Jakob Gimpel at Ambassador Auditorium - All Chopin Recital - Cambria - CBA 1070 -

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	Barcarolle, Op. 60 - Barcarolle, Op. 60
	Mazurka No. 20 in D flat major, Op. 30, No. 3 - Mazurka No. 20 in D flat major, Op. 30, No. 3
	Mazurka No. 32 in C sharp minor, Op. 50, No. 3 - Mazurka No. 32 in C sharp minor, Op. 50, No. 3
	Mazurka No. 34 in C major, Op. 56, No. 2 - Mazurka No. 34 in C major, Op. 56, No. 2
	Etudes, Op. 25 - Etude No. 13 in A flat major, Op. 25, No. 1, "Harp Study"
	Etudes, Op. 25 - Etude No. 23 in A minor, Op. 25, No. 11, "Winter Wind"
	Nocturne No. 18 in E major, Op. 62, No. 2 - Nocturne No. 18 in E major, Op. 62, No. 2
	Scherzo No. 1 in B minor, Op. 20 - Scherzo No. 1 in B minor, Op. 20
	4 Valses oubliees, S215/R37 - 4 Valses oubliees, S215/R37: Valse oubliee No. 1
	12 Etudes - 12 Etudes: No. 1. Pour les cinq doigts (For the five fingers)

Album Summary

Chopin, Frédéric : Variations brillantes on "Je vends des scapulaires" from Hérold's Ludovic, for piano in B flat major

Chopin, Frédéric : Impromptu for Piano no 2 in F sharp major, B 129/Op. 36

Chopin, Frédéric : Ballade for Piano no 1 in G minor, B 66/Op. 23

Chopin, Frédéric : Sonata for Piano no 2 in B flat minor, Op. 35 "Funeral March"

Chopin, Frédéric : Barcarolle for Piano in F sharp major, B 158/Op. 60

Chopin, Frédéric : Mazurka for piano no 20 in D flat major, Op. 30/3, CT. 70

Chopin, Frédéric : Mazurka for piano no 32 in C sharp minor, Op. 50/3, CT. 82

Chopin, Frédéric : Mazurka for piano no 34 in C major, Op. 56/2, CT. 84

Chopin, Frédéric : Etude for piano no 13 in A flat major, Op. 25/1, CT. 26

Chopin, Frédéric : Etude for piano no 23 in A minor, Op. 25/11, CT. 36

Chopin, Frédéric : Nocturne for piano no 18 in E major, Op. 62/2, CT. 125

Chopin, Frédéric : Scherzo for Piano no 1 in B minor, B 65/Op. 20

Liszt, Franz : Valse oubliée, for piano no 1, S. 215/1 (LW A311/1)

Debussy, Claude : Pour les cinq doigts d'après M. Czerny, etude for piano, L. 136/1

Performer

Jakob Gimpel (Piano)

Composers

Notes & Reviews:

"...Gimpel made a few Vox records in the middle 1940s that some old-timers still remember. On the basis of those and this recital recorded in 1987 in Ambassador Hall, Pasadena, he was indeed an important artist. He had a big, confident technique and a melting sound...There is life here, and color, and imagination. And the Liszt and Debussy encore pieces are delicious. Very good recorded sound..." -Schonberg, ARG

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