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Poeme d'un Jour - French & Spanish Songs by Turina, Obradors, de Falla, Hahn, Massenet / Ailyn Pérez, soprano; Iain Burnside, piano

> A Chloris - A Chloris
> Chansons grises - Chansons grises: No. 5. L'heure exquise
> Rondels (text by T. Banville) - Rondels: No. 3. Le Printemps
> Canciones Clasicas Espanolas, Vol. 1 - La mi sola, Laureola
> Canciones Clasicas Espanolas, Vol. 1 - Al Amor
> Canciones Clasicas Espanolas, Vol. 1 - Corazon, porque pasais?
> Canciones Clasicas Espanolas, Vol. 1 - El majo celoso
> Canciones Clasicas Espanolas, Vol. 1 - Con amores, la mi madre
> Canciones Clasicas Espanolas, Vol. 1 - Del cabello mas sutil
> Canciones Clasicas Espanolas, Vol. 1 - Chiquitita la novia
> Manon (arr. for voice and piano) - Manon, Act I: Je suis encore tout etourdie (arr. for voice and piano)
> Poema en forma de canciones, Op. 19 - No. 1. Dedicatoria
> Poema en forma de canciones, Op. 19 - No. 2. Nunca olvida…
> Poema en forma de canciones, Op. 19 - No. 3. Cantares
> Poema en forma de canciones, Op. 19 - No. 4. Los dos miedos
> Poema en forma de canciones, Op. 19 - No. 5. Las locas por amor
> Poeme d'un jour, Op. 21 - No. 1. Rencontre
> Poeme d'un jour, Op. 21 - No. 2. Toujours
> Poeme d'un jour, Op. 21 - No. 3. Adieu
> Manon (arr. for voice and piano) - Manon, Act II: Adieu, notre petite table (arr. for voice and piano)
> Si mes vers avaient des ailes - Si mes vers avaient des ailes
> Le rossignol des lilas - Le rossignol des lilas
> L'enamouree - L'enamouree
> 7 Canciones populares espanolas - No. 1. El pano moruno
> 7 Canciones populares espanolas - No. 2. Seguidilla murciana
> 7 Canciones populares espanolas - No. 3. Asturiana
> 7 Canciones populares espanolas - No. 4. Jota
> 7 Canciones populares espanolas - No. 5. Nana
> 7 Canciones populares espanolas - No. 6. Cancion
> 7 Canciones populares espanolas - No. 7. Polo

Album Summary

>Hahn, Reynaldo [Composer] : A Chloris, for voice & piano (from "Melodies, Book II")
>Hahn, Reynaldo [Composer] : L'Heure exquise, for voice & piano (no 5 from Chansons grises)
>Hahn, Reynaldo [Composer] : Le printemps, for voice & piano (from "Melodies, Book II" and "Rondels")
>Obradors, Fernando J. : La mi sola, laureola, for voice & piano
>Obradors, Fernando J. : Al amor, for voice & piano
>Obradors, Fernando J. : Corazon, porque pasais..., for voice & piano
>Obradors, Fernando J. : El majo celoso, for voice & piano
>Obradors, Fernando J. : Canciones Clásicas Españolas
>Massenet, Jules : Manon
>Turina, Joaquin : Poema en forma de canciones, for voice & piano (or orchestra), Op. 19
>Fauré, Gabriel : Poème d'un jour, Op. 21
>Hahn, Reynaldo [Composer] : Si mes vers avaient des ailes!, for voice & piano (from "Melodies, Book I")
>Hahn, Reynaldo [Composer] : Le rossignol des lilas, for voice & piano (from "Melodies, Book II")
>Hahn, Reynaldo [Composer] : L'Enamouree, for voice & piano (from "Melodies, Book I")
>Falla, Manuel de : Siete canciones populares espanola (7 Popular Spanish Songs), for voice & piano, G. 40
Performers Composers

Notes & Reviews:

A delightful program of French and Spanish song explores the theme of love found, enjoyed and lost, from the subtlety of Faure to the fiery passion of Turina, Obradors and de Falla. The gentle charm of Hahn and impassioned fervor of Massenet's Manon are equally captured by American soprano Ailyn Pérez, who has bewitched audiences on both sides of the Atlantic in opera and song.

International Record Review, June 2013
The singer most frequently brought to mind...is Victoria de los Angeles, partly because of the programme but also the vocal qualities on display: the delicacy, lightness and timbre of her soprano, the exquisite way she can float a vocal line and particularly the coquettish charm of her Manon.

Sunday Times, 2nd June 2013
There's a hint of Victoria de los Angeles in the programming and the style of this lovely young American soprano...In the Seven Popular Spanish Songs, she rivals de los Angeles with her alternately seductive and anguished manner.

The Guardian, 8th August 2013
She proves to be a fine exponent of French music, discreetly erotic in Fauré's Poème d'un Jour, the cycle that gives the disc its title, and breathtaking in Hahn's À Chloris, with which she opens...Iain Burnside, a fine accompanist throughout, comes into his own [in the Turina].

The Independent, 15th June 2013
Pérez's Hahn and Fauré selections are subtly shaped, but the Massenet is on a different level of immediacy and character.

American Record Guide, September/October 2013
The ease and subtlety with which Ms Perez and Mr Burnside begin this program is really very special. With 'A Chloris' the two create such an intimacy I felt almost as if I were listening in on a secret. This level of collaboration continues through this program - clean,unified, and freely moving. The program creates a wonderful arc moving flawlessly from song to song.

Notes & Reviews:

Recording information: All Saints, Durham Road, East Finchley, London (03/07/2012); St John's, Smith Square, London (03/07/2012); All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010); St John's, Smith Square, London (06/14/2010-06/16/2010).



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Works Details

>Hahn, Reynaldo [Composer] : A Chloris, for voice & piano (from "Melodies, Book II")
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1913

>Hahn, Reynaldo [Composer] : L'Heure exquise, for voice & piano (no 5 from Chansons grises)
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 2 min. 11 sec.
  • Period Time: Post Romantic

>Hahn, Reynaldo [Composer] : Le printemps, for voice & piano (from "Melodies, Book II" and "Rondels")
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 1 min. 49 sec.
  • Period Time: Post Romantic

>Obradors, Fernando J. : La mi sola, laureola, for voice & piano
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 2 min. 28 sec.
  • Period Time: Modern

>Obradors, Fernando J. : Al amor, for voice & piano
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 1 min. 7 sec.
  • Period Time: Modern

>Obradors, Fernando J. : Corazón, porqué pasáis..., for voice & piano
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 1 min. 20 sec.
  • Period Time: Modern

>Obradors, Fernando J. : El majo celoso, for voice & piano
  • Performers: Ailyn Perez; Iain Burnside (Piano)
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 2 min. 18 sec.
  • Period Time: Modern

>Obradors, Fernando J. : Canciones Clásicas Españolas
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 1 min. 31 sec.
  • Period Time: Modern

>Obradors, Fernando J. : Canciones Clásicas Españolas
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 2 min. 28 sec.
  • Period Time: Modern
  • Written: circa 1920-1945

>Obradors, Fernando J. : Canciones Clásicas Españolas
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 2 min. 33 sec.
  • Period Time: Modern
  • Form: Vocal

>Massenet, Jules : Manon :: Je suis encore tout étourdie
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Running Time: 3 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1882-1883
  • Studio/Live: Live

>Joaquín Turina (Composer) (1882 - 1949) : Poema en forma de canciones, for voice & piano (or orchestra), Op. 19
  • Performer: Iain Burnside (Piano)
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 9 min. 3 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1923

>Gabriel Fauré (1845 - 1924) : Poème d'un jour, Op. 21
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 6 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1878

>Massenet, Jules : Manon :: Adieu, notre petite table
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Running Time: 4 min. 23 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1882-1883
  • Studio/Live: Live

>Hahn, Reynaldo [Composer] : Si mes vers avaient des ailes!, for voice & piano (from "Melodies, Book I")
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1888

>Hahn, Reynaldo [Composer] : Le rossignol des lilas, for voice & piano (from "Melodies, Book II")
  • Performers: Ailyn Perez; Iain Burnside (Piano)
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 1 min. 45 sec.
  • Period Time: Post Romantic
  • Form: Choral

>Hahn, Reynaldo [Composer] : L'Enamourée, for voice & piano (from "Melodies, Book I")
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 3 min. 16 sec.
  • Period Time: Post Romantic

>Falla, Manuel de : Siete canciones populares española (7 Popular Spanish Songs), for voice & piano, G. 40
  • Performers: Iain Burnside (Piano); Ailyn Perez
  • Notes: All Saints, Durham Road, East Finchley, London (06/14/2010-06/16/2010)
  • Running Time: 12 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1914