Antonio, Juan and Hernando de Cabezón: Glosas / Glen Wilson, harpsichord

Album Summary

>Cabezón, Antonio de : Ayme qui Voldra (after Gomberth)
>Cabezón, Antonio de : Sana me domine, glosa for keyboard
>Cabezón, Antonio de : Prenes pitie, for keyboard (after Crecquillon)
>Cabezón, Antonio de : Je fille quant dieu me donne de quoy (after Willaert)
>Cabezón, Antonio de : Ultimi miei suspiri (after Verdelot)
>Cabezón, Antonio de : Osana de la miss del home arme
>Cabezón, Antonio de : Au joli bois sur la verdure, glosa for keyboard
>Cabezón, Antonio de : Pisne me pulvenir, for keyboard (after Crequillon)
>Cabezón, Antonio de : Pour un Plaisir for organ
>Cabezón, Antonio de : Susana un Jur, Glossada De. . .
>Cabezón, Antonio de : Je pres en grey, for keyboard (after Crecquillon or Clemens non Papa)
>Cabezón, Antonio de : Ardenti miei suspiri (after Verdelot)
>Cabezón, Antonio de : Ancol que col partire, for organ
>Cabezón, Antonio de : Cancion Francesa
>Cabezón, Antonio de : Qui la dira, for keyboard (after Antonio Willaert)
>Cabezón, Antonio de : Himno Pange lingua de Urreda (Glosado), for organ
>Cabezón, Hernando de : Fantasia à 5 "Susana un jur"
>Cabezón, Hernando de : Dulce memoriae, for organ
>Cabezón, Hernando de : Ave Maris Stella
>Cabezón, Hernando de : Pis ne peult me venir
>Cabezon, Juan de : Pues a Mi, Desconsolado
>Cabezón, Antonio de : Quien llamo al partir partir
Performer Composers

Notes & Reviews:

Selected from the 1578 Obras de Música published by blind keyboard master Antonio de Cabezón's son Hernando, these glosas enrich the vast resource of Renaissance vocal music through variation and elaboration. Extra layers of polyphony and ornament crystallize the tradition of improvisation on pre-existing works, both in the splendor of the sacred, and in chansons and madrigals with more secular emotions. Antonio de Cabezón's Tientos y Glosados can be heard on Naxos 8.554836, and Glen Wilson's acclaimed recording of his complete Tientos and Variationsis on 8.572475-76.

American Record Guide, November/December 2013
We are fortunate that some music by the gifted Juan survives. Wilson makes a strong case for the Cabezons' music. Listeners may wish to get to know the vocal originals of these glosas. This will allow the listener to compare other 16th Century composers' takes on the same material and to enjoy instances of purely instrumental word-painting. Wilson helpfully points out the presence of this remarkable technique in the liner notes.

Notes & Reviews:

Recording information: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Si (06/01/2012-06/03/2012).



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Works Details

>Antonio de Cabezón (circa 1510 - 1566) : Ayme qui Voldra (after Gomberth)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 14 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Sana me domine, glosa for keyboard
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 5 min. 58 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Prenes pitié, for keyboard (after Crecquillon)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 8 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Je fille quant dieu me donne de quoy (after Willaert)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 1 min. 19 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Ultimi miei suspiri (after Verdelot)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 4 min. 22 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Osana de la miss del home arme
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 28 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Au joli bois sur la verdure, glosa for keyboard
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 2 min. 55 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Pisne me pulvenir, for keyboard (after Crequillon)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 12 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Pour un Plaisir for organ
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 1 min. 58 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Susana un Jur, Glossada De. . .
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 4 min. 10 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Je pres en grey, for keyboard (after Crecquillon or Clemens non Papa)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 2 min. 58 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Ardenti miei suspiri (after Verdelot)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 5 min. 6 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Ancol que col partire, for organ
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Cancion Francesa
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 1 min. 40 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Qui la dira, for keyboard (after Antonio Willaert)
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 2 min. 52 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Himno Pange lingua de Urreda (Glosado), for organ
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 2 min. 37 sec.
  • Period Time: Renaissance

>Hernando de Cabezón (1541 - 1602) : Fantasia à 5 "Susana un jur"
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 4 min. 40 sec.
  • Period Time: Renaissance

>Hernando de Cabezón (1541 - 1602) : Dulce memoriae, for organ
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 4 min. 19 sec.
  • Period Time: Renaissance

>Hernando de Cabezón (1541 - 1602) : Ave Maris Stella
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 2 min. sec.
  • Period Time: Renaissance

>Hernando de Cabezón (1541 - 1602) : Pis ne peult me venir
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 24 sec.
  • Period Time: Renaissance

>Juan de Cabezón : Pues a Mi, Desconsolado
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 9 sec.

>Antonio de Cabezón (circa 1510 - 1566) : Quien llamó al partir partir
  • Performer: Glen Wilson (Harpsichord)
  • Notes: Church of St. Mary Hodegetria, Piana Deglo Albanesi, Sicily (06/01/2012-06/03/2012)
  • Running Time: 3 min. 12 sec.
  • Period Time: Renaissance