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Max Reger: Romantic Suites / Hans Schmidt-Isserstedt, North German Radio Symphony Orchestra

> Eine romantische Suite, Op. 125 - I. Notturno
> Eine romantische Suite, Op. 125 - II. Scherzo
> Eine romantische Suite, Op. 125 - III. Finale
> 4 Tondichtungen nach Arnold Bocklin, Op. 128 - No. 1. Der geigende Eremit (The Fiddling Hermit)
> 4 Tondichtungen nach Arnold Bocklin, Op. 128 - No. 2. Im Spiel der Wellen (Waves at Play)
> 4 Tondichtungen nach Arnold Bocklin, Op. 128 - No. 3. Die Toteninsel (The Isle of the Dead)
> 4 Tondichtungen nach Arnold Bocklin, Op. 128 - No. 4. Bacchanal

Album Summary

>Reger, Max [Composer] : Romantic Suite for orchestra ("After J.F. Eichendorff"), Op. 125
>Reger, Max [Composer] : Tone Poems (4) after Arnold Bocklin for orchestra, Op. 128
Conductor Ensembles Composer

Notes & Reviews:

Max Reger's Romantic Suites, scored for a large orchestra, demonstrate lyrical descriptions of mood: one based on poetry, the other based on paintings by Arnold Böcklin. Other composers, such as Rachmaninov have also been inspired by Böcklin's work. Romantic Suites provide and interesting comparison and an ingenious synthesis of several arts.



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Works Details

>Reger, Max [Composer] : Romantic Suite for orchestra ("After J.F. Eichendorff"), Op. 125
  • Conductor: Hans Schmidt-Isserstedt
  • Ensemble: North German Radio Symphony Orchestr
  • Notes: 09/20/1967-09/22/1969
  • Running Time: 28 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 09/1912

>Reger, Max [Composer] : Tone Poems (4) after Arnold Böcklin for orchestra, Op. 128
  • Conductor: Hans Schmidt-Isserstedt
  • Notes: 01/19/1972-01/20/1972
  • Running Time: 24 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 07/20/1913