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Dvorák: Silent Woods

> Violin Sonatina in G major, Op. 100, B. 183 (arr. C. Poltera for cello and piano) - I. Allegro risoluto
> Violin Sonatina in G major, Op. 100, B. 183 (arr. C. Poltera for cello and piano) - II. Larghetto
> Violin Sonatina in G major, Op. 100, B. 183 (arr. C. Poltera for cello and piano) - III. Scherzo: Molto vivace
> Violin Sonatina in G major, Op. 100, B. 183 (arr. C. Poltera for cello and piano) - IV. Finale: Allegro
> Rondo in G minor, Op. 94, B. 171 - Rondo in G minor, Op. 94, B. 171
> Klid (Silent Woods), Op. 68, No. 5, B. 173 - Klid (Silent Woods), Op. 68, No. 5, B. 173
> Zigeunermelodien, Op. 55, B. 104: No. 4. Als die alte Mutter (Songs my Mother Taught Me) (arr. C. Poltera for cello and piano) - Zigeunermelodien, Op. 55, B. 104: No. 4. Als die alte Mutter (Songs my Mother Taught Me) (arr. C. Poltera for cello and piano)
> In Folk Tone, Op. 73, B. 146 (arr. C. Poltera for cello and piano) - In Folk Tone, Op. 73, B. 146: No. 1. Dobru noc, ma mila (Good-night, my darling) (arr. C. Poltera for cello and piano)
> Polonaise in A major, B. 94 - Polonaise in A major, B. 94
> 4 Romantic Pieces, Op. 75, B. 150 (arr. C. Poltera for cello and piano) - 4 Romantic Pieces, Op. 75, B. 150: No. 4. Larghetto (arr. C. Poltera for cello and piano)
> Rusalka, Op. 114, B. 203 (arr. C. Poltera for cello and piano) - Rusalka, Op. 114, B. 203, Act I: Mesicku na nebi hlubokem (arr. C. Poltera for cello and piano)
> 4 Lieder, Op. 82, B. 157 (arr. C. Poltera for cello and piano) - 4 Lieder, Op. 82, B. 157: No. 1. Lasst mich allein (Leave Me Alone) (arr. C. Poltera for cello and piano)

Notes & Reviews:

Gramophone Magazine, January 2013
[The Sonatina] works particularly well in its new baritone and tenor register...This attests to both the sensitive way in which Poltera has adapted the music to the cello medium and to the deft and affectionate manner in which he plays it. So natural does the Sonatina sound on the cello that you wonder why Dvorak himself never thought of doing it.

BBC Music Magazine, January 2013
This recording bathes the listener in a stream of irresistable song that lingers in the memory weeks later. It also proves how well the composer's lyricism translates across timbre and sonority: this 'Song to the Moon' is as searingly effective as any I've heard sung...the recorded sound is ideal.

Notes & Reviews:

Recording information: Studio Gärtnerstraáe, Berlin (01/2011).



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