Album Summary
Performer
Philippe Entremont (Piano)
Notes & Reviews:
Although Camille Saint-Saëns ranks among the most notable of French composers, he was also one of the leading pianists of his day - a child prodigy whose virtuosic talent delighted audiences well into his later years. Philippe Entremont has long been admired for his panache in Romantic music. Michel Plasson and the Orchestre National du Capitole de Toulouse complete an all-French line-up.
American Record Guide, January/February 2013
Many collectors are content with the two most played and recorded Saint-Saens concertos, 2 and 5. No. 2 has been recorded 20 or 30 times - and by such luminaries as Gilels, Rubinstein, and Earl Wild. Richter recorded No. 5. Those are all great recordings.
Recording information: Halle aux Grains, Toulouse, France.
Reviews
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Camille Saint-Saëns (1835 - 1921) : Concerto for Piano no 1 in D major, Op. 17 - Performer: Philippe Entremont (Piano)
- Conductor: Michel Plasson
- Ensemble: Orchestre National du Capitole de Toulouse
- Running Time: 27 min. 35 sec.
- Period Time: Post Romantic
- Form: Concerto
- Written: 1858
Camille Saint-Saëns (1835 - 1921) : Concerto for Piano no 2 in G minor, Op. 22 - Performer: Philippe Entremont (Piano)
- Conductor: Michel Plasson
- Running Time: 23 min. 10 sec.
- Period Time: Post Romantic
- Form: Concerto
- Written: 1868
Camille Saint-Saëns (1835 - 1921) : Concerto for Piano no 3 in E flat major, Op. 29 - Performer: Philippe Entremont (Piano)
- Conductor: Michel Plasson
- Running Time: 13 min. 55 sec.
- Period Time: Post Romantic
- Form: Concerto
- Written: 1869
Camille Saint-Saëns (1835 - 1921) : Concerto for Piano no 4 in C minor, Op. 44 - Performer: Philippe Entremont (Piano)
- Conductor: Michel Plasson
- Running Time: 26 min. sec.
- Period Time: Post Romantic
- Form: Concerto
- Written: 1875
Camille Saint-Saëns (1835 - 1921) : Concerto for Piano no 5 in F major, Op. 103 "Egyptian" - Performer: Philippe Entremont (Piano)
- Conductor: Michel Plasson
- Running Time: 28 min. 4 sec.
- Period Time: Post Romantic
- Form: Concerto
- Written: 1896























