelo Corelli" by Arcangelo Corelli
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Rome, Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 8 Minutes 13 Secs.
Introduzione à 4 by Pietro Paolo Bencini
Conductor: Ottavio Dantone
Orchestra/Ensemble: Accademia Bizantina
Period: Baroque
Written: Italy
Date of Recording: 02/2003
Venue: Milan Auditorium, Milan, Italy
Length: 4 Minutes 6 Secs.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: Germany
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 4 Minutes 42 Secs.
Overture for Strings in G minor, BWV 1070 by Johann Sebastian Bach
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 17 Minutes 35 Secs.
Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia"by Antonio Vivaldi
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1705; Venice, Italy
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 8 Minutes 45 Secs.
Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399by George Frideric Handel
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: circa 1737-1738; London, England
Date of Recording: 1983
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 13 Minutes 1 Secs.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1738-1739; Leipzig, Germany
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 22 Minutes 8 Secs.
L'estro armonico, Op. 3 by Antonio Vivaldi
Performer: Simon Standage (Violin), Micaela Comberti (Violin), Jaap ter Linden (Cello),
Miles Golding (Violin), Elizabeth Wilcock (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1711; Venice, Italy
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer: Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1725; Venice, Italy
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer: Trevor Pinnock (Harpsichord), Simon Standage (Violin)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1725; Venice, Italy
Concerto for Violin in F major, Op. 8 no 3/RV 29
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