Strauss: Four Last Songs; songs; Wolf: songs / Anneliese Rothenberger, soprano; Gerald Moore & Gunther Weissenborn, piano; Andre Previn

Album Summary

>Strauss, Richard : Four Last Songs, AV 150
>Strauss, Richard : Lieder (5), Op. 48
>Strauss, Richard : Lieder (4), Op. 27
>Strauss, Richard : Lieder (6), Op. 37
>Strauss, Richard : Befreit, Op. 39 no 4
>Strauss, Richard : Lieder (8), Op. 10
>Wolf, Hugo : Italienisches Liederbuch I
>Wolf, Hugo : Italienisches Liederbuch II
>Wolf, Hugo : Wir haben beide lange Zeit geschwiegen, song for voice & piano (Italienisches Liederbuch)
>Wolf, Hugo : Elfenlied
>Wolf, Hugo : Lieder von Mörike
>Wolf, Hugo : Er ists
>Wolf, Hugo : Denk' es, o Seele!
>Wolf, Hugo : Bei einer Trauung
>Wolf, Hugo : Morike Lieder
Performers Conductor Ensembles Composers

Notes & Reviews:

In the recordings she made for Electrola in 1964, 1971 and 1974, Anneliese Rothenberger focused on two of the most important Lied composers of the late 19th century, convincing listeners as much with the subtleties of Hugo Wolf as with the rich melodies with which Richard Strauss conjures up all the magic of Late Romantic orchestral writing one last time in his Four Last Songs. These are reference recordings whose special appeal owes a lot to Andre Previn's outstanding conducting.

The Electrola Collection is a series from EMI Classics that celebrates the historic record label, Electrola. Electrola was part of the EMI Classics unit in Germany best known for their rich catalog, masterful artists and the iconic gramophone trademark. This second edition features eleven captivating titles including Otto Nicolai's The Merry Wives of Windsor, Joseph Haydn's The Creation and Rene Kollo sings Wagner and Strauss.

Notes & Reviews:

Recording information: Abbey Road Studios, London (12/13/1974-12/16/1974); Bürgerbräu, München (12/13/1974-12/16/1974); Abbey Road Studios, London (1964-07-16_1964-07-18&1971-); Bürgerbräu, München (1964-07-16_1964-07-18&1971-).



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Works Details

>Strauss, Richard : Four Last Songs, AV 150
  • Performer: Anneliese Rothenberger (Soprano)
  • Conductor: Andre Previn
  • Ensemble: London Symphony Orchestra
  • Notes: Abbey Road Studios, London (12/13/1974-12/16/1974)
  • Running Time: 20 min. 38 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1948

>Strauss, Richard : Lieder (5), Op. 48
  • Performer: Anneliese Rothenberger (Soprano)
  • Conductor: Andre Previn
  • Notes: Abbey Road Studios, London (12/13/1974-12/16/1974)
  • Running Time: 2 min. 54 sec.
  • Period Time: Post Romantic
  • Written: 1900

>Strauss, Richard : Lieder (4), Op. 27
  • Performer: Anneliese Rothenberger (Soprano)
  • Conductor: Andre Previn
  • Notes: Abbey Road Studios, London (12/13/1974-12/16/1974)
  • Running Time: 4 min. sec.
  • Period Time: Post Romantic
  • Written: 1894

>Strauss, Richard : Lieder (6), Op. 37
  • Performer: Anneliese Rothenberger (Soprano)
  • Conductor: Andre Previn
  • Notes: Abbey Road Studios, London (12/13/1974-12/16/1974)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic
  • Written: 1897

>Strauss, Richard : Befreit, Op. 39 no 4
  • Performer: Anneliese Rothenberger (Soprano)
  • Conductor: Andre Previn
  • Notes: Abbey Road Studios, London (12/13/1974-12/16/1974)
  • Running Time: 5 min. 11 sec.
  • Period Time: Post Romantic
  • Written: 1898

>Strauss, Richard : Lieder (8), Op. 10
  • Performer: Anneliese Rothenberger (Soprano)
  • Conductor: Andre Previn
  • Notes: Abbey Road Studios, London (12/13/1974-12/16/1974)
  • Running Time: 1 min. 47 sec.
  • Period Time: Post Romantic
  • Written: 1885

>Wolf, Hugo : Italienisches Liederbuch I
  • Performers: Gerald Moore (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/16/1964-07/18/1964)
  • Running Time: 2 min. sec.
  • Period Time: Post Romantic
  • Written: 12/09/1891

>Wolf, Hugo : Italienisches Liederbuch II
  • Performers: Gerald Moore (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/16/1964-07/18/1964)
  • Period Time: Post Romantic
  • Written: 03/26/1896

>Wolf, Hugo : Wir haben beide lange Zeit geschwiegen, song for voice & piano (Italienisches Liederbuch)
  • Performers: Gerald Moore (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/16/1964-07/18/1964)
  • Running Time: 2 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 12/16/1891

>Wolf, Hugo : Italienisches Liederbuch II
  • Performers: Gerald Moore (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/16/1964-07/18/1964)
  • Period Time: Post Romantic
  • Written: 04/25/1896

>Wolf, Hugo : Elfenlied
  • Performers: Gunther Weissenborn (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/07/1971-07/10/1971)
  • Running Time: 1 min. 57 sec.
  • Period Time: Post Romantic
  • Written: 03/07/1888

>Wolf, Hugo : Lieder von Mörike
  • Performers: Gunther Weissenborn (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/07/1971-07/10/1971)
  • Running Time: 1 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 02/22/1888

>Wolf, Hugo : Er ists
  • Performers: Gunther Weissenborn (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/07/1971-07/10/1971)
  • Running Time: 1 min. 31 sec.
  • Period Time: Post Romantic
  • Written: 05/05/1888

>Wolf, Hugo : Denk' es, o Seele!
  • Performers: Gunther Weissenborn (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/07/1971-07/10/1971)
  • Running Time: 3 min. 7 sec.
  • Period Time: Post Romantic
  • Written: 03/10/1888

>Wolf, Hugo : Bei einer Trauung
  • Performers: Gunther Weissenborn (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/07/1971-07/10/1971)
  • Running Time: 2 min. 12 sec.
  • Period Time: Post Romantic
  • Written: 03/01/1888

>Wolf, Hugo : Mörike Lieder
  • Performers: Gunther Weissenborn (Piano); Anneliese Rothenberger (Soprano)
  • Notes: Bürgerbräu, München (07/07/1971-07/10/1971)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Written: 03/27/1888