Audio Samples
Me Without You
Steal My Show
Eye On It
Forgiveness - (featuring Lecrae)
Speak Life
Unstoppable
Lose Myself
Family
Thankful for You
Made for Me
Mac Daddy (Tru's Reality)
Favorite SongTrack List
Me Without You
Steal My Show
Eye On It
Forgiveness - (featuring Lecrae)
Speak Life
Unstoppable
Lose Myself
Family
Thankful for You
Made for Me
Mac Daddy (Tru's Reality)
Favorite SongAlbum Reviews:
Billboard (p.44) - "TobyMac takes the Christian genre beyond the walls of the church, and EYE ON IT will continue to broaden perceptions about faith-based music."
Album Notes
Recording information: FabMusic, Franklin, TN; The Blue Room, Franklin, TN.
Photographer: Lee Steffen .
Like 2010's bright and engaging Tonight, Toby McKeehan's fifth solo outing further distances the Grammy- and Dove-award winning contemporary christian music artist from his hip-hop past, offering up 12 perfectly executed slabs of slick, radio-ready, electro-tinged pop that eschew religious dogma for affable, everyman spirituality. A pulsating, relentlessly positive set of tunes that toggle between the dancefloor, the bedroom window, and the open road, the 12-track Eye On It represents tobyMac's most accessible collection of songs to date. Fat synth saw leads dominate the more club-oriented cuts like the propulsive title cut, "Me Without You," and "Unstoppable," which features guest vocals from Blanca Callahan of Group 1 Crew, while McKeehan adopts a decidedly more introspective temperament on more midtempo numbers like "Steal My Show," Lose Yourself," and "Forgiveness," the latter of which, in a nod to dc Talk-era McKeehan's hip-hop days, includes an appearance by rapper/producer/actor Lecrae. In keeping with the tradition of tobyMac's reputation for mixing things up in the genre department, Eye On It ends on a truly whimsical note with "My Favorite Song," an inspirational, feel-good romp that pairs the heart-on-its-sleeve piano pop of Fun.'s "We are Young" (with predictably less debauched trappings) with the bottle-swinging camaraderie of a barrelhouse singalong, resulting in a whole new CCM subgenre that's best described as christian electro-ragtime. ~ James Christopher Monger























