1 800 222 6872

Katherine Jenkins: Ultimate Collection [Fan Edition] [Bonus DVD]

Notes & Reviews:

UK only fan edition includes two CD's + a bonus DVD. The world's favourite mezzo-soprano finally receives the best-of treatment with this collection of her most cherished recordings. From the crossovers of Cohen's 'Hallelujah' to the straight operatic conventions of Puccini's 'O Mio Babbino Caro', Jenkins proves that she is nothing if not versatile. Her lengthy career has also seen such highlights as a version of 'Time To Say Goodbye' (originally made famous by AndreaBocelli and Sarah Brightman) and Andrew Lloyd Webber's 'Music Of The Night', from his 'Phantom Of The Opera' musical. Throughout this collection, it is Jenkins' maturity beyond her years that impresses most in performance.

Notes & Reviews:

Released shortly after the Welsh soprano turned 30, the Katherine Jenkins compilation The Ultimate Collection is a good summation of her recording career so far. In that sense, it tends to confirm the impression of her as essentially a blonde, 20-years-younger Sarah Brightman, to the point of repeating many songs associated with Brightman, such as "Time to Say Goodbye," "Pie Jesu," and "The Music of the Night." In the classical crossover world of Brightman and Jenkins, one takes familiar pop ballads and show tunes and finds ways to suggest that they are to be considered classical music. Thus, Jenkins sings the Dolly Parton-penned Whitney Houston hit "I Will Always Love You" and the theme from Robin Hood: Prince of Thieves, "(Everything I Do) I Do It for You" (written by Bryan Adams, Michael Kamen, and Mutt Lange, and a hit for Adams), in Italian, as if they were arias from lost operas. She also takes on show tunes like "I Could Have Danced All Night" and "Don't Cry for Me Argentina." And she treats Leonard Cohen's "Hallelujah" as if it were a sacred hymn. (It isn't, but she's not the first singer to think it is, and for Cohen, that's made it his most valuable copyright since "Suzanne.") Of course, she also does a few actual classical pieces. From a pop perspective, it seems odd that she re-covers so much oft-covered material. But from a classical perspective, it simply may be that Brightman has established a classical crossover repertoire, and as with any classical repertoire, each succeeding generation has the right and obligation to reinterpret it. Certainly, Jenkins' sales indicate that her audience is perfectly happy to hear her sing this crop of recent warhorses, and The Ultimate Collection puts them on one disc. ~ William Ruhlmann


There are currently no reviews, be the first one!
Login or Create an Account to write a review