Louis le Prince: Missa Macula non est in te

> Gaudete fideles, H. 306 - Gaudete fideles, H. 306
> Missa Macula non est in te - Kyrie
> Missa Macula non est in te - Gloria
> Gratiarum actiones pro restituta regis christianissimi sanitate anno 1686, H. 341, "Circumdederunt me dolores" - Gratiarum actiones pro restituta regis christianissimi sanitate anno 1686, H. 341, "Circumdederunt me dolores"
> Missa Macula non est in te - Credo
> Ouverture pour le sacre d'un eveque, H. 536 - Ouverture pour le sacre d'un eveque, H. 536
> O dulcissime Domine - O dulcissime Domine
> Missa Macula non est in te - Sanctus
> Elevation, H. 245, "O pretiosum" - Elevation, H. 245, "O pretiosum"
> Missa Macula non est in te - Agnus Dei
> Domine salvum, H. 299 - Domine salvum, H. 299
> Magnificat, H. 75 - Magnificat, H. 75

Album Summary

>Charpentier, Marc-Antoine : Gaudete fideles, motet for 2 voices, 2 flutes & continuo, H. 306
>Prince, Louis Le : Missa Macula non est in te
>Charpentier, Marc-Antoine : Gratiarum actiones pro restitutia regis christionissimi sanitate, motet for 2 voices, 2 flutes, 2 vi
>Charpentier, Marc-Antoine : Ouverture pour le sacre d'un eveque, for 2 flutes, oboe, strings & continuo, H. 536
>Lully, Jean-Baptiste : O dulcissime Domine, motet for 3 voices & continuo, LWV 77/9
>Charpentier, Marc-Antoine : O pretiosum et admirabile convivium, motet for 2 voices & continuo, H. 254
>Charpentier, Marc-Antoine : Exaudiat pour le roi, motet for 4 voices, choir, 2 violins & continuo, H. 180
>Charpentier, Marc-Antoine : Magnificat a 3 dessus, motet for 3 voices & continuo, H. 75
Conductor Ensemble Composers

Notes & Reviews:

The Guardian, 9th May 2013
Le Prince's polyphony is closely wrought and rather severe. Charpentier and Lully are less formal and more overtly sensuous. The performances are, as one might expect, ravishing.

Early Music Review, June 2013
This 'nuns version' is done here with great skill and performed tastefully on its own terms... fine music very well performed.

Notes & Reviews:

Recording information: L'Église de Notre Dame du Liban, Paris, France (10/2012).



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Works Details

>Charpentier, Marc-Antoine : Gaudete fideles, motet for 2 voices, 2 flutes & continuo, H. 306
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 3 min. 21 sec.
  • Period Time: Baroque
  • Written: 1670

>Prince, Louis Le : Missa Macula non est in te
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 23 min. 24 sec.
  • Form: Choral

>Charpentier, Marc-Antoine : Gratiarum actiones pro restitutia regis christionissimi sanitate, motet for 2 voices, 2 flutes, 2 vi
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 10 min. 19 sec.
  • Period Time: Baroque

>Prince, Louis Le : Missa Macula non est in te
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 23 min. 24 sec.
  • Form: Choral

>Charpentier, Marc-Antoine : Ouverture pour le sacre d'un évêque, for 2 flutes, oboe, strings & continuo, H. 536
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 3 min. 54 sec.
  • Period Time: Baroque
  • Written: ?1695

>Lully, Jean-Baptiste : O dulcissime Domine, motet for 3 voices & continuo, LWV 77/9
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 6 min. 6 sec.
  • Period Time: Baroque
  • Form: Choral

>Prince, Louis Le : Missa Macula non est in te
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 23 min. 24 sec.
  • Form: Choral

>Charpentier, Marc-Antoine : O pretiosum et admirabile convivium, motet for 2 voices & continuo, H. 254
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 3 min. 48 sec.
  • Period Time: Baroque
  • Written: 1683-1684

>Prince, Louis Le : Missa Macula non est in te
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 23 min. 24 sec.
  • Form: Choral

>Charpentier, Marc-Antoine : Exaudiat pour le roi, motet for 4 voices, choir, 2 violins & continuo, H. 180
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 3 min. 14 sec.
  • Period Time: Baroque
  • Written: 1681-1682

>Charpentier, Marc-Antoine : Magnificat à 3 dessus, motet for 3 voices & continuo, H. 75
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Running Time: 8 min. 53 sec.
  • Period Time: Baroque