Antonio de Cabezón: Obras de Música - Complete Edition / Claudio Astronio

Notes & Reviews:

As court organist to Queen Isabella as well as the music teacher of her children with Charles V, Antonio de Cabezón was perfectly placed to become the most important composer of the Spanish Golden Age of the 16th century. This complete recorded survey celebrates his remarkable body of work as well as his unique style and mastery.


Works:

Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Conductor: Claudio Astronio
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 7 Minutes 1 Secs.

Sancta Maria Verdelot (after Verdelot) by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 6 Minutes 59 Secs.

Ave Maria Jusquin (after Josquin) by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 6 Minutes 22 Secs.

Ultimi miei suspiri (after Verdelot) by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 5 Minutes 42 Secs.

Ardenti miei suspiri (after Verdelot) by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 6 Minutes 26 Secs.

Diferencias sobre "Las Vacas" by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 44 Secs.

Diferencias sobre el canto llano del "Caballero" by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 6 Secs.

Discante sobre la pavana italiana by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: circa 1550
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 40 Secs.

Diferencias sobre "La dama le demanda" by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 4 Secs.

Diferencias sobre el canto "De quien teme enojo Isabel", for keyboard by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 7 Minutes 14 Secs.

Duuiensela by Antonio De Cabezón

Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 26 Secs.

Tres dúos para principiantes para mostrar a llevar el compas by Antonio De Cabezón

Performer: Claudio Astronio (Regal), Claudio Astronio (Harpsichord)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa Evangelica di Bolzano / Museo del
Length: 1 Minutes 49 Secs.

Dos Ave maris stellas. Lleva el canto llano el contrabajo by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 1 Minutes 31 Secs.

Dos Ave maris stellas. Lleva el canto llano el triple by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa Evangelica di Bolzano / Museo del
Length: 2 Minutes 9 Secs.

Te lucis ante terminum. Lleva el canto llano el tenor by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 9 Secs.

Duo by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 1 Secs.

Tres Kiryes sobre el canto llano de Rex Virginum by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 3 Minutes 26 Secs.

Ave maris stella, de Hernando de Cabeçon. Lleva el canto llano el contrabaxo by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 1 Minutes 23 Secs.

Otra Ave maris stella. Canto llano, el tenor by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 45 Secs.

Pange lingua. Canto llano tenor by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Venue: Museo del Convento di S. Giuseppe da Cop
Length: 1 Minutes 50 Secs.

Otra pange lingua by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 58 Secs.

Queramus. Moton con 2 y 3 parte by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 8 Minutes 38 Secs.

Queramus. Moton con differente glosa con segundo parte by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 4 Minutes 20 Secs.

Clama neceses. Jusquin by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 5 Minutes 58 Secs.

Quatro favordones del primier tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 2 Minutes 48 Secs.

Quatro favordones del segundo tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 2 Minutes 2 Secs.

Quatro favordones del tercer tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 2 Minutes 1 Secs.

Quatro favordones del quarto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 1 Minutes 53 Secs.

Quatro favordones del quinto tono by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 1 Minutes 48 Secs.

Quatro favordones del sexto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 2 Minutes 41 Secs.

Quatro favordones del septimo tono by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Venue: Museo del Convento di S. Giuseppe da Cop
Length: 1 Minutes 49 Secs.

Quatro favordones del octavo tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 2 Minutes 24 Secs.

Ave maris stella a 2 by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 1578; Spain
Date of Recording: 1997
Venue: Italy
Length: 1 Minutes 16 Secs.

Ave maris stella IV by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 16 Secs.

Veni creator spiritus by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 37 Secs.

Christe redemptor by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 17 Secs.

Ut queant laxis by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda Wind Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 1 Minutes 56 Secs.

Pange lingua by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi String Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 18 Secs.

Otra pange lingua by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 51 Secs.

Missa del home arme: Osana by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 28 Secs.

Benedictus de la missa del home arme by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 21 Secs.

Canto Ilano Beata viscera Mariae Virginis by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 10 Secs.

Cum sancto spiritu de Beata Virgine by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 34 Secs.

Ave maris stella a 3 by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi String Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 41 Secs.

Kyries (4) de nuestra Señora by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda Wind Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 25 Secs.

Kyries (4) del primer tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 2 Secs.

Kyries (4) del segundo tono by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 56 Secs.

Kyries (4) del tercer tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 4 Secs.

Kyries (4) del cuarto tono by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi String Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 0 Secs.

Kyries (4) del sexto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 4 Minutes 1 Secs.

Kyries (4) del séptimo tono by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 59 Secs.

Kyries (4) del quinto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 19 Secs.

Si bona susceptimus (after Verdelot) by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del borgo di Presule
Length: 6 Minutes 37 Secs.

Aspice Domine (after Josquin) by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 7 Minutes 35 Secs.

Je fille quant dieu me donne de quoy (after Willaert) by Antonio De Cabezón

Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 1 Minutes 15 Secs.

Pisne me pulvenir, for keyboard (after Crequillon) by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 2 Minutes 54 Secs.

Aiuli vous sola verdura, for keyboard (after Lupus) by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 3 Minutes 5 Secs.

Ayme qui Voldra (after Gomberth) by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del borgo di Presule
Length: 4 Minutes 13 Secs.

Durmendo un jorno (after Verdelot) by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 4 Minutes 14 Secs.

Triste de par (after Gombert) by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del borgo di Presule
Length: 3 Minutes 24 Secs.

Je suis ayme (after Criquillon) by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 3 Minutes 14 Secs.

Tiento I del segundo tono, for keyboard by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 4 Minutes 6 Secs.

Tiento del quarto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Venue: Museo del convento di S. Giuseppe da Cop
Length: 3 Minutes 50 Secs.

Tiento del primer tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Venue: Museo del convento di S. Giuseppe da Cop
Length: 5 Minutes 50 Secs.

Tiento IV sobre "Qui la dira", for keyboard by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 3 Minutes 51 Secs.

Tiento del 3 tono. Fugas al contrario by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 5 Minutes 27 Secs.

Tiento del quinto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

Tiento del quarto tono by Antonio De Cabezón

Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain

Tiento del octavo tono by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Written: 16th Century; Spain

Tiento del primer tono by Antonio De Cabezón

Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain

Tiento del sexto tono by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

Tiento sobre "Cum sanctu spiritu" (after Josquin) by Antonio De Cabezón

Performer: Claudio Astronio (Regal)

Stabat mater (after Josquin) by Antonio De Cabezón

Performer: Claudio Astronio (Organ)

Inviolata (after Josquin) by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda

Pisne me pulvenir (after Hernando de Cabezón) by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi

Susana un jur by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda

Susana by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Written: Portugal

Qui la dira by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

Ad Dominum cum tribularer by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda

Pues a mi desconsolado by Antonio De Cabezón

Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi

Quien llamo al partir, partir? by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

Comiençan las canciones glosadas a quatro by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

Comiençan los versos de Magnificat sobre todos los ocho tonos I by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

Comiençan las obras de a quatro by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

Motetes de a cinco III by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

Versos de Magnificat II by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

Discantes II by Antonio De Cabezón

Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet



American Record Guide, March / April 2013
This in addition to his own subtle performances on various organs, harpsichords, and regal. The keyboard instruments used by Astronio for his solo performances are quite pleasant to hear: three restored 16th Century Italian organs, three copies of 16th- and 17th Century Italian harpsichords, and an original 17th Century regal. This is a rich legacy of music ready to be enjoyed.



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