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Antoine Dauvergne: La Vénitienne / Katia Velletaz, Chantal Santon, Kareen Durand, Isabelle Cals, Matthias Vidal, Alain Buet

Audio Samples

  1. Dauvergne — La Venitienne: Ouverture $0.99 on iTunes
  2. Dauvergne — La Venitienne, Act I Scene 1: Tendres plaisirs (Leonore) $0.99 on iTunes
  3. Dauvergne — La Venitienne, Act I Scene 2: Quoi? vous me trahisses, ingrate Leonore! (Isabelle, Leonore) $0.99 on iTunes
  4. Dauvergne — La Venitienne, Act I Scene 4: De mille amants en vain nous recevons les voeux - Cachons-nous (Spinette) $0.99 on iTunes
  5. Dauvergne — La Venitienne, Act I Scene 6: Donnes nous des jours fortunes (Choir) $0.99 on iTunes
  6. Dauvergne — La Venitienne, Act I Scene 6: Tres marque et tres pointe, sans lenteur $0.99 on iTunes
  7. Dauvergne — La Venitienne, Act I Scene 6: Air des Barcarolles $0.99 on iTunes
  8. Dauvergne — La Venitienne, Act I Scene 6: Au plus aimable voyage (Zerbin) $0.99 on iTunes
  9. Dauvergne — La Venitienne, Act I Scene 6: Premier Menuet - Deuxieme Menuet $0.99 on iTunes
  10. Dauvergne — La Venitienne, Act I Scene 6: Premier Tambourin - Deuxieme Tambourin $0.99 on iTunes
  11. Dauvergne — La Venitienne, Act I Scene 6: Contredanse $0.99 on iTunes
  12. Dauvergne — La Venitienne, Act II Scene 1: Prelude - Tes pas sont incertains (Octave, Zerbin) $0.99 on iTunes
  13. Dauvergne — La Venitienne, Act II Scene 1: Pour braver les perils (Zerbin) $0.99 on iTunes
  14. Dauvergne — La Venitienne, Act II Scene 2: Livrons-nous au sommeil (Zerbin) $0.99 on iTunes
  15. Dauvergne — La Venitienne, Act II Scene 3: Tu peux dormir, ingrat - Regnes haine, fureur (Isabelle) $0.99 on iTunes
  16. Dauvergne — La Venitienne, Act II Scene 3: Ah! Quelle est cette voix? (Zerbin, Isabelle) $0.99 on iTunes
  17. Dauvergne — La Venitienne, Act II Scene 4: Prelude - Vous croyes me surprendre (Octave, Ismeride, Zerbin) $0.99 on iTunes
  18. Dauvergne — La Venitienne, Act II Scene 4: O vous, qui vives sous mes lois! - Que tout tremble (Ismeride, Choir) $0.99 on iTunes
  19. Dauvergne — La Venitienne, Act II Scene 4: Air: Grave $0.99 on iTunes
  20. Dauvergne — La Venitienne, Act II Scene 4: Noir Souverain des tenebreux abimes (Ismeride) $0.99 on iTunes
  21. Dauvergne — La Venitienne, Act II Scene 4: Que la guerre en cent lieux repande la terreur (Ismeride, Choir) $0.99 on iTunes
  22. Dauvergne — La Venitienne, Act II Scene 4: Air: Presto $0.99 on iTunes
  23. Dauvergne — La Venitienne, Act II Scene 4: Ne suis-je pas deja dans les sombres Royaumes? (Zerbin, Ismeride) $0.99 on iTunes
  24. Dauvergne — La Venitienne, Act II Scene 4: Avancons! (Isabelle) $0.99 on iTunes
  25. Dauvergne — La Venitienne, Act II Scene 4: Quelle horreur! (Choir) $0.99 on iTunes
  26. Dauvergne — La Venitienne, Act II Scene 4: Air des Devins: Prestissimo $0.99 on iTunes
  27. Dauvergne — La Venitienne, Act III Scene 2: Vous revies seule en ce sejour (Octave) $0.99 on iTunes
  28. Dauvergne — La Venitienne, Act III Scene 3: Je vous revois enfin (Isabelle, Leonore) $0.99 on iTunes
  29. Dauvergne — La Venitienne, Act III Scene 3: Mon coeur brule de mille feux - Ah! caches a ses yeux les beautes (Isabelle) $0.99 on iTunes
  30. Dauvergne — La Venitienne, Act III Scene 3: Calmes le transport qui vous guide (Isabelle, Octave, Leonore) $0.99 on iTunes
  31. Dauvergne — La Venitienne, Act III Final Scene: Air pour les Masques - Loin de nos jeux, importune sagesse (Choir) $0.99 on iTunes
  32. Dauvergne — La Venitienne, Act III Final Scene: Air pour les Polonais $0.99 on iTunes
  33. Dauvergne — La Venitienne, Act III Final Scene: Premier Menuet - Second Menuet $0.99 on iTunes

Notes & Reviews:

Antoine Dauvergne's final operatic work follows none of the established genres of the period. Taking a libretto written during the reign of Louis XIV in 1705, he drew on the best of his talent and skill to create a synthesis of everything that was modern at that time.

American Record Guide, May/June 2013
With this comedie-lyrique, the composer was certainly pointing to the style of direct, tuneful, light drama that became identified with Gretry. Its slender plot of domestic drama, set in Venice, reminds one of the comedies of Goldoni - who was, in fact, active in Paris at the time. The six singers are not familiar, but they are vocally excellent and idiomatic. The one who catches my attention is the bass Alain Buet, since - by a curious coincidence - he also appears in the Hercule recording.



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