Notes & Reviews:
He graduates the ascent to the Prelude's climax beautifully, however, while still leaving something in reserve for the climax of Liebestod. In the latter Kocsis demonstrates enviable control of the demisemiquaver tremolos and responds well to the rapid ebb and flow of the music's emotions. ... Kocsis's performance [of the "Feierlicher Marsch" from Parsifal] is excellent. The digital recording is at once lifelike and unobtrusive.